Angel, an exterminator recently released from a mental hospital, comes to rid a small Spanish town of tiny grubs in the soil. The local wine-making industry has found these pests ... See full summary »
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A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
In 'Gegen die Wand' Cahit, a 40-something male from Mersin in Turkey has removed everything Turkish from his life. He has become an alcoholic drug addict and at the start of the movie wants... See full summary »
Angel, an exterminator recently released from a mental hospital, comes to rid a small Spanish town of tiny grubs in the soil. The local wine-making industry has found these pests responsible for giving their product an "earthy" taste that has divided local opinion. While in town, Angel becomes involved with two beautiful and very different women, and impacts their lives on a grand scale. Can either of these women accept the fact that Angel travels with a "ghost" of himself, or that he routinely speaks with the deseased townspeople? Written by
Julio Medem's 'Tierra' has that same feel of surrealism, poetry and magic that his other works, namely 'Vacas', 'Los Amantes del Circulo Polar', 'La Ardilla Roja'. His films are a genre of their own. Medem has penned a solid screenplay and done a fine job of showing it on screen. He often works on a broad campus.
The visuals are very simple yet the way Medem and his cinematographer Javier Aguirresarobe capture them makes them look extraordinary. The film is set in a remote Spanish countryside surrounded by simple earthy brown landscape. Yet the moving images beautifully capture the richness of texture, mood, emotion, sound, symbolism and dialogue. Alberto Iglesias's score is equally spellbinding. Carmelo Gómez, Emma Suárez, Karra Elejalde, Silke and Nancho Novo are in top form. Gómez does one of his best works here.
I'll refrain from mentioning anything about the story because, like most of Medem's films, this one is more worthy experiencing rather than just hearing.
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