A historical drama set in Roman Egypt, concerning a slave who turns to the rising tide of Christianity in the hope of pursuing freedom while falling in love with his mistress, the famous philosophy and mathematics professor Hypatia of Alexandria.
Amid the spectacular festivities of Holy Week in Seville, an aspiring novelist stuggles with his work and pays his bills by composing crossword puzzles. A cryptic recording left on his ... See full summary »
A basque priest finds by means of a cabalistic study of the bible that the anti-christ is going to be born on Christmas day in Madrid. Helped by a heavy-metal fan and by the showman of a TV... See full summary »
Álex de la Iglesia
Armando De Razza,
What if ... you let a stranger into your house to use your phone, but while you've been patiently waiting in the kitchen, he just disappears ... or does he? Félix, an architect who has just... See full summary »
Why is death and violence so fascinating? Is it morally correct to show violence in movies? If so, is there a limit to what we should show? That's the subject of Ángela's examination paper. She is a young student at a film school in Madrid. Together with the student Chema (who is totally obsessed with violent movies) they find a snuff movie in which a young girl is tortured and killed. Soon they discover that the girl was a former student at their school... Written by
Mattias Pettersson <firstname.lastname@example.org>
First effort by now affirmed Spanish director Amenebar, Tesis starts brilliantly (with a magnificent mix of music and images) and it develops perhaps too slowly and with a unsatisfying ending - at least for a mystery lover - butt it is for a rest a perfect machine explaining how a movie works, how it captures the attention of the viewers. Its aim and final analisys of the movie event and how violence is the basis of today's society could be debatable, but Amenebar has a gift to take good script and turn them in masterpieces.
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