Franziska is kind of a romantic woman with two children and a husband who is working around the globe as a movie director. When she wants to buy a flat some day she gets in contact with ... See full summary »
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Ludo Decker and Anna Gotzlowski have been living together for two years. Everyday routine has set in, with Ludo neglecting his household responsibilities much to Anna's dislike, while he is... See full summary »
Jakob Windisch has written THE number one bestselling novel. Since he is very shy, no-one has seen him except Uhu Zigeuner who is the designated director of the film adaption. Zigeuner is ... See full summary »
The sister of a famous, but as yet uncaught, criminal named The Hexer is murdered. Inspector Higgins of Scotland Yard believes that The Hexer will surface to take his revenge on his ... See full summary »
On the first day of a new school year, the over-strained teacher Andrea tells her best friend and colleague Katja that she will quit her job. But a dramatic incident with a pupil shatters the lives of Drea, Katja and their pupils forever.
Without you I will be better off, Motte, a pregnant young woman thinks about her unborn child. Without you I cannot imagine living at all, Marcel tells his fatally ill wife Rosa. Without ... See full summary »
Franziska is kind of a romantic woman with two children and a husband who is working around the globe as a movie director. When she wants to buy a flat some day she gets in contact with Enno Winkel, a fanatic lawyer who's hobby are divorces. Before she even realizes what is happening, Enno Winkel initiates her divorce... Written by
It's possible to see (or feel)a film under very different aspects, as everyone knows. So you can give a film a very good rating for one aspect, and a very bad rating for a second aspect, and so on. The main-question is: Are you entertained, or even better informed about something, by this film ? 'Das Superweib' may be characterized as having a weak plot (or a bad execution of a worthy plot, or a not very original plot), but at the same time it's a very good showcase for the mannerisms of its actors and actresses, if you are interested in German films and actors. You learn something about the characteristic traits of those in Germany well-known actors that you can see in their other films as well. And very many of them appear in this film, although some of them only as cameos, too short for that(Armin Rohde, for example).But with most of them you can judge for yourself, if a certain actor may be interesting for you in other films as well, or if you don't like his/her mannerisms and looks. And the film is well-made in order to get those impressions,in terms of surroundings, camera-work and everything belonging to it,not only sufficient, but very good. And it's an interesting picture of an atmosphere typical for its time, and may be historically interesting in the future..... just as seeing Liselotte Pulver again, who long ago,in the Nineteen-Fifties, acted in films that are now similarly interesting in historical terms.
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