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Surviving Picasso (1996)

6.3
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Ratings: 6.3/10 from 5,232 users   Metascore: 55/100
Reviews: 22 user | 25 critic | 18 from Metacritic.com

The passionate Merchant-Ivory drama tells the story of Francoise Gilot, the only lover of Pablo Picasso who was strong enough to withstand his ferocious cruelty and move on with her life.

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Title: Surviving Picasso (1996)

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Cast

Cast overview, first billed only:
...
...
Françoise Gilot
...
...
...
Kootz
Peter Eyre ...
Sabartes
...
Marcel
...
Marie-Thérèse
Jane Lapotaire ...
Olga Picasso
...
...
Françoise's Father
...
Jacqueline
...
...
Françoise's Grandmother
...
Maya
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Storyline

In 1943, a young painter, Françoise Gilot (1921- ) meets Pablo Picasso (1881-1973), already the most celebrated artist in the world. For the next ten years, she is his mistress, bears him two children, is his muse, and paints within his element. She also learns slowly about the other women who have been or still are in his life: Dora Maar, Marie- Thérèse (whose daughter is Picasso's), and Olga Koklowa, each of whom seems deeply scarred by their life with Picasso. Gilot's response is to bring each into her relationship with Picasso. How does one survive Picasso? She keeps painting, and she keeps her good humor and her independence. When the time comes, she has the strength to leave. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Only his passion for women could rival his passion for painting.


Motion Picture Rating (MPAA)

Rated R for a scene of nudity and brief sex-related language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

20 September 1996 (USA)  »

Also Known As:

Ahavotav Shel Picasso  »

Filming Locations:

 »

Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend:

$87,054 (USA) (20 September 1996)

Gross:

$1,985,001 (USA) (20 December 1996)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Reproductions of Picasso's art work were not allowed to be used in the film; however, the estates of Henri Matisse and Georges Braque allowed their work to be represented. See more »

Quotes

Dora Maar: Perhaps she thinks you'll immortalize her. Don't raise her hopes, Picassos may prove to be no more immortal than the skeleton of some extinct bird of prey.
See more »

Connections

Featured in Siskel & Ebert: Memo to the Academy (1997) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Domination-Submission
14 January 2006 | by (Hong Kong) – See all my reviews

Magnificently crafted exploration of the question, how does a seeming despot generate such passion and devotion from the women around him. The high points are many but what makes the greatest mark is the flawless timing, throughout; then, of course, Hopkins completely lives the lead while McElhone preserves the central conundrum, the impossibility of the relationship(s). Forget the Picasso figure - apart from forming a setting and contributing the element of fame (I almost added "genius" but that's absolutely irrelevant, too), any similar figure would do, quite irrelevant to the point of the story which is to amplify the tension to be found in varying degrees in every one of our relationships. Extremely stimulating and provoking - not a must-see for 80s feminists.


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