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Trees Lounge (1996)

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Tommy is an unemployed mechanic who spends most of his time in a bar (Trees Lounge) in a small blue collar town. He seems to always be thinking, "If only X then I could stop drinking".

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3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Bronson Dudley ...
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Rob (as Anthony Lapaglia)
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Steven Randazzo ...
Vic
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Rockets Redglare ...
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Richard Boes ...
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Storyline

Things aren't going so well for Tommy Basilio. He lost his job because he "borrowed" money from the register, his girlfriend left him for his boss and is now pregnant, and he can't find work because of the incident. His life revolves around the Trees Lounge, a neighborhood bar over which he lives, full of the colorful eccentrics one finds in such places, like the estranged husband, or the old boozer drinking himself to death. He drunkenly wanders through his life, still in love with his ex, desperate for some sort of meaning beyond the bar, some sort of meaning to his life. Written by Gary Dickerson <slug@mail.utexas.edu>

Plot Summary | Add Synopsis

Taglines:

A story about one man's search... for who knows what

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for plentiful strong language and some drug content | See all certifications »

Parents Guide:

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Details

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Release Date:

11 October 1996 (USA)  »

Also Known As:

Bizim kafe  »

Box Office

Budget:

$1,300,000 (estimated)

Opening Weekend:

$39,830 (USA) (11 October 1996)

Gross:

$695,229 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Serval actors that appeared In Trees lounge also appeared in Goodfellas, Suzanne Shepherd Debi Mazar Kevin Corrigan Michael Imperioli and Samuel L. Jackson. See more »

Goofs

During the opening credits, an old man at the bar orders a large glass of liquor, filled with ice. In the next shot, there's no ice in the glass. However, this is a deliberate technique by the director to indicate the passing of time at Trees Lounge. See more »

Quotes

Tommy: Everybody's fucked up, but nobody wants anybody else to think they are, but everybody knows they are anyway.
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Connections

References The Karate Kid (1984) See more »

Soundtracks

OFF THE HOOK
Written and Performed by Earl Hooker
Published by Tradition Music/administered by Bug Music, Inc.
Courtesy of Arhoolie Record Co.
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User Reviews

Amusing and low-key debut from indie king Buscemi
6 November 2002 | by (United Kingdom) – See all my reviews

Small town deadbeat Tommy, spends the majority of his time drinking at the Trees Lounge and trying to find comfort with anything in a skirt. Meanwhile his ex-best friend is with his ex-girlfriend who may or may not be carrying Tommy's child. Tommy drifts day to day before finding himself a job and a new friend.

This was Buscemi's first attempt as director and is semi-autobiographical in it's plot. Plot, however is a poor way to describe this film's story. Rather it is an amusing character piece, following Tommy through his life. Tommy is likeable but is also selfish, clueless, aimless and friendless. We like him because he has a good loser-quality to him that brings part sympathy and part empathy. During the film he hurts many through his selfish actions and his life is consistently aimless and pointless. However it still manages to be interesting because of Tommy. Even when I didn't care about him the story had enough good support characters and goings on to keep me interested.

Buscemi as actor is just as good – doing a weasely version of himself but managing to keep him just likeable enough to get by. It something about the way that Tommy clearly hurts himself all the way that makes it hard to dislike him. The support cast are all very good. Junior, Kane et al do well as the various barflies while LaPaglia, Bracco, Baldwin, Imperioli, Rogers and Jackson all deliver well on their various roles. Sevingy is very good again in another sexually laced child role – but I'm glad she's not been typecast too much since Kids.

Overall this is plot light but is still interesting, amusing and enjoyable. Buscemi directs with a light touch and keeps everything light until the sombre final shot.


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