28-year-old Kansas University doctoral student Omar Razaghi wins a grant to write a biography of Latin American writer Jules Gund. Omar must get through to three people who were close to ... See full summary »
Chekov's Uncle Vanya, transposed to turn-of-the-century North Wales, where the peace and tranquility of a country house is disturbed by the arrival of the estate's tyrannical owner and his ... See full summary »
Joseph K. awakes one morning, to find two strange men in his room, telling him he has been arrested. Joseph is not told what he is charged with, and despite being "arrested," is allowed to ... See full summary »
David Hugh Jones
A young engineer is sent to post-WWII Berlin to help the Americans in spying on the Russians. In a time and place where discretion is still a man's best friend, he falls in love with a ... See full summary »
In 1943, a young painter, Françoise Gilot (1921- ) meets Pablo Picasso (1881-1973), already the most celebrated artist in the world. For the next ten years, she is his mistress, bears him two children, is his muse, and paints within his element. She also learns slowly about the other women who have been or still are in his life: Dora Maar, Marie- Thérèse (whose daughter is Picasso's), and Olga Koklowa, each of whom seems deeply scarred by their life with Picasso. Gilot's response is to bring each into her relationship with Picasso. How does one survive Picasso? She keeps painting, and she keeps her good humor and her independence. When the time comes, she has the strength to leave. Written by
Merchant Ivory Productions faced strong objections from Francoise Gilot and her son, Claude, when making this film. Claude Picasso met once with the Merchant-Ivory team but then strongly objected to the making of the film, petitioning the studio to stop production. Gilot had written her story in the book "Life with Picasso" in 1964, which Picasso had tried to stop from being published; the filmmakers were unable to acquire the rights. Instead they used Arianna Huffington's "Picasso: Creator and Destroyer" as the basis for Ruth Prawer Jhabvala's script. See more »
As far as context goes, I had already known most of the material from biographies in other sources. There were only a couple new aspects to this one. The acting was superb. Anthony Hopkins and Natascha McElhone were passionate and believable. It portrays Picasso's nature as narrated by one of his former lovers. It's NOT a fluff piece, but you shouldn't end up hating him unless you did already.
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