The Borg go back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The time is the 24th century and the ship is the newly-commissioned Enterprise-E. Its captain, Jean-Luc Picard, has been ordered not to interfere in a battle between a Borg Cube and ships from the Federation. However, seeing the Federation is about to lose, Picard ignore his orders and takes command of the defending fleet. With his knowledge of the Cube's weak spot, they destroy it. However, a small part of it escapes and plots a course directly for Earth. The Enterprise chases it and enters a time distortion created by the Borg. They end up in the mid-21st century, and their only chance of stopping the Borg from assimilating Earth is to help Zefram Cochrane make his famous first faster-than-light travel to the stars. Written by
Marc-André Deschênes <email@example.com>
Playmates Toy Company produced a tie-in model of the new Sovereign-class starship USS Enterprise NCC-1701-E which was first seen in Star Trek: First Contact. But the film's producers at Paramount made changes to the ship's design after Playmates had already begun production, so the toy version retains the ship's earlier engine designs and placement not seen in the film (although they were corrected for Playmates' later Star Trek: Insurrection (1998) tie-in). See more »
During the battle with the Borg Cube, the Earth is shown in a last quarter phase (right half of it is dark). However, the night side is supposed to be pitch black with city lights, not the slightly darkened version of the day side with no city lights. Also, the cloud patterns across the Pacific ocean change drastically during the relatively short battle. See more »
from "Les Troyens"
Written by Hector Berlioz
Performed by Ryland Davies and The Orchestra and Chorus of the Royal
Opera House, Covent Garden
Conducted by Colin Davis (as Sir Colin Davis)
Courtesy of Philips Classics
by arrangement with PolyGram Film & TV Licensing See more »
Many of the Star Trek Films have relied heavily on character interaction, dialogue, and suggested events to tell the story. Star Trek: First Contact breaks from this tradition by producing a sharp, fast paced action film that never relents from beginning to end. There are moments of reflection for the characters, but the movie has an inertia that makes the other entries in the franchise seem as if they plod along at five miles an hour. The result is one of the most satisfying films in the series.
Part of the appeal of Star Trek: First Contact, is that the central enemy is the Borg Collective, which has surpassed all other villainous races in the Star Trek universe in popularity. The central villain in this chapter is the Borg Queen, played by the chilly yet seductive Alice Krige. Krige is confident, convincing, and absolutely threatening in her performance, and seems to almost border on a character from a horror film. She lends an edge that is unique from other villains in the series, and is perfectly suited to the nature of the Borg. The design for both the Queen and the rest of the Borg is unsettling, and the story line and history of this race serves to illicit an emotional continuity between the events in the television show and the films.
Star Trek: First Contact probably has the widest appeal of all of the episodes, in much the same way as Star Trek IV: The Voyage Home did in 1986. It is action packed, filled with decent visual effects, clearly plotted, and supplies a threatening villain. This is definitely the best Next Generation film to date, and one of the strongest movies in the entire series.
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