6.7/10
376
4 user 11 critic

Two Deaths (1995)

R | | Drama, War | 24 May 1996 (USA)
A tale of power, passion and obsession set in a politically torn Eastern European country.

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Writers:

(novel),
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1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Ana Puscasu
...
George Bucsan
...
Carl Dalakis
Sevilla Delofski ...
Ilena
Nickolas Grace ...
Marius Vernescu
...
Daniel Pavenic
...
Lieutenant
Matt Terdre ...
Leon
...
Cinca
Karl Tessler ...
Roberto Constantin
Lisa Orgolini ...
Young Ana
Niall Refoy ...
Young Pavenic
...
Captain Jorgu
...
Colonel George Lapadus
Laura Davenport ...
Marta
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Storyline

Set during a recent European revolution, when the students have just begun to rise, the film focuses on the unusual relationship between Dr. Pavenic and his housekeeper, Ana. In the midst of a night alive with the rattle of gunfire and burning buildings, the doctor tells the story of his obsession for his enigmatic housekeeper, to a dinner table of his guests. His shocking honesty eventually prompts each guest in turn, to disclose some inner corner of his own life. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Obsesssion Can Be Murder (DVD) See more »

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for strong violence, including a graphic abortion scene, nudity/sexuality and related dialogue | See all certifications »
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Details

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Release Date:

24 May 1996 (USA)  »

Also Known As:

Diplos thanatos  »

Filming Locations:

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User Reviews

 
Won't you stay for dinner?
25 December 2007 | by (the Mad Hatter's tea party.) – See all my reviews

Nicolas Roeg's compact, stark art-house drama of scarring psychology and war-torn politics is a thoroughly complex and novel narrative, but not entirely a rewarding exercise in how they patch the two themes together. The revolution of Bucharest that's happening in the streets stays mostly in the background (we get stock footage snippets), to only interrupt when necessary in the paths of the characters' self-reflection of their desire for affection and the corrupted truth of obsessive domination. I wouldn't call it one of Roeg's most arresting work in a visual sense, as his directorial display seems to be quite forward and even subdue in a small-scale production. Honestly it can look quite ugly, but this could be on purpose due to the compulsively cold context to insert that prominent imprisonment tone. Hans Zimmer's soaring music score choicely paints a brooding, and occasionally titillating scent that accordingly inter-cuts with underlining emotions and on-screen events. On this occasion he decides to feed off the dialogue driven story (based upon Stephen Dobyns' novel "The Two Deaths of Senora Puccini"), and the verbally personal play off between the well-etched characters, which can be uncomfortable and unpleasant in its passionate chains of actions revealing sexual hunger, pain and twisted tragedy. Roeg is not one to shy away from erotic seduction and empowerment, and here it's the main driving force up to its stunningly moving climax of Roeg's trademark craftsmanship. The textured performances are thoughtfully portrayed to perfection by the likes of a marvellous Michael Gambon and a gracefully enigmatic Sonia Braga. In support are admirably concise turns by Patrick Malahide, Ion Caramitru and Nickolas Grace.


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