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Striptease (1996) 4.1
A stripper and single mother gets dragged into a dangerous situation after a congressman takes a fancy to her. Director:Andrew Bergman |
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Cast
| Cast overview, first billed only: | |||
| Demi Moore | ... | ||
| Burt Reynolds | ... | ||
| Armand Assante | ... | ||
| Ving Rhames | ... | ||
| Robert Patrick | ... | ||
| Paul Guilfoyle | ... |
Malcolm Moldovsky
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| Jerry Grayson | ... |
Orly
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| Rumer Willis | ... |
Angela Grant
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| Robert Stanton | ... |
Erb Crandal
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| William Hill | ... |
Jerry Killian
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| Stuart Pankin | ... |
Alan Mordecai
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| Dina Waters | ... |
Monique, Jr.
(as Dina Spybey)
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| PaSean Wilson | ... |
Sabrina Hepburn
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Pandora Peaks | ... | |
| Barbara Alyn Woods | ... |
Lorelei
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Edit
Plot Summary
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Add Synopsis
Storyline
Erin Grant loses care and custody of her daughter when she's divorced from her husband Darrell, a small-time thief. Struggling for money, she is a dancer at a nightclub, where one night Congressman Dilbeck (in disguise) attacks another member of the audience. A spectator, who recognizes Dilbeck and is fond of Erin, offers to get back her daughter by blackmailing Dilbeck. Things do not work out as planned, though. Written by Thomas Meyer <i03a@zfn.uni-bremen.de>
Taglines:
A comedy in the last place you expect to find one. See more »Motion Picture Rating (MPAA)
Rated R for nudity, erotic dancing and language | See all certifications »Parents Guide:
View content advisory »
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See full technical specs »
Details
Country:
USALanguage:
EnglishRelease Date:
28 June 1996 (USA) See more »Also Known As:
Striptiz See more »Box Office
Budget:
$40,000,000 (estimated)Opening Weekend:
$12,300,000 (USA) (28 June 1996)Gross:
JPY 102,419,500 (Japan) (15 November 1996)Company Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Runtime:
| (unrated)Color:
Color (Technicolor)Aspect Ratio:
1.85 : 1
Edit
Erin Grant: Oh, shit!
Darrell Grant: Where's my little'un?
Erin Grant: Where you can't get her.
Darrell Grant: Is that ever the wrong answer. Now you bring her to me right now!
Erin Grant: I am not bringing her to you anywere in this lifetime.
Darrell Grant: Well, then I guess I'll just have to go to that nice old judge and tell him my whore of a wife has abducted...
Erin Grant: Well, guess what, Darell? The judge is dead! So if you want Angela, then you're just going to have to kill me. Go on!
Darrell Grant: Think I'm afraid ...
[...]
See more »
Written by Annie Lennox and David A. Stewart
Performed by Eurythmics
Courtesy of BMG Records (UK) Ltd./BMG Entertainment
See more »
Did You Know?
Trivia
Demi Moore was paid $12 million for this film, a record fee for a actress at that time. The film was more popular in overseas theaters than in American theaters. See more »Goofs
About 41 minutes in there is a shot of a limo driving by with a visible camera attached to the bottom. See more »Quotes
Darrell Grant: [seizes Erin from behind and holds a knife to her neck] Evenin', everybody!Erin Grant: Oh, shit!
Darrell Grant: Where's my little'un?
Erin Grant: Where you can't get her.
Darrell Grant: Is that ever the wrong answer. Now you bring her to me right now!
Erin Grant: I am not bringing her to you anywere in this lifetime.
Darrell Grant: Well, then I guess I'll just have to go to that nice old judge and tell him my whore of a wife has abducted...
Erin Grant: Well, guess what, Darell? The judge is dead! So if you want Angela, then you're just going to have to kill me. Go on!
Darrell Grant: Think I'm afraid ...
[...]
See more »
Soundtracks
"Missionary Man"Written by Annie Lennox and David A. Stewart
Performed by Eurythmics
Courtesy of BMG Records (UK) Ltd./BMG Entertainment
See more »
I read the book first and I can only say that I feel sorry for its author, Carl Hiassen. The book was an extremely funny satire of capitalism, politics, gender roles, etc. and the film was just an excuse for the lead actor to show off her surgically enhanced body. I mentioned the book in a university tutorial for my course on literary satire, and no one would believe me that it was not trash because they could not separate it from the movie which followed it. Too bad - the book is good enough to have warranted a script that stays true to the original story rather than exchange wit and sophistication for extended dance sequences and the lubricatory possibilities of yogurt.