In the fascist Italy of 1935, a painter trained as a doctor is exiled to a remote region near Eboli. Over time, he learns to appreciate the beauty and wisdom of the peasants, and to ... See full summary »
Gian Maria Volonté,
Vito Polara (Suarez)is ambitious and wants to get as more power and money as possible. He decides to leave the cigarette smuggling and try to get the total control of the regional fruit and... See full summary »
Lucky Luciano is one of the bosses of the Mafia. He orders the slaughter of 40 other responsibles, therefore becoming the only boss. But a few years later he is put into jail. In 1946, he ... See full summary »
Gian Maria Volonté,
Carmine Bonavia wins election as the mayor of New York on a promise to legalize drugs. After the election, he marries Carrie and goes to his ancestral home of Sicily for their honeymoon. In... See full summary »
The police have three bookies under surveillance, but they escape and set up shop elsewhere. By chance, one of the police finds them; instead of turning them in, he demands money that his ... See full summary »
In 1950, 28-year-old outlaw Salvatore Giuliano is found gunned down in a Sicilian courtyard. Little is as it seems. The film moves back and forth between the late 1940s, when Giuliano and ... See full summary »
A small village in Latin America. Santiago have been knife in the morning. It surprise nobody. The Vicario brothers have openly declared the would kill him to avenge the lost honour of ... See full summary »
Gian Maria Volonté
This is the true story of Italian Jews returning home from Auschwitz after the war. It deals with their experiences in readjusting to life and their fears about what they will find at home. Written by
The Holocaust: with some detail you've never seen before...
I suppose everyone has seen one or more film representations of The Holocaust, but this one is different. It focuses not on the horror of the events themselves, rather, it's main thrust is struggle to return from the nightmare.
I liked the film for its apparent accuracy in location and the detail of what it was like for some of the Jews liberated from Auschwitz to find their way back to their homelands. Virtually helpless, the Jews in Primo Levi's autobiography embark on an odyssey that eventually gets them back to their homes -- at least some of them. All the more surprising is that Stalin's Soviet Union is their main benefactor throughout all of this. While this is supposed to be an autobiography, I have to wonder at some of the scenes, for example, when the train load of Jews arrives at the Munich main rail station, a former Werhmacht soldier kneels before them. In another, a Jew with barely enough food for himself, gives some bread to German POWs in Russia so that he can watch them fight over it. The irony is unmistakable.
Overall, I liked the film. It's one you have to see more than once because of all the detail. It's a bit difficult to follow the dialog in part, because much of it is in the language of the people who are represented: Poles, Russians, Ukrainians, French, Germans, Italians. Not only that, but the English dialog is accented and somewhat difficult to follow.
I intend to see it at least one or two more times in order to get the full effect of this very well done story.
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