| Julius Epstein | ... | Himself | |
| Max Epstein | ... | Himself | |
| William Epstein | ... | Himself | |
| Gary Lawrence | ... | Himself | |
| Joel Rubin | ... | Himself |
Directed by | |||
| Stefan Schwietert | |||
Writing credits(in alphabetical order) | ||
| Thomas Kufus | ||
| Stefan Schwietert | ||
Produced by | |||
| Martin Hagemann | .... | producer | |
| Thomas Kufus | .... | producer | |
| Edward Rosenstein | .... | producer | |
Cinematography by | |||
| Robert Richman | |||
Film Editing by | |||
| Arpad Bondy | |||
Sound Department | |||
| Aleksandr Gruzdev | .... | sound mixer | |
| Martin Steyer | .... | sound re-recording mixer | |
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| Still Before | John Lee Hooker: That's My Story | The Last Klezmer: Leopold Kozlowski, His Life and Music | Step Across the Border | Martha Argerich, conversation nocturne |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb Germany section |
This was great for documenting these very interesting musical brothers. Two of the three died within four years after the release of the film, the end of an era.
Lots of unique music and wonderful stories of a musical group that was at one time the toast of their specific community in NYC. My only complaint is the movie is in black and white. I don't see the point. Color would have added so much more to the picture.
The music is historic, but they are not recreating the olden days. All the scenes are contemporary. So just film it in color, nothing lost!!!
It is certainly worth seeing for the musical value and the historical extra value.