When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
In Canton, Mississippi, 10-year-old Tonya Hailey is viciously brutalized by two white racist rednecks -- James Louis "Pete" Willard and Billy Ray Cobb. Almost immediately after Tonya is found and rushed to a hospital, Pete and Billy Ray are found at a roadside bar, where they had been bragging about what they did to Tonya. Tonya's understandably distraught and enraged father, Carl Lee Hailey, remembers a case from a year ago, when four white men raped an African-American girl in a nearby town, and got acquitted. Carl is determined to not let that happen in this case. While deputy Dwayne Powell Looney is escorting Pete and Billy Ray up a flight of stairs to a court room, Carl emerges from the building's basement with an assault rifle, and he kills Pete and Billy Ray for what they did to Tonya. Carl is later arrested at his house by African-American sheriff Ozzie Walls, and Carl is scheduled to be placed on trial. Despite the efforts of the NAACP and local African-American leaders to ... Written by
..most people missed the point the movie is not present-day..
I had to stop reading the commentaries, because some people thought they were attorneys and rambled-on about injustice. My Friends, in the era this film is about, none of the story would be unusual. There are prejudices much worse even now - I was amazed that one person actually compared this wonderful film to "Crash": give the world a break!! If "Crash"...Ugh!...proved anything, is was to reassure EVERYONE racism is still America's cancer.
I am from Biloxi, Mississippi - along the Gulf Coast. That city has always been a melting-pot, so many different races live together. In my youth, it was Czechs and other European races. Today, can you believe, it is Vietnamese ! The city has also always been a tourist-area, and always had some form of gambling before it became The Las Vegas of the South - perhaps that has tempered the people there from the state's interior's citizens. Canton - during the '60s - would have been just as it is portrayed in this film.
Because of the many TV-courtroom sitcoms, etc., today's population would wonder why there was no strongly-worded assurance the district attorney planned "to appeal". What? We are not talking about modern-day justice in this film - Shamefully, this is Mississippi at its worst, and I know about that. We didn't have this kind of racism in Biloxi then, perhaps because African-Americans "stayed in their place", a shameful statement if there ever were one. All the foreigners and citizens of other states who are not aware of those days - how can you comment on the film, except to give a critique ? Like many of the people who wrote commentaries, I can watch this film once-a-month. ALL of the cast gave a superb performance; the story did not drag; the places that were filmed were true-to-life; to some folk's surprise, there ARE people who live in the state who do not speak like idiots: people think I'm English!; Mathew Mc was astounding and Sandra Bullock's performance was exactly as it should have been, as an activist "little rich girl"; Southern gave a true performance of a alcoholic lawyer; Sam Jackson was masterful and expressed the difference in being "white" and "black"; Kevin Stacy's portrayal of a Southern lawyer with all the connections, right on; I can think of no one who wasn't brilliantly cast.
Missed by many people who made comments, this film is a statement that today we are brutally MEAN to one another: "Crash" re-states this fact, although it is not nearly as poetic. Do I own this film? You betcha!! I'll most likely have to buy another, and it will be money well-spent. Grishom knows how to get our attention, and "A Time to Kill" clearly demonstrates all who were involved in its making were determined to keep his story pure. Wake-up, People - many parts of our world are not pretty today......
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