How tenuous is man's hold on civilization when survival becomes an issue? When the lights go out and stay out for several days, suburbanites Matthew and Annie learn the hard way that man is "by nature" a predatory creature. Matthew's long-time friend, Joe, happens by on the second day and a rivalry between the two friends simmers as Annie cares for her sick baby. When rumors of looting spread through the neighborhood, the two men buy a shotgun for protection but Annie throws it in the pool. Later, that same night, Joe hears a prowler downstairs and awakens Matthew. They chase the stranger from the house and out into the street where a neighbor shoots him to death. No longer safe in their own home, they decide to drive to Annie's parents some 500 miles away. Before they reach their destination, more trouble comes their way when they stop to siphon gas from an abandoned car and discover the driver in the back seat... Is this what is meant by "man's inhumanity to man?" Written by
Mark Fleetwood <firstname.lastname@example.org>
As evidenced in the movie after the electrical system breakdown, all sources of power were shut down and unresponsive, including the radio vehicles yet one police radio can be heard with the command central dispatching orders from time to time. See more »
The Martians have landed. They want our women.
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This morning, as I perused the IMDB bottom 100, I realized that my own personal worst movie ever wasn't there...The Trigger Effect. Now, in retrospect, this was a harsh assessment to make as a teenager, but I still haven't seen anything else -- and this is after YEARS of MST3K -- that has compared to this. A Rod Serling premise delivered with Ed Wood execution -- this was an absolutely pitiful waste of celluloid and a couple of generally decent actors. The Trigger Effect is boring and lame, feeble and implausible, derivative and lousy. It doesn't even qualify in the "so good, it's bad genre"... it's just bad, which is why I rank it below about a hundred other old sci-fi or spy films that at least aspired to a lower standard. The Trigger Effect aims to be a thought-provoking thriller and isn't anything close. Has anyone else noticed that David Koepp (who wrote and directed this, in addition to penning bad scripts for The Lost World and Snake Eyes, to name just two) is the worst well-paid screenwriter in Hollywood?
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