The Borg go back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
In the 24th century, the crew of the starship Enterprise has been ordered to patrol the Romulan Neutral Zone by the Federation to avoid interference with their battle against the insidious Borg. Witnessing the loss of the battle, Captain Picard ignores orders and takes control of the whole Fleet engaging the Borg. But the Borg plan to travel back to the 21st Century through a vortex with the intention to stop the First Contact with an alien race. Following the Borg sphere, Picard and his crew realize that they have taken over the Enterprise in order to carry out their mission. Their only chance to do away with the Borg and their hideous queen is to make sure that scientist Zefram Cochrane's attempt to traveling into space is successful. Written by
The scene where Captain Picard and Data "feel" the hull of the "Phoenix" is a nod to 2001: A Space Odyssey (1968) where various characters "feel" the monolith. See more »
After the destruction of the Borg sphere, Picard asks where the Borg were firing on, and Riker heads towards the Science station on his right to read the coordinates from the display. Just a moment after, he asks Lt. Hawk (who is at the helm) for the damage done on the surface. Hawk states that "long-range sensors are still off-line", but at that distance away from Earth, short-range sensors would have sufficed. Furthermore, Hawk shouldn't even be capable of reading long-range science sensors from the helm console, and even if he could, Riker is still next to the science station, with the science officer next to him, AND the information about the surface is still on the display, so there is no need to ask the helmsman for it. See more »
Star Trek: First Contact represents, at least to me, the pinnacle of the Star Trek movie franchise. This film was, in my opinion, -by far- the best of the "next generation" outings, and perhaps the finest from the entire collection of silver-screen Treks.
The Borg, a futuristic race of half-man, half-machine cyborgs from the other side of the galaxy, try once again to conquer the Federation, by attacking it at it's very core, our beloved Earth. This time, however, the Borg have a "plan B" up their sleeve. After the destruction of their main vessel, they send a small group of Borg back in time to 2063, a time when Earth is vulnerable after suffering massive casualties due to World War III. Once there they intend to prevent "first contact", an event that dramatically changes the course of human history, when friendly aliens discover humankind has learned how to travel faster-than-light, and make contact with the inventor of the warp drive, Dr Zefram Cochrane.
Of course the Enterprise crew must once again save humanity from certain destruction, by "following them back and repairing whatever damage they've done". When they reach the 21st century, however, the Borg find resistance is not so futile, and begin to take over the crippled Enterprise, deck by deck. Directing every move is the evil Borg Queen, played excellently by Alice Krige.
Patrick Stewart is, as always, fantastic as Captain Jean-Luc Picard. Stewart's background in the dramatic arts shines as he convincingly portrays a somewhat troubled and vengeful Picard, determined to destroy the insidious Borg once and for all.
The direction of Jonathan Frakes is flawless considering this film was his first attempt at directing on the big screen. In a few scenes I get the feeling that Frakes was committed to squeezing the absolute best out of Stewart, and this he did, apparently with ease (earning him the nickname "Two-Takes Frakes" from production members).
This film has it all. A well-conceived, intricate and dramatic plot, excellent acting, fantastic special effects, and real emotion on-screen. Picard's chilling "the line must be drawn here" monologue to Lily represents a scene with such dramatic quality that is rarely seen in science-fiction films. You can completely suspend disbelief and feel the anger, the pain, the sheer hunger for revenge in this broken man. You are there with him, the future of humanity is on the line, and not for a second will you think otherwise.
Whether you are a "Trekkie" or not, this is a film you will enjoy, and while there are references to previous Trek happenings in the film (such as when Picard was captured and assimilated by the Borg several years earlier), non-Trekkie's should definitely be able to follow what's going on.
All-in-all this is one of my favourite films of all time, and one that I can watch over and over and never get tired of. If you haven't seen it, why not grab a copy and check it out? I give it a well-deserved 9 out of 10.
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