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The Other Side of Sunday (1996)
"Søndagsengler" (original title)

 -  Comedy | Drama  -  1 May 1998 (USA)
7.1
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Ratings: 7.1/10 from 998 users  
Reviews: 13 user | 3 critic

The Other Side of Sunday, Also known in Norwegian as "Sndags Engler", is a movie that criticizes the small, and often tight church community. We follow the Preachers Daughter; Maria in her ... See full summary »

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Title: The Other Side of Sunday (1996)

The Other Side of Sunday (1996) on IMDb 7.1/10

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Nominated for 1 Oscar. Another 9 wins & 2 nominations. See more awards »
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Cast

Cast overview:
Marie Theisen ...
Maria
Hildegun Riise ...
Mrs. Tunheim
Bjørn Sundquist ...
Johannes, her Father
Sylvia Salvesen ...
Moren
Martin Dahl Garfalk ...
Olav
Ina Sofie Brodahl ...
Anna
Ann Kristin Rasmussen ...
Birgit
Jørgen Langhelle ...
Young Priest
Hallvard Holmen ...
Seaman
...
Bård
Petter Width Kristiansen ...
Pål Helge (as Petter With Kristiansen)
Henriette Engesæth ...
Tulla
Kristian Aaby ...
Stian
Edit

Storyline

The Other Side of Sunday, Also known in Norwegian as "Sndags Engler", is a movie that criticizes the small, and often tight church community. We follow the Preachers Daughter; Maria in her journey to liberate herself from the stiff church community and her father. Written by Ole Pettersen <Petters@eunet.no>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

PG-13 | See all certifications »
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Release Date:

1 May 1998 (USA)  »

Also Known As:

The Other Side of Sunday  »

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User Reviews

Taste of Sunday afternoon
28 January 2007 | by (Romania) – See all my reviews

Beautiful film for the art to describe the ineffable essence of an age, the subtle desire, the fear of social class, the image of religious vision like strong and necessary shell , the forms of beauty. It is exploration of a special metamorphosis in a delicate way, in kindly images, refined colors, with deep respect for atmosphere's details.

A young girl in an ambiguous war with a rigid world. A father for who the rules are untouchable, hypocritical gestures of a small universe, ethics like masks of general peace, slices of ordinary existence and vagueness of desires, dreams and feelings.

Mary is not a victim or rebel spirit. She is only explorer of her life. Her bold gestures or words, the innocent game, the refuge beyond the family's sphere are not elements of a real fight but steps for self definition.

It is a splendid film for the science to suggest the forms of existence's assume. For the sweet colors and for gentleness of artistic expression. For the discover of emotions like seeds of everyday. For the taste of Sunday.


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