Based on the true story of the 1981 hunger strike in a British prison, in which IRA prisoner Bobby Sands led a protest against the treatment of IRA prisoners as criminals rather than as ... See full summary »
Housewife Annie Marsh suspects her husband might be The Hawk, a brutal serial killer. Complicating matters is the fact that she once was incarcerated in a psychiatric hospital. When she ... See full summary »
A pair of children befriend an accentric old man, who lives isolated on the far shore of their island home. But it turns out that the old man knows a terrible secret about the island and ... See full summary »
From the Irish countryside to London to New York and back again, Maggie reenters the world as a countess and shady art dealer. With her panache and charisma, she finds more than an auction,... See full summary »
After discovering his wife's infidelities, Gerry leaves London to look after his deceased brother's business and family in Singapore. Discovering a foreign world of opportunity that had not... See full summary »
Liam moves away from Ireland to USA, where he settles in Bronx. There he works in a little bar owned by Italian Mario and lives with other illegal immigrants who are afraid that they'll get... See full summary »
A sexy romantic drama in which, at the outset, the characters are leading their own lives in very different worlds, though each is beset by niggling discontentment. Michelle (Renée Weldon -... See full summary »
Based on the true story of the 1981 hunger strike in a British prison, in which IRA prisoner Bobby Sands led a protest against the treatment of IRA prisoners as criminals rather than as prisoners of war. The film focuses on the mothers of two of the strikers, and their struggle to save the lives of their sons. Written by
Alexander Lum <firstname.lastname@example.org>
The film is clearly set in a border seaside fishing village in Ireland. However, Kathleen is clearly seen voting in the Fermanagh-South Tyrone by-election: a completely land-locked constituency. See more »
We want to make the prisons an asset, not a liability. It is in the prisons that we will break the backs of the IRA.
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break, break, break, on thy cold grey stones, oh sea
I saw this movie when it first came out, and just watched it again last night. I still feel that it's an important movie, and also that everyone in the audience except for me <insert smile here> is missing the point. It's not about the right or wrong of the IRA/Sinn Fein or Thatcher's administration, it's about a more-or-less unprecedented friendship that evolves between two sons' mothers, and how they deal with their sons' impending self-imposed deaths, a friendship that quite suddenly excludes class issues, precisely because it is about _mother's sons_.
This is evoked in many subtle ways: Mrs Quigley's daughter leaves her job at the bank because no one trusts her after her brother has been arrested, and ends up tending bar somewhere outside North Ireland -- rather declassee for a young woman who'd been working in a bank; Mrs Higgins lives her life on a bicycle, gets a driving lesson on the sea-strand from Mrs Quigley, and they both end up getting saved from an incoming tide by British/North Irish soldiers. If you check the screenplay, you can see the change in the use of forenames and last names between the two women -- it's unfair to expect Yanks to pick that up. I can't even begin to explain it to my friends, and hell, I live in a border state.
There's a unifying theme in this movie and it's the sea: the sea the mothers are connected to, and that their sons are not permitted to see.
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