Character actor Michael Shannon has been nominated for his second Oscar for his role in the 2016 thriller Nocturnal Animals. "No Small Parts" takes a look at some of the other characters he's played in the past.
The story of two men on different sides of a prison riot -- the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.
A historical drama set in Roman Egypt, concerning a slave who turns to the rising tide of Christianity in the hope of pursuing freedom while falling in love with his mistress, the famous philosophy and mathematics professor Hypatia of Alexandria.
Why is death and violence so fascinating? Is it morally correct to show violence in movies? If so, is there a limit to what we should show? That's the subject of Ángela's examination paper. She is a young student at a film school in Madrid. Together with the student Chema (who is totally obsessed with violent movies) they find a snuff movie in which a young girl is tortured and killed. Soon they discover that the girl was a former student at their school... Written by
Mattias Pettersson <firstname.lastname@example.org>
In Angela's room you can see a poster of The movie My Own Private Idaho See more »
At 54 min the door Chema is trying to break into has the handle on the left hand side. However, when he opens the door and we see him from the inside, the handle has switched to the opposite side. See more »
This film is an efficient thriller from Spain. It deals with the popular urban legend of "snuff" films (films which depict a real-life murder committed purely for the sake of the film).
The plot involves a young film student Angela (Ana Terrant) who is doing a thesis on cinematic violence. To research her thesis she seeks out the most extreme violence films she can find and accidentally stumbles upon a snuff film depicting the torture and murder of a fellow student from her university. She soon starts investigating the film.
The film is well-made and well-acted with several effective scares and twists. It's main message is that the people who watch violent films are in some way accomplices to the violent acts that they watch. This is an old point that has been made several times before. It also deals with the attraction of the forbidden. For example, in the opening scene, Angela goes to see a dead body on a railway track, partly because she has been told not to. Just when she, and the audience, are about to see the body she is stopped. In another scene, Angela is looking away from the snuff film but takes a quick look when she is told not to.
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