When Annie Laird is selected as a juror in a big Mafia trial, she is forced by someone known as "The Teacher" to persuade the other jurors to vote "not guilty". He threatens to kill her son... See full summary »
Las Vegas stripper, Penny Slot (Rena Riffel), sets out on an adventure to become the star dancer on a dance television show. With stars in her eyes, she tries to find the pot of gold at the... See full summary »
Carly Norris is a book editor living in New York City who moves into the Sliver apartment building. In the apartment building, Carly meets two of her new neighbors, author Jack Lansford who... See full summary »
A clairvoyant thinks she's met her husband to be because she's seen him in her dreams. They marry quickly, and return to the husband's ("the butcher"), home in the city. She has a big ... See full summary »
Erin Grant loses care and custody of her daughter when she's divorced from her husband Darrell, a small-time thief. Struggling for money, she is a dancer at a nightclub, where one night Congressman Dilbeck (in disguise) attacks another member of the audience. A spectator, who recognizes Dilbeck and is fond of Erin, offers to get back her daughter by blackmailing Dilbeck. Things do not work out as planned, though. Written by
Thomas Meyer <email@example.com>
This movie is considered Burt Reynolds big comeback movie even though he had appeared in both The Player (1992) and Cop & ½ (1993). This is because of the attention the film got and the type of character he played. Also, his part in The Player (1992) was a cameo as part of an ensemble whilst Cop & ½ (1993) was essentially a children's film. See more »
Erin's Volvo is not parked in front of her sister-in-law's trailer when she sneaks in to get her daughter, but is there when they exit. See more »
[after Dilbeck grabs her]
Finally you take me like a man, like a... Congress man!
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I read the book first and I can only say that I feel sorry for its author, Carl Hiassen. The book was an extremely funny satire of capitalism, politics, gender roles, etc. and the film was just an excuse for the lead actor to show off her surgically enhanced body. I mentioned the book in a university tutorial for my course on literary satire, and no one would believe me that it was not trash because they could not separate it from the movie which followed it. Too bad - the book is good enough to have warranted a script that stays true to the original story rather than exchange wit and sophistication for extended dance sequences and the lubricatory possibilities of yogurt.
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