Captain Picard and his crew pursue the Borg back in time to stop them from preventing Earth's first contact with an alien species. They also make sure that Zefram Cochrane makes his famous maiden flight at warp speed.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
The time is the 24th century and the ship is the newly-commissioned Enterprise-E. Its captain, Jean-Luc Picard, has been ordered not to interfere in a battle between a Borg Cube and ships from the Federation. However, seeing the Federation is about to lose, Picard ignore his orders and takes command of the defending fleet. With his knowledge of the Cube's weak spot, they destroy it. However, a small part of it escapes and plots a course directly for Earth. The Enterprise chases it and enters a time distortion created by the Borg. They end up in the mid-21st century, and their only chance of stopping the Borg from assimilating Earth is to help Zefram Cochrane make his famous first faster-than-light travel to the stars. Written by
Marc-André Deschênes <email@example.com>
Robert Picardo doesn't just reprise his character from Star Trek: Voyager (1995), but there is a very subtle reference to the joke that made him earn "The Doctor" role: During his Voyager audition, he was asked to say, "Somebody forgot to turn off my program." He did that, then added, "I'm a doctor, not a light bulb," and got the part. In this movie, he says, "I'm a doctor, not a doorstop." (See Trivia Section for "Star Trek: Voyager") See more »
Cochrane reacts to the phaser beam fired by Riker a fraction of a second before it actually hits him. See more »
Star Trek: First Contact represents, at least to me, the pinnacle of the Star Trek movie franchise. This film was, in my opinion, -by far- the best of the "next generation" outings, and perhaps the finest from the entire collection of silver-screen Treks.
The Borg, a futuristic race of half-man, half-machine cyborgs from the other side of the galaxy, try once again to conquer the Federation, by attacking it at it's very core, our beloved Earth. This time, however, the Borg have a "plan B" up their sleeve. After the destruction of their main vessel, they send a small group of Borg back in time to 2063, a time when Earth is vulnerable after suffering massive casualties due to World War III. Once there they intend to prevent "first contact", an event that dramatically changes the course of human history, when friendly aliens discover humankind has learned how to travel faster-than-light, and make contact with the inventor of the warp drive, Dr Zefram Cochrane.
Of course the Enterprise crew must once again save humanity from certain destruction, by "following them back and repairing whatever damage they've done". When they reach the 21st century, however, the Borg find resistance is not so futile, and begin to take over the crippled Enterprise, deck by deck. Directing every move is the evil Borg Queen, played excellently by Alice Krige.
Patrick Stewart is, as always, fantastic as Captain Jean-Luc Picard. Stewart's background in the dramatic arts shines as he convincingly portrays a somewhat troubled and vengeful Picard, determined to destroy the insidious Borg once and for all.
The direction of Jonathan Frakes is flawless considering this film was his first attempt at directing on the big screen. In a few scenes I get the feeling that Frakes was committed to squeezing the absolute best out of Stewart, and this he did, apparently with ease (earning him the nickname "Two-Takes Frakes" from production members).
This film has it all. A well-conceived, intricate and dramatic plot, excellent acting, fantastic special effects, and real emotion on-screen. Picard's chilling "the line must be drawn here" monologue to Lily represents a scene with such dramatic quality that is rarely seen in science-fiction films. You can completely suspend disbelief and feel the anger, the pain, the sheer hunger for revenge in this broken man. You are there with him, the future of humanity is on the line, and not for a second will you think otherwise.
Whether you are a "Trekkie" or not, this is a film you will enjoy, and while there are references to previous Trek happenings in the film (such as when Picard was captured and assimilated by the Borg several years earlier), non-Trekkie's should definitely be able to follow what's going on.
All-in-all this is one of my favourite films of all time, and one that I can watch over and over and never get tired of. If you haven't seen it, why not grab a copy and check it out? I give it a well-deserved 9 out of 10.
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