Marcy is an assistant to Senator John McGlory, who is having problems with a re-election campaign. Desperate for Irish votes, McGlory's chief of staff Nick sends Marcy to Ireland to trace ... See full summary »
For 16 years Miss Bentley has been spending April at an elegant hillside villa on Lake Como. This year, 1937, her London society artist father has recently died and the only other ... See full summary »
Sex comedy takes a look at contemporary dating mores and hypothesizes that the new dating location may be the dog walk in the park. A mild-mannered man loses his present girl friend to ... See full summary »
Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left ... See full summary »
Destiny. Faith (Marisa Tomei) believes that two soul-mates can be united if they find each other. From the Ouija board, she has found the name of her missing half, and it is D-A-M-O-N ... See full summary »
Robert Downey Jr.,
Janeane Garofalo plays Dr. Abby Barnes, the "Truth About Cats and Dogs" radio question-and-answer show host who unwittingly entices a listener over the radio with her soothing voice and personality. This listener, Brian, tries to meet the Abby from the radio, but Noelle, played by Uma Thurman, is mistaken for the real thing when Brian comes to the studio. Instead of clearing things up right away, the self-conscious Abby allows her best friend, Noelle, a tall, stunning blonde, to take her place for a while. Abby takes on the made-up persona of Donna, while thinking Brian would never go for her, a short, cute, brunette, who thinks she's unattractive. As the real Abby woos Brian over the phone and radio, Noelle, the pseudo-Abby, takes her place in the flesh. As time goes on, Abby feels more and more confident that Brian would rather have the beautiful Noelle than the simply attractive Abby. Written by
When is taking photographs of Abby, he switches from a tripod-mounted to a camera to a hand held camera. When he does this, he doesn't change the flash to the new camera (the flash hot shoe is shown to have nothing connected), yet the flash still fires.
The flashes in question are studio flash heads powered from a remote pack. They are fired via a PC sync cord which can be clearly seen attached to the PC sync socket on the left hand side of each body. See more »
You mean you want me to shove my finger up that turtle's ass?
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In the opening scene, when Janeane Garofalo is about to get on the elevator, as the credits come to an end, Micheal Lehmann's credit is crushed by the elevator doors. See more »
Without a doubt, my favorite play ever written is CYRANO DE BERGERAC, by Edmund Rostand. People can tell me it's sentimental and mawkish, but I don't care; I absolutely love it. I've seen, I think, most, if not every, movie which has been inspired by it, from the 1950 version by Jose Ferrer(the movie is stagy and changes the play, but he's wonderful), to ROXANNE in 1987, Steve Martin's wonderful re-working of the play as romantic comedy, and best of all, the 1990 version starring Gerard Depardieu(how appropriate France's greatest actor should appear in it giving his best performance). Now comes this movie, which is inspired by it(as I understand it, writer Audrey Wells is a big fan as well) rather than being an outright remake of it, but it's still quite good.
Admittedly, it all hangs on a rather thin premise; that Brian(Ben Chaplin) is unable to tell the voices of Abby(Janeane Garofalo) and Noelle(Uma Thurman) apart. But romantic comedies have had more outrageous concepts before, and no one complained about how realistic they were(like RUNAWAY BRIDE; does anyone believe that one?). And by switching genders, it's able to talk about how women are forced to conform to an impossible ideal of beauty. And yet, at the same time, the message comes through comedy, so you're not being hit over the head.
Also, the performers are quite engaging. It goes without saying Janeane Garofalo is terrific in her first lead role. She's funny, as could be expected, but as she's had to fight the impossible ideal of beauty much of her career, you can sense something personal for her, and she brings that out without getting mawkish. Uma Thurman sends up the "dumb blonde" role without condescending to her. Plus, we like Noelle for the same reason we like Christian in the original; she's actually smarter about love than Abby is(when she says of Brian, "Plus, he's got this one, tiny little fault. He loves you."). Chaplin of course has the object of desire role, which is tough to play, but he brings humor and intelligence to it. And, of course, the dog is great.
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