The Borg travel back in time intended on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
Andrew Garfield, Mahershala Ali, Ruth Negga, and five others received their first-ever acting nominations for 2017. While these actors are new to the Academy Awards, you may recognize them from their earlier work.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
In the 24th century, the crew of the Enterprise-E has been ordered to patrol the Romulan Neutral Zone by the Federation to avoid interference with their battle against the insidious Borg. Witnessing the loss of the battle, Captain Jean-Luc Picard ignores orders and takes command of the fleet engaging the Borg. But the Borg plan to travel back into the 21st century through a vortex with the intention to stop Earth's first contact with an alien race (the Vulcans). Following the Borg sphere, Picard and his crew realize that they have taken over the Enterprise in order to carry out their mission. Their only chance to do away with the Borg and their seductive queen is to make sure that Zefram Cochrane makes his famous faster-than-light travel to the stars. Written by
Robert Picardo doesn't just reprise his character from Star Trek: Voyager (1995), but there is a very subtle reference to the joke that made him earn "The Doctor" role: During his Voyager audition, he was asked to say, "Somebody forgot to turn off my program." He did that, then added, "I'm a doctor, not a light bulb," and got the part. In this movie, he says, "I'm a doctor, not a doorstop." (See Trivia Section for "Star Trek: Voyager") See more »
Zefram Cochrane puts his hand on the body of the telescope when Geordi invites him to look at the Enterprise. No one who knew anything about astronomy would ever do this as it would change the alignment of the telescope. See more »
Many of the Star Trek Films have relied heavily on character interaction, dialogue, and suggested events to tell the story. Star Trek: First Contact breaks from this tradition by producing a sharp, fast paced action film that never relents from beginning to end. There are moments of reflection for the characters, but the movie has an inertia that makes the other entries in the franchise seem as if they plod along at five miles an hour. The result is one of the most satisfying films in the series.
Part of the appeal of Star Trek: First Contact, is that the central enemy is the Borg Collective, which has surpassed all other villainous races in the Star Trek universe in popularity. The central villain in this chapter is the Borg Queen, played by the chilly yet seductive Alice Krige. Krige is confident, convincing, and absolutely threatening in her performance, and seems to almost border on a character from a horror film. She lends an edge that is unique from other villains in the series, and is perfectly suited to the nature of the Borg. The design for both the Queen and the rest of the Borg is unsettling, and the story line and history of this race serves to illicit an emotional continuity between the events in the television show and the films.
Star Trek: First Contact probably has the widest appeal of all of the episodes, in much the same way as Star Trek IV: The Voyage Home did in 1986. It is action packed, filled with decent visual effects, clearly plotted, and supplies a threatening villain. This is definitely the best Next Generation film to date, and one of the strongest movies in the entire series.
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