Innocent people are being brutally murdered on the streets of New York City by a uniformed police officer. As the death toll rises and City Hall attempts a cover-up, Frank McCrae heads the ... See full summary »
Eddie Marino is a factory worker in New York City. He has a wife named Vickie and a son named Scott. Eddie's friend and co-worker Nick and some of the factory's other workers have formed a ... See full summary »
Johnny's sister is brutally attacked and murdered by a sadistic serial killer. At the trial, he is sentenced to be electrocuted, but a bleeding heart liberal has the sentence commuted to a ... See full summary »
A female cop is gunned down and wrongly accused of using excessive force in a hostage rescue attempt. Maniac cop returns from the dead once more to seek revenge, destroying everthing and ... See full summary »
In this remake of the classic 50s SF tale, a boy tries to stop an invasion of his town by aliens who take over the the minds of his parents, his least-liked schoolteacher and other ... See full summary »
A psychopath, troubled by his childhood abuse, loose in New York City, kills young women and takes their scalps as his trophies. Will he find the perfect woman in a photographer, and end his killing spree?
Desert Storm vet who was killed in combat rises from the grave on July Fourth, to kill the unpatriotic citizens of his hometown, after some teens burn an American flag over his burial site. Written by
I rented this in the mood for a really bad movie that I could rip to shreds but to my surprise, and despite what everyone else seems to think of it, it was actually quite good!
Yes, there are all kinds of B movie slip-ups (like school being in session in the middle of summer, the crippled and deformed blind kid who somehow has been equipped with a sixth sense after a fireworks accident the previous July 4th, and the casket being dropped off and kept in the sister's living room as if it were a new TV set or piece of furniture) but I found myself ignoring all the flaws because the actors had so much conviction in their roles, and because Lustig's camerawork was so fluid and put me under its spell. The image of that Uncle Sam on enormous stilts first peeping into some bedroom, then hobbling away from some mysterious pursuer is one of the most effective, haunting visuals I've seen in a long while.
I was aware of his reputation for sleazy shlock but the surprise here is how much restraint and sensitivity Lustig shows in so many of the scenes (though admittedly not all). Working with a typically insightful/erratic/cliched/inspired/absorbing/impossible-to-pigeonhole script by the infamous Larry Cohen, you can tell that they really have something on their mind here other than just another slasher film ripoff. There are wonderful, quiet scenes like the one where Isaac Hayes' one-legged veteran takes the impressionable kid aside and explains that killing machines like his Uncle Sam aren't heroes at all, or the one where Timothy Bottoms' grade school teacher is forced to defend his pacifist stance during the Vietnam War to a class of skeptical students. And there are just clever, little tongue-in-cheek details throughout that clue you in (if you're paying attention) to the fact that the filmmakers put real thought and consideration into the exercise.
Whatever external flaws it may have, beneath its goofy premise there's real merit here. This is a movie that possesses something which many of its big budget counterparts wish they had: a pulse.
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