For 16 years Miss Bentley has been spending April at an elegant hillside villa on Lake Como. This year, 1937, her London society artist father has recently died and the only other ... See full summary »
Marcy is an assistant to Senator John McGlory, who is having problems with a re-election campaign. Desperate for Irish votes, McGlory's chief of staff Nick sends Marcy to Ireland to trace ... See full summary »
Stewart McBain (Coleman) is a real-estate mogul who spends his living blowing up old buildings to make room to erect new buildings. All goes as planned for a new subdivision, until a group ... See full summary »
At night, baby-face Laura dresses up as a vamp and lets random guys at bars pick her up, just to drug and rob them later. But then someone starts stalking her, and a person close to her is ... See full summary »
In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the ... See full summary »
Janeane Garofalo plays Dr. Abby Barnes, the "Truth About Cats and Dogs" radio question-and-answer show host who unwittingly entices a listener over the radio with her soothing voice and personality. This listener, Brian, tries to meet the Abby from the radio, but Noelle, played by Uma Thurman, is mistaken for the real thing when Brian comes to the studio. Instead of clearing things up right away, the self-conscious Abby allows her best friend, Noelle, a tall, stunning blonde, to take her place for a while. Abby takes on the made-up persona of Donna, while thinking Brian would never go for her, a short, cute, brunette, who thinks she's unattractive. As the real Abby woos Brian over the phone and radio, Noelle, the pseudo-Abby, takes her place in the flesh. As time goes on, Abby feels more and more confident that Brian would rather have the beautiful Noelle than the simply attractive Abby. Written by
Janeane Garofalo has been quite vocal about how unhappy she was with the film. Initially it was an independent film, but it was turned into a big-studio project when Uma Thurman signed on. Garofalo remarked,"I think it's soft and corny. The soundtrack makes you want to puke. And everybody's dressed in Banana Republic clothing. The original script and intent was very different. It was supposed to be a small-budget independent film, with a lot more complexity to the characters. When it became a studio commercial film, Abby and the guy wind up together at the end." Garofalo has since disowned the film, calling it anti-feminist. See more »
When the car brakes for the bicyclist, the stunt driver locks the rear wheels to make noise and smoke. When he drives off, the rear wheels are still locked. See more »
You and I combined make the perfect woman
Dr. Abby Barnes:
No. You and I combined make the perfect political prisoner. What we really do well is act self-righteous and starve.
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In the opening scene, when Janeane Garofalo is about to get on the elevator, as the credits come to an end, Micheal Lehmann's credit is crushed by the elevator doors. See more »
I tend to dislike most of the serious romantic movies like 'Titanic' etc. They're just not my kind to be honest. Love many of the classics like 'Sabrina'. I would have enjoyed 'The Truth About Cats & Dogs' a lot more if there was a little more comedy to it. It's an okay (and forgettable) movie with some decent performances and a few good moments but at some point it seems to drag. Perhaps a little editing would have helped. On the one hand I can understand why Jeanine Garofalo is cast as the 'ugly' girl (she looks far from ugly) but, in my humble opinion, she's not portrayed as an 'ugly' girl but rather as a woman who thinks of herself as unattractive. Yet, I thought that the Lehman really went a little too far, at times, by focusing on her 'ugliness' e.g. by showing people on the street calling ugly at her character. In contrast, Uma Thurman looks a lot less attractive than usual and she's portrayed as the 'hot' one. To an extent 'Lehman' does succeed in showing the stereotypical beauty that's created by the media (Thurman's character) and what would be considered as less attractive (Garofalo's character). Garofalo is very likable. Her on screen personality here does not differ much from her other roles but she succeeds in what she set out to do. Thurman is a little over the top at times but otherwise makes a great comparison to her female co-star. The two actresses share a very warm chemistry. Ben Chaplin is quite alright and fortunately he doesn't do the American accent. In a nutshell, it's a average film that could have been better.
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