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Twelfth Night or What You Will (1996)

Shakespeare's comedy of gender confusion, in which a girl disguises herself as a man to be near the count she adores, only to be pursued by the woman he loves.

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1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sidney Livingstone ...
Captain (as Sid Livingstone)
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James Walker ...
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Alan Mitchell ...
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Storyline

Brother and sister Viola and Sebastian, who are not only very close but look a great deal alike, are in a shipwreck, and both think the other dead. When she lands in a foreign country, Viola dresses as her brother and adopts the name Cesario, becoming a trusted friend and confidante to the Count Orsino. Orsino is madly in love with the lady Olivia, who is in mourning due to her brother's recent death, which she uses as an excuse to avoid seeing the count, whom she does not love. He sends Cesario to do his wooing, and Olivia falls in love with the disguised maiden. Things get more complicated in this bittersweet Shakespeare comedy when a moronic nobleman, Sir Andrew Aguecheek, and a self-important servant, Malvolio, get caught up in the schemes of Olivia's uncle, the obese, alcoholic Sir Toby, who leads each to believe Olivia loves him. As well, Sebastian surfaces in the area, and of course there is Feste, the wise fool, around to keep everything in perspective and to marvel, like we ... Written by Gary Dickerson <slug@mail.utexas.edu>

Plot Summary | Add Synopsis

Taglines:

Never send a boy to do a man's job, especially if he's a girl. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG for mild thematic elements | See all certifications »

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Details

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Release Date:

25 October 1996 (USA)  »

Also Known As:

Twelfth Night  »

Filming Locations:

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend:

$33,451 (USA) (25 October 1996)

Gross:

$551,545 (USA) (20 December 1996)
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Technical Specs

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Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film cast includes one Oscar winner: Ben Kingsley; and three Oscar nominees: Nigel Hawthorne, Helena Bonham Carter and Imelda Staunton. See more »

Goofs

Feste's guitar playing for Cesario (Viola) and Orsino does not match up with the soundtrack. See more »

Quotes

Orsino: Make no compare Between that love a woman can bear me And that I owe Olivia.
Cesario: Ay, but I know...
Cesario: What dost thou know?
Cesario: Too well what love women to men may owe. In faith, they are as true of heart as we. My father had a daughter lov'd a man As it might be perhaps, were I a woman, I should your lordship.
Orsino: And what's her history?
Cesario: A blank, my lord. She never told her love, But let concealment, like a worm i' th' bud, Feed on her damask cheek. She pin'd in thought; And, with a green and yellow ...
[...]
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Connections

Version of Trettondagsafton (1999) See more »

Soundtracks

Heigh-Ho, The Wind and the Rain
Music by Shaun Davey
Words by William Shakespeare
Sung by Ben Kingsley
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User Reviews

 
The height of autumnal wistfulness.
4 June 2003 | by (United Kingdom) – See all my reviews

Reading Trevor Nunn's thoughts on his film, it is easy to conclude that they were lucky to obtain such sublime weather for the large duration of the filming, in November. The Cornwall locations are absolutely enchanting; showing an England so far from the urban norm these days. The beautiful natural light, with later dark contrasts, perfectly complements the jovial, winning mood of this Shakespeare comedy brought to screen: and, what is more, this is truly beyond any sense of 'heritage cinema', as Shakespeare's genius is retained.

Yes, it is all a very 'accessible' package, but much is unusual and distinctive to this film adaptation. Ben Kinglsey is perhaps the most glaring instance of a radical re-invisioning; his acting - stripped bare of artifice - is utterly compelling and keeps you watching his every mannerism. This Feste is an eccentric, multi-talented clown and performer, but he also bears words of cutting, melancholy truth. Indeed, both are wonderfully combined with the gorgeously sad scene of Staunton, Grant and Smith listening to his sad song: they listen and the words cut into their veneers. Loneliness is at their very core. What a brilliantly rounded comedy this is; balanced by melancholy - the inch-perfect awry note struck by Hawthorne's Malvolio appearing at the end - and good will - the comradely bonhomie that Grant and Smith are indeed shown to share.

Hawthorne and perhaps more surprisingly Mel Smith and Richard E. Grant really do a fine job and imbuing some real character in their parts; treading a line between broad comedic playing and human sadness. Along with Kingsley's career-best (? not seen too many of his films) performance, they lend this film its heart, and play very well against the wonderful settings. Mackintosh and Stubbs are I guess a little less compelling, but these roles are really difficult to carry off... nothing about them really lingers too long in the memory, like Kingsley's expressions, bizarre little pieces of dance and his pared-down delivery. Helena Bonham Carter is perhaps overly assured as the vain countess dame, Olivia: oh so archly bemused when faced by the cross-gartered, prancing Hawthorne, but generally Ms. Bonham Carter is very much in her usual, predictably petulant, period-costume mode. Which is probably being unfair; she does convince, at the end of the day.

Overall then, a wonderfully colourful delight, bearing the flavour of bright, melancholy late summer-into-autumn. A strange chill is cast by the compelling Kinglsey; a sadness that cannot be dispelled. This film has light amusement in addition to this real edge, and is ultimately a very affecting rendering of a bona fide Shakesperean classic.


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