Lucas and Clementine live peacefully in their isolated country house, but one night they wake up to strange noise... they're not alone... and a group of hooded assailants begin to terrorize them throughout the night.
The mutilated body of a six year old girl is found in a water hole. The girl is identified as the missing daughter of Claudia. However, only two peices of evidence could be used to identify... See full summary »
In order to finance his law studies, Martin starts as a night watchman in a mortuary. When the victims of a serial killer of prostitutes are deposited there, scary things begin to happen. ... See full summary »
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
Jigsaw locks a few unlucky people in a booby trapped shelter and they must find a way out before they inhale too much of a lethal nerve gas and die. But they must watch out, for the traps Jigsaw has set in the shelter lead to death also.
Darren Lynn Bousman
Why is death and violence so fascinating? Is it morally correct to show violence in movies? If so, is there a limit to what we should show? That's the subject of Ángela's examination paper. She is a young student at a film school in Madrid. Together with the student Chema (who is totally obsessed with violent movies) they find a snuff movie in which a young girl is tortured and killed. Soon they discover that the girl was a former student at their school... Written by
Mattias Pettersson <firstname.lastname@example.org>
Not Amenábar's best, but quite possibly the best film concerning the phenomenon of snuff films
I've seen all of Alejandro Amenábar's features, except for Mar Adentro. This is less "Hollywood" than The Others, but I do find Abre Los Ojos to be a better film than this one(have more flu-induced nightmares, Alejandro! Just kidding), more themes, perhaps. That is by no means to disregard this film... never. It is a well-done psychological horror-thriller of well-established moods and atmosphere, and the themes explored, the questions raised... the film is sure to spark debate. A feature directing debut, this fact is at times evident... it has a slow pace at times, and seemed to move at a rather bland pace throughout the film. It often jumps from a potentially exciting scene to a dull one, as well. I won't claim that the plot is ingenious... it's, in fact, almost more of a vehicle for the themes. It drives the film just fine, but if what you want is a well-crafted mystery or crime story, look elsewhere. The direction has clever moments, and is just about flawless, throughout. The film manages to be somewhat unpredictable, by having many scenes take unexpected turns, but the mystery was a little predictable, and too easy to figure out; who the villains were came as no real surprise. What I liked about it, what I really liked, was the way it questioned the idea of snuff films, and the way it further explored the reason snuff films exist... they didn't come out of nowhere or nothing, and this acknowledges that fact. It doesn't say that violence is wrong, nor does it claim that only mentally unstable people enjoy watching it... in fact, it takes a neutral stance on the subject, and lets the viewers decide for themselves... but not before showing us that even the most non-violent and emotionally stable person can - if only slightly - be driven towards watching and maybe even slightly enjoying violence, and/or being fascinated by death. Amenábar reaches out and pulls out everyone's dark side in this movie; no one who watches it will come out entirely without questioning their own thoughts about violence. The acting is good, the characters are generally well-written, the film manages to build up a lot of suspense(even though it is somewhat easy to figure out who the "bad guys" are) and tension(masterfully so). Near the middle of the film there is a truly claustrophobic sequence, which anyone suffering, even mildly, from claustrophobia will have a hard time getting through. The film carefully dodges most(!) of the typical Hollywood clichés, and manages to keep the film interesting and exciting, despite being somewhat poorly paced. All in all, a thriller which should be worthwhile to, well, pretty much anyone. It doesn't require you to be a certain age to understand it(though I will recommend that you are at least old and/or hardened enough to take the themes, and what violence is featured). This isn't about showing violence(I challenge anyone to claim or prove the violence herein can be classified as exploitative, by almost any standard), all the violence shown is there for a reason. I recommend it to fans of horror-thrillers, in particular psychological ones, fans of Amenábar's other work, and people who just like a movie to mess with their minds a little, and have their values screwed up a little. 8/10
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