The story of two men on different sides of a prison riot -- the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.
Why is death and violence so fascinating? Is it morally correct to show violence in movies? If so, is there a limit to what we should show? That's the subject of Ángela's examination paper. She is a young student at a film school in Madrid. Together with the student Chema (who is totally obsessed with violent movies) they find a snuff movie in which a young girl is tortured and killed. Soon they discover that the girl was a former student at their school... Written by
Mattias Pettersson <email@example.com>
The film had a relatively small budget of P116 million - equal to about 696,000 EUROS. See more »
At 54 min the door Chema is trying to break into has the handle on the left hand side. However, when he opens the door and we see him from the inside, the handle has switched to the opposite side. See more »
If it were in English, it would have made millions
Tesis is one of the finest Spanish films of the last 10 years. God help us if Tom Cruise remakes this first Amenabar gem as he has Abre los ojos> Vanilla Sky coming soon, blech! Using the iconic gaze of Ana Torrent--see her at 6 in Spirit of the Beehive or at 10 in Cria!-- Amenabar makes an obvious but still gripping statement about modern society's facination with violence in the media. Using phenomenal tracking shots, cross-referenced pov and suspenseful tension to maximum effect, he and his cast convert what could have been a hack DePalma style Hitchcock ripoff into art. An awareness of contemporary Spain certainly helps, as much that we Americans consider passe was fairly new over there at the time (not in 2001, alas.) Fele Martinez at his best, too.
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