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Trees Lounge (1996)

 -  Comedy | Drama  -  11 October 1996 (USA)
7.2
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Ratings: 7.2/10 from 10,150 users  
Reviews: 64 user | 41 critic

Tommy is an unemployed mechanic who spends most of his time in a bar (Trees Lounge) in a small blue collar town. He seems to always be thinking, "If only X then I could stop drinking".

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Title: Trees Lounge (1996)

Trees Lounge (1996) on IMDb 7.2/10

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Cast

Cast overview, first billed only:
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Bronson Dudley ...
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Rob (as Anthony Lapaglia)
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Steven Randazzo ...
Vic
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Rockets Redglare ...
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Richard Boes ...
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Storyline

Things aren't going so well for Tommy Basilio. He lost his job because he "borrowed" money from the register, his girlfriend left him for his boss and is now pregnant, and he can't find work because of the incident. His life revolves around the Trees Lounge, a neighborhood bar over which he lives, full of the colorful eccentrics one finds in such places, like the estranged husband, or the old boozer drinking himself to death. He drunkenly wanders through his life, still in love with his ex, desperate for some sort of meaning beyond the bar, some sort of meaning to his life. Written by Gary Dickerson <slug@mail.utexas.edu>

Plot Summary | Add Synopsis

Taglines:

A story about one man's search... for who knows what

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for plentiful strong language and some drug content | See all certifications »

Parents Guide:

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Details

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Release Date:

11 October 1996 (USA)  »

Also Known As:

Bizim kafe  »

Box Office

Budget:

$1,300,000 (estimated)

Opening Weekend:

$39,830 (USA) (11 October 1996)

Gross:

$673,269 (USA) (13 December 1996)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Steve Buscemi's brother Michael Buscemi and son Lucian Buscemi appear in the film. Buscemi's father also appears as well although he is only in the background. See more »

Goofs

When Tommy reminds Debbie to collect her bag when he is dropping her off, you can see a crew person in corner of screen as well as in the window reflection. See more »

Quotes

Marie: You don't go to work every day. You go to a bar every day.
See more »

Connections

References The Karate Kid (1984) See more »

Soundtracks

YOU ALWAYS HURT THE ONE YOU LOVE
Written by Doris Fisher & Allan Roberts
Performed by Brenda Lee
Published by Doris Fisher Music/Starstreet J.V. and Allan Roberts Music/Music Sales
Courtesy of MCA Records, Inc.
See more »

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User Reviews

 
Up is Down, Down is Up
19 February 2001 | by (A Place is Just A Place) – See all my reviews

For once (at last) extremes inform the middle, the down-and-out the up-and-in, Long Island blue collar barflies the rest of us so-called well-adjusted's. This demands the proper mix of compassion and dispassion, which for Buscemi, as for others similarly gifted, leads to an almost inseparable mix of comedy and pathos: up is down, down is up.

Buscemi plays himself, or what he probably would have been had he not found his talent in movie making, namely, a "loser" trapped in a downward spiral of unemployment, drugs, alcohol, and loneliness, familiar ingredients of endless movies, TV docudramas, talk shows, and news, all humbuggery and false preaching; so familiar, in fact, as to pose an American fixation, something we see so much of that we no longer see at all.

He's not afraid to let things get ugly, really ugly, down right squalid. An unemployed, unemployable car mechanic ends up by default driving an ice cream truck through the sun-drenched tree-lined streets of suburbia, a peculiarly American version of hell. Strange to say, the whole mess is uplifting and absurd; Buscemi loves his characters, warts and all; he warms us to them with a wealth of detail, emerging us in a whole crowd of people, complete with its own history and past, each member whole and completely formed, with hardly a trace of exaggeration or artifact, a false note or cliche.

Because more is at stake--the "American dream"--this is a better movie than Buscemi's i Living in Oblivion (1995), which was about the trials and tribulations of making an independent film on a shoe-string. Because both films are centered on the social life of a bar, comparison to Barbet Schroeder's i Barfly is inviting; but the latter's hero is a diamond in the rough, while the one here is just a schmegegge.


5 of 7 people found this review helpful.  Was this review helpful to you?

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