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Three Lives and Only One Death (1996)

Trois vies et une seule mort (original title)
Take a walk into the weird world of filmmaker Raul Ruiz as he takes us to Paris for a twisted ride. A man which shares four names and four personalities (which is the real one?) is the link... See full summary »

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2 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Mateo Strano / Georges Vickers / Butler / Luc Allamand
...
Maria Gabri-Colosso, "Tania la Corse"
...
María
...
Martin
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Cécile
...
Hélène
...
André
Jean-Yves Gautier ...
Mario
Jacques Pieiller ...
Tania's Husband
Pierre Bellemare ...
Radio Narrator
Smaïn ...
Luca
...
Bum #1
Roland Topor ...
Bum #2
Jacques Delpi ...
Bum #3
Jean Badin ...
Antoine José
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Storyline

Take a walk into the weird world of filmmaker Raul Ruiz as he takes us to Paris for a twisted ride. A man which shares four names and four personalities (which is the real one?) is the link between four different, yet similar, stories involving love, lust, crime, and time. Written by Steve Richer <sricher@sympatico.ca>

Plot Summary | Add Synopsis

Genres:

Comedy | Crime

Certificate:

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Details

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Language:

Release Date:

11 October 1996 (USA)  »

Also Known As:

Three Lives and Only One Death  »

Company Credits

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Technical Specs

Sound Mix:

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Color:

(Eastmancolor)
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Quotes

Radio Announcer: Extreme happiness is a form of misery.
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Soundtracks

An die Musik, D.547
Words by Franz von Schober
Music by Franz Schubert
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User Reviews

 
Weird and Wild
29 March 2005 | by (United States) – See all my reviews

Chilean director Raul Ruiz created a weird, wild, fantastic world with Three Lives and Only One Death. Marcello Mastroianni plays four different characters in as many different stories that at first seem completely separate, but by the films end are wholly intertwined. It is beautifully, almost mystically shot, effectively using shadows, light, and computer imagery to create painted like imagery. It is a bit confusing, but wholly satisfying film.

In the first story Mastroianni plays a salesman who walked out on his wife (Marisa Paredes) twenty years ago. The wife has since found another husband (Feodor Atkine) and is living a seemingly happy life. For reasons left unexplained Mastroianni suddenly decides he wants his old life back. He catches the new husband, at a Tabac and offers to pay him 1,000 francs for a hour of his time. What proceeds is an imaginative, fantastic tale of why Mastroianni has been gone for twenty years. It is far to complicated to explain here, but lets say it involves a room with moving walls and tiny fairies who prefer to eat franc bills, but will settle for newspaper. The end of the story finds Mastroianni wanting to leave the second husband in the fantastic room, while he moves back in with his wife.

In the second story Mastroianni plays a successful professor who, for reasons that are all his own, become a beggar, and a rather successful one at that. He befriends a prostitute (Anna Galiena), who he later finds out isn't all she pretends to be, and whose husband (Jacques Pieiller)is something of a psychopath.

In the third story a young couple (Chiara Mastroianni and Melvil Poupaud) find themselves being mysteriously supported by an unnamed friend. After months of finding 1,000 francs in their mail box each week, they learn this mysterious stranger has died and left them his mansion. The catch is they must keep on a peculiar butler (Mastroianni of course) or lose everything.

The fourth story is really a means to tie all three stories together, and yes, it is weird. There is a lot going on throughout the film. It is visually stunning, complex in story, and a delight throughout. It is the type of film that really deserves a second, and third viewing to allow thoughtful absorption of the many details. In what was his second to last film before his death, Mastroianni does a masterful job playing these varied, and interesting characters.

It is a film not meant for everyone. The story is a weird and complex as anything put out by David Lynch. But for the lover of cinema, there is much to appease the appetite. It is a beautiful, layered, surreal film that is a true pleasure to watch.

Like this review? Go to www.midnitcafe.blogspot.com for more.


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