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Satirical comedy follows the machinations of Big Tobacco's chief spokesman, Nick Naylor, who spins on behalf of cigarettes while trying to remain a role model for his twelve-year-old son.
Five high school students, all different stereotypes, meet in detention, where they pour their hearts out to each other, and discover how they have a lot more in common than they thought.
When his only friend dies, a man born with dwarfism moves to rural New Jersey to live a life of solitude, only to meet a chatty hot dog vendor and a woman dealing with her own personal loss.
Director:
Thomas McCarthy
Stars:
Peter Dinklage,
Paul Benjamin,
Bobby Cannavale
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
Director:
Curtis Hanson
Stars:
Michael Douglas,
Tobey Maguire,
Frances McDormand
This is a story about Mike, a guy who left his girl in New York when he came to LA to be a star. It's been six months since his girlfriend left him and he's not doing so good. So, his pal and some other friends try and get him back in the social scene and forget about his 6 year relationship. Written by
Kevin Gillease <gillease@scf.usc.edu>
I chanced upon Swigers one evening after reading an article on writer/star Jon Favreau, and trying to figure out which character he played in Friends (it's Pete Becker by the way); don't you love it when you uncover a gem. From the opening credits, set to Dean Martin crooning "You're Nobody Until Somebody Loves You", I knew that this film was the very personification of cool, spawning one of the coolest characters in any film...ever, that being Trent Walker played by Vince Vaughn, with a swinging soundtrack and a real sense of fun which you don't often get in mainstream Hollywood; and this film is effortless in a way which Tarantino could only dream about.
The story centres around Favreau's loser-in-love Mikey, trying to make a living as an actor in L.A after leaving his long-term girlfriend behind in New York. His best buddy, Trent, tries incessantly to get Mikey back 'into the game' so to speak; cue a trawl around L.A's hippest night-spots, some hilarious insight into dating rituals (when is it cool to call? 2 days?), and a trip to Las Vegas in which Trent tries to 'pull a Fredo' (bedding cocktail waitresses two at a time). The central duo are ably supported by a cast of lovable rogues, all intent on getting laid.
Doug Liman directs in a laid-back manner, befitting of the film, and Favreau's script (based on Vaughn and himself) is full of witty insights and in-jokes, as well as enough movie references to keep everyone happy.
Although the characters are almost impossibly cool, they never appear obnoxious due to the over-riding sense that they are just a bunch of lovable losers trying to con their way into the beds of L.A's female population; sometimes succeeding, sometimes not, and there is a certain sweetness added by Favreau's predicament. The pay-off is cool, Favreau finally 'getting digits' and we are left with a role-reversal between the two main protagonists as Trent makes a fool of himself with a woman in the closing scene.
Altogether a classy, breezy, often hilarious film, a certain cult classic, and a fine addition to the date movie genre.
21 of 33 people found this review helpful.
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I chanced upon Swigers one evening after reading an article on writer/star Jon Favreau, and trying to figure out which character he played in Friends (it's Pete Becker by the way); don't you love it when you uncover a gem. From the opening credits, set to Dean Martin crooning "You're Nobody Until Somebody Loves You", I knew that this film was the very personification of cool, spawning one of the coolest characters in any film...ever, that being Trent Walker played by Vince Vaughn, with a swinging soundtrack and a real sense of fun which you don't often get in mainstream Hollywood; and this film is effortless in a way which Tarantino could only dream about.
The story centres around Favreau's loser-in-love Mikey, trying to make a living as an actor in L.A after leaving his long-term girlfriend behind in New York. His best buddy, Trent, tries incessantly to get Mikey back 'into the game' so to speak; cue a trawl around L.A's hippest night-spots, some hilarious insight into dating rituals (when is it cool to call? 2 days?), and a trip to Las Vegas in which Trent tries to 'pull a Fredo' (bedding cocktail waitresses two at a time). The central duo are ably supported by a cast of lovable rogues, all intent on getting laid.
Doug Liman directs in a laid-back manner, befitting of the film, and Favreau's script (based on Vaughn and himself) is full of witty insights and in-jokes, as well as enough movie references to keep everyone happy.
Although the characters are almost impossibly cool, they never appear obnoxious due to the over-riding sense that they are just a bunch of lovable losers trying to con their way into the beds of L.A's female population; sometimes succeeding, sometimes not, and there is a certain sweetness added by Favreau's predicament. The pay-off is cool, Favreau finally 'getting digits' and we are left with a role-reversal between the two main protagonists as Trent makes a fool of himself with a woman in the closing scene.
Altogether a classy, breezy, often hilarious film, a certain cult classic, and a fine addition to the date movie genre.