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Trojan Eddie (1996)

6.3
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Ratings: 6.3/10 from 230 users  
Reviews: 2 user | 6 critic

The story of Eddie, a small town ex con, who discovers he has talent for selling anything and everything. Eddie sees a way to rise above the low life by setting up on his own; what he ... See full summary »

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Title: Trojan Eddie (1996)

Trojan Eddie (1996) on IMDb 6.3/10

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Cast

Cast overview, first billed only:
...
Trojan Eddie
...
John Power
...
Dermot
...
Kathleen
...
Ginger
...
Raymie
...
Shirley
Angela O'Driscoll ...
Carol
Brid Brennan ...
Betty
Jason Gilroy ...
Patsy McDonagh
Maria McDermottroe ...
Rosy
...
Gerry
Britta Smith ...
Lady Cash
...
Matt
Jimmy Keogh ...
Reg
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Storyline

The story of Eddie, a small town ex con, who discovers he has talent for selling anything and everything. Eddie sees a way to rise above the low life by setting up on his own; what he didn't bargin for was the murder and mahem along the way. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Romance

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Details

Country:

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Language:

Release Date:

29 August 1997 (USA)  »

Also Known As:

Trójai Eddie  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.78 : 1
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Did You Know?

Soundtracks

Don't Laugh At Me 'Cos I'm A Fool
Written by Norman Wisdom and June Tremayne
Performed by Richard Harris
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User Reviews

 
television work
11 November 2000 | by (berkeley california) – See all my reviews



With such a good cast, it is disconcerting to see the film not quite succeed. Part of the fault lies with the writing, that misses many chances for character development, and simply abandons any pretence of creating a female role. But more subtle is the failure of tone and timing; in both respects the flaws are inherited from TV work. Tarkovsky speaks of film being about time, and this piece is a study in how a casual and episodic realism that grapples with time neither in structure nor in scene can cause a work to drift away from its purpose, and art.

There is, again from television, an ambiguity of intent: the script writer sees a chance to draw a character of some violence; then glimpses the possibility of pathos. In the end we all suffer from a retreat, in which sitcom is next in line.


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