Captain Picard and his crew pursue the Borg back in time to stop them from preventing Earth's first contact with an alien species. They also make sure that Zefram Cochrane makes his famous maiden flight at warp speed.
5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
The time is the 24th century and the ship is the newly-commissioned Enterprise-E. Its captain, Jean-Luc Picard, has been ordered not to interfere in a battle between a Borg Cube and ships from the Federation. However, seeing the Federation is about to lose, Picard ignore his orders and takes command of the defending fleet. With his knowledge of the Cube's weak spot, they destroy it. However, a small part of it escapes and plots a course directly for Earth. The Enterprise chases it and enters a time distortion created by the Borg. They end up in the mid-21st century, and their only chance of stopping the Borg from assimilating Earth is to help Zefram Cochrane make his famous first faster-than-light travel to the stars. Written by
Marc-André Deschênes <firstname.lastname@example.org>
During Picard's briefing of the commando teams about their objectives, they arm themselves with phaser rifles. As Picard and Data approach the Borg lair, their team is holding a different kind of weapon. During the subsequent fight with the Borg, everyone is again holding the first type of phaser. See more »
Many of the Star Trek Films have relied heavily on character interaction, dialogue, and suggested events to tell the story. Star Trek: First Contact breaks from this tradition by producing a sharp, fast paced action film that never relents from beginning to end. There are moments of reflection for the characters, but the movie has an inertia that makes the other entries in the franchise seem as if they plod along at five miles an hour. The result is one of the most satisfying films in the series.
Part of the appeal of Star Trek: First Contact, is that the central enemy is the Borg Collective, which has surpassed all other villainous races in the Star Trek universe in popularity. The central villain in this chapter is the Borg Queen, played by the chilly yet seductive Alice Krige. Krige is confident, convincing, and absolutely threatening in her performance, and seems to almost border on a character from a horror film. She lends an edge that is unique from other villains in the series, and is perfectly suited to the nature of the Borg. The design for both the Queen and the rest of the Borg is unsettling, and the story line and history of this race serves to illicit an emotional continuity between the events in the television show and the films.
Star Trek: First Contact probably has the widest appeal of all of the episodes, in much the same way as Star Trek IV: The Voyage Home did in 1986. It is action packed, filled with decent visual effects, clearly plotted, and supplies a threatening villain. This is definitely the best Next Generation film to date, and one of the strongest movies in the entire series.
38 of 44 people found this review helpful.
Was this review helpful to you?