The Borg go back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
It is the 24th century and the newly-commissioned Enterprise-E has been ordered the patrol the Romulan Neutral Zone. Captain Jean-Luc Picard has been ordered not to interfere in a battle between a Borg Cube and starships from the Federation. However, seeing the Federation is losing the battle, Picard ignores his orders and takes command of the fleet. With his knowledge of its weak spot, they destroy the Cube, but a Borg Sphere escapes and plots a course directly for Earth. The Enterprise chases the Sphere, enters a temporal vortex created by the Borg, and arrives in the 21st century. Their only chance of stopping the Borg from assimilating Earth is to make sure that Zefram Cochrane makes his famous first faster-than-light travel to the stars. Written by
Marc-André Deschênes <firstname.lastname@example.org>
Many of the Star Trek Films have relied heavily on character interaction, dialogue, and suggested events to tell the story. Star Trek: First Contact breaks from this tradition by producing a sharp, fast paced action film that never relents from beginning to end. There are moments of reflection for the characters, but the movie has an inertia that makes the other entries in the franchise seem as if they plod along at five miles an hour. The result is one of the most satisfying films in the series.
Part of the appeal of Star Trek: First Contact, is that the central enemy is the Borg Collective, which has surpassed all other villainous races in the Star Trek universe in popularity. The central villain in this chapter is the Borg Queen, played by the chilly yet seductive Alice Krige. Krige is confident, convincing, and absolutely threatening in her performance, and seems to almost border on a character from a horror film. She lends an edge that is unique from other villains in the series, and is perfectly suited to the nature of the Borg. The design for both the Queen and the rest of the Borg is unsettling, and the story line and history of this race serves to illicit an emotional continuity between the events in the television show and the films.
Star Trek: First Contact probably has the widest appeal of all of the episodes, in much the same way as Star Trek IV: The Voyage Home did in 1986. It is action packed, filled with decent visual effects, clearly plotted, and supplies a threatening villain. This is definitely the best Next Generation film to date, and one of the strongest movies in the entire series.
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