For 16 years Miss Bentley has been spending April at an elegant hillside villa on Lake Como. This year, 1937, her London society artist father has recently died and the only other ... See full summary »
Marcy is an assistant to Senator John McGlory, who is having problems with a re-election campaign. Desperate for Irish votes, McGlory's chief of staff Nick sends Marcy to Ireland to trace ... See full summary »
At night, baby-face Laura dresses up as a vamp and lets random guys at bars pick her up, just to drug and rob them later. But then someone starts stalking her, and a person close to her is ... See full summary »
Stewart McBain (Coleman) is a real-estate mogul who spends his living blowing up old buildings to make room to erect new buildings. All goes as planned for a new subdivision, until a group ... See full summary »
In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the ... See full summary »
A big-city cop from L.A. moves to a small-town police force and immediately finds himself investigating a murder. Using theories rejected by his colleagues, the cop, John Berlin, meets a ... See full summary »
Janeane Garofalo plays Dr. Abby Barnes, the "Truth About Cats and Dogs" radio question-and-answer show host who unwittingly entices a listener over the radio with her soothing voice and personality. This listener, Brian, tries to meet the Abby from the radio, but Noelle, played by Uma Thurman, is mistaken for the real thing when Brian comes to the studio. Instead of clearing things up right away, the self-conscious Abby allows her best friend, Noelle, a tall, stunning blonde, to take her place for a while. Abby takes on the made-up persona of Donna, while thinking Brian would never go for her, a short, cute, brunette, who thinks she's unattractive. As the real Abby woos Brian over the phone and radio, Noelle, the pseudo-Abby, takes her place in the flesh. As time goes on, Abby feels more and more confident that Brian would rather have the beautiful Noelle than the simply attractive Abby. Written by
Janeane Garofalo has been quite vocal about how unhappy she was with the film. Initially it was an independent film, but it was turned into a big-studio project when Uma Thurman signed on. Garofalo remarked,"I think it's soft and corny. The soundtrack makes you want to puke. And everybody's dressed in Banana Republic clothing. The original script and intent was very different. It was supposed to be a small-budget independent film, with a lot more complexity to the characters. When it became a studio commercial film, Abby and the guy wind up together at the end." Garofalo has since disowned the film, calling it anti-feminist. See more »
When Noelle comes to the radio station to replace Abby's bow, she is wearing a jacket. When we then see her in close up the jacket is gone. See more »
We can love our pets, we just can't LOVE our pets.
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In the opening scene, when Janeane Garofalo is about to get on the elevator, as the credits come to an end, Micheal Lehmann's credit is crushed by the elevator doors. See more »
"The Truth About Cats and Dogs" may be a charming and (rare these days) profanity free comedy, but it reveals some unpleasant truths about Hollywood and maybe American society as a whole. Janeane Garofolo plays a veterinarian who dispenses advice about pets on a radio talk show. One male caller is so taken with her voice and personality that he asks her for a physical description and a meeting. Insecure about her looks, the petite brunette describes herself as a tall blonde, and when her admirer appears at the radio station, he is introduced to Uma Thurman, a tall blonde, who agrees to trade places with Garofolo. The message of this film is that the beauty within is more important than physical attractiveness, but the other unintended message is that physical beauty is not in the eye of the beholder but determined by how closely one resembles the seemingly bulimic fashion models plastered on magazine covers. Uma Thurman is a perfect match which is the same as saying she is, in Hollywood's eyes, perfect. I couldn't disagree more. Thurman is a bag of bones and, to my eyes, not at all attractive. Garofolo, who at one point in the film is called "ugly," is, in fact, the woman with the most appeal, physically and in terms of personality. She makes this movie worth remembering.
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