| Photos (see all 5 | slideshow) |
| Mathieu Kassovitz | ... | Albert Dehousse | |
| Anouk Grinberg | ... | Servane | |
| Sandrine Kiberlain | ... | Yvette | |
| Jean-Louis Trintignant | ... | Albert Dehousse (old) | |
| Albert Dupontel | ... | Dionnet | |
| Nadia Barentin | ... | The General's Wife | |
| Bernard Bloch | ... | Ernst | |
| François Chattot | ... | Louvier | |
| Philippe Duclos | ... | Caron | |
| Danièle Lebrun | ... | Madame Dehousse | |
| Armand de Baudry d'Asson | ... | Englishman | |
| Wilfred Benaïche | ... | Henry Nervoix | |
| François Berléand | ... | Monsieur Jo | |
| Philippe Berodot | ... | Leguen | |
| Gilles Del Frate | ... | The Partisan | |
| Stefan Elbaum | ... | 'Little Versailles' Man 1 (as Stéfan Elbaum) | |
| Marc Ernotte | ... | De Vaincourt | |
| Jérôme Floch | ... | Étienne | |
| Isabelle Gruault | ... | Lutétia, Young Woman | |
| Donatien Guillot | ... | Knickerbocker | |
| Philippe Harel | ... | Information Officer | |
| Christophe Kourotchkine | ... | Little Versailles man | |
| Philippe Lehembre | ... | Maître Becquard | |
| François Levantal | ... | Delavelle | |
| Patrick Ligardes | ... | Malbert | |
| Clotilde Mollet | ... | Odette | |
| Philippe Nahon | ... | The General | |
| Yann Pradal | ... | FFI 1 | |
| Bruno Putzulu | ... | Meyer | |
| Georges Siatidis | ... | Beauchamps | |
| Laurent Vacher | ... | Maldoror Man | |
| Yves Verhoeven | ... | Boutin | |
| David Fernandes | ... | Albert (child) | |
| Xavier Arcache | ... | Jean Caron (child) | |
| Éléonore Godeau | ... | Little Girl At Kiosk | |
| Thomas Vindevogel | ... | Lout | |
| Dominique LeMonnier | ... | Violin Player | |
| Anne Villette | ... | Violin Player | |
| Geneviève Strosser | ... | Alto | |
| Vincent Segal | ... | Cello | |
| Marc Marder | ... | Double Bass | |
| Emmanuel Strosser | ... | Piano | |
| rest of cast listed alphabetically: | |||
| Françoise Gazio | ... | Serveuse (uncredited) | |
| Alexia Hugon | ... | (uncredited) | |
| Robert Isaac | ... | American soldier (uncredited) | |
Directed by | |||
| Jacques Audiard | |||
Writing credits | ||
| Jean-François Deniau | (novel) | |
| Alain Le Henry | (writer) & | |
| Jacques Audiard | (writer) | |
Produced by | |||
| Françoise Galfré | .... | executive producer | |
| Patrick Godeau | .... | producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Jean-Marc Fabre | |||
Film Editing by | |||
| Juliette Welfling | |||
Casting by | |||
| Florence Botel | |||
| Serge Boutleroff | |||
Production Design by | |||
| Michel Vandestien | |||
Art Direction by | |||
| Dominique Douret | |||
Costume Design by | |||
| Caroline de Vivaise | |||
Makeup Department | |||
| Mayté Alonso | .... | key makeup artist | |
| Dominique Colladant | .... | special makeup effects | |
| Joëlle Dominique | .... | hair stylist | |
| Eliane Gascio | .... | makeup artist | |
| Catherine Leblanc | .... | hair stylist | |
| Claire Nicolas | .... | makeup artist | |
| Marie-France Thibault | .... | hair stylist | |
Production Management | |||
| Catherine Lapoujade | .... | production manager | |
| Frédéric-Guillaume Lefebvre | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Serge Boutleroff | .... | first assistant director | |
| Olivier Coutard | .... | assistant director | |
Art Department | |||
| Emmanuel Maintigneux | .... | set dresser | |
Sound Department | |||
| Jean-Pierre Duret | .... | sound | |
| Dominique Gaborieau | .... | sound re-recording mixer | |
| François Lepeuple | .... | foley artist | |
| François Lepeuple | .... | sound effects | |
| Fred Mays | .... | post-synchronization | |
| Nicolas Naegelen | .... | sound editor | |
Special Effects by | |||
| Grégoire Delage | .... | special effects | |
| Georges Demétrau | .... | special effects | |
| Olivier Zenenski | .... | special effects | |
Camera and Electrical Department | |||
| Sophie Cadet | .... | assistant camera | |
| Laurent Hincelin | .... | assistant camera | |
| Jean-Marie Leroy | .... | still photographer | |
Casting Department | |||
| Catherine Deserbais | .... | extras casting | |
Costume and Wardrobe Department | |||
| Robert Isaac | .... | assistant costumer | |
Editorial Department | |||
| Julie Clemencin | .... | assistant editor | |
Music Department | |||
| Valérie Lindon | .... | music producer | |
Other crew | |||
| Ludovic Boullet | .... | staging assistant | |
| Pierre-Conrad Chemeteff | .... | staging assistant | |
| Olivier Coutard | .... | staging assistant | |
| Jean-Claude Flamand | .... | staging assistant | |
| Mathieu Junot | .... | location manager | |
| Claude Luquet | .... | script supervisor | |
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| L'accompagnatrice | L'armée des ombres | Underground | Papy fait de la résistance | Les misérables |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
Set in the period before, during and just after WWII, Jacques Audiard's brilliant and witty satire is about a compulsive impostor, Albert Dehousse, who so successfully convinces the French authorities that he fought in the resistance that he is made an officer in the army occupying Germany. It is not the easiest of viewing for non-French speakers who have to follow the sub-titles, but is well worth the trouble.
The movie's timeframe flashes back and forward; and director Jacques Audiard tells the story via a number of different devices, including normally acted sequences, voice-over, mock documentary interviews, newsreel footage, and even shots of the orchestra playing the background music. Mathieu Kassowitz portrays adult Albert as someone who is superficially engaging, but is empty inside, and has to consciously learn and then act out almost every gesture or emotional response. Like the film, Albert consists of disparate fragments, skillfully edited together into a convincing whole.
There is probably a pointed message here for the movie's home audience, about the way France as a whole has exaggerated WWII resistance, and swept collaboration under the carpet. But the film raises general questions about how we play roles and falsify our past histories in everyday life; it also reminds us that impostors, including some so-called celebrities, depend on our gulliblity for their success.