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Directed by | |||
| Billy Bob Thornton | |||
Writing credits(WGA) | ||
| Billy Bob Thornton | (play) | |
| Billy Bob Thornton | (screenplay) | |
Produced by | |||
| David L. Bushell | .... | producer | |
| Larry Meistrich | .... | executive producer | |
| Brandon Rosser | .... | producer | |
Original Music by | |||
| Daniel Lanois | |||
Cinematography by | |||
| Barry Markowitz | (director of photography) | ||
Film Editing by | |||
| Hughes Winborne | |||
Casting by | |||
| Sarah Tackett | |||
Production Design by | |||
| Clark Hunter | |||
Set Decoration by | |||
| Traci Kirshbaum | |||
Costume Design by | |||
| Doug Hall | (as Douglas Hall) | ||
Makeup Department | |||
| Kate Biscoe | .... | key hair stylist (as Kate Morgan Biscoe) | |
| Tracy Warbin | .... | key makeup artist | |
Production Management | |||
| Robert Salerno | .... | production manager | |
| Laura Seymann | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| W.M. Halle | .... | first assistant director | |
| Todd Jameson | .... | second assistant director | |
| Daron McAfee | .... | second assistant director | |
Art Department | |||
| Jacob Alsbrook | .... | lead man | |
| Joe Arnold | .... | on-set dresser | |
| Max Biscoe | .... | assistant set decorator | |
| Joe Cuzan | .... | swing art | |
| Dwayne Grady | .... | propmaster | |
| Carlton Rude | .... | assistant props | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| Weldon Brown | .... | adr recordist | |
| Eric A. Christoffersen | .... | foley assistant (as Eric Christoffersen) | |
| Pete Conlin | .... | first assistant sound editor (as Peter Conlin) | |
| Russell Creak | .... | assistant foley artist | |
| Theodore K. Dietz | .... | sound production assistant | |
| David Ellinwood | .... | foley recordist (as Dave Ellienwood) | |
| Wi Ding Ho | .... | apprentice sound editor | |
| Mark Howard | .... | dialogue loop editor | |
| Mark Howard | .... | sound recordist | |
| Ivan Hurzeler | .... | assistant sound editor | |
| Lucinda Komisar | .... | assistant sound editor | |
| Jeff Kushner | .... | sound designer | |
| Jeff Kushner | .... | supervising sound editor | |
| Paul Ledford | .... | production sound mixer | |
| Ronald Matthew Lee | .... | additional sound effects recordist (as Matthew Lee) | |
| Wayne Lorenz | .... | additional sound engineer | |
| Alison Sanford | .... | sound recordist | |
| Sila A. Soyer | .... | apprentice sound editor (as Sila Soyer) | |
| James Wright | .... | stereo sound consultant: Dolby | |
| Keenan Wyatt | .... | boom operator | |
Camera and Electrical Department | |||
| Ehab Assal | .... | assistant camera | |
| Ehab Assal | .... | camera production assistant | |
| Michael Audino | .... | grip (as Michael D. Audino) | |
| Jonathan Brown | .... | Steadicam operator | |
| Dalton | .... | second assistant camera | |
| Marc Eckhardt | .... | grip | |
| Edwin M. Figueroa | .... | key grip | |
| Douglas W. Hill | .... | electrician | |
| R. Derek Keener | .... | best boy electric | |
| Robert Ortiz | .... | video playback operator | |
| Stewart Wright Pallister | .... | grip | |
| Tom Potoskie | .... | dolly grip (as Thomas W. Potoskie) | |
| Nate Ranger | .... | first assistant camera | |
| J.A. Riggs | .... | generator operator | |
| John Wagner | .... | gaffer | |
| Michael Yarish | .... | still photographer | |
| Rob Koch | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Margaret Critz | .... | wardrobe production assistant | |
| Rani Cunningham | .... | wardrobe supervisor | |
| Theba Lolley | .... | set costumer | |
Editorial Department | |||
| Peter T. DaPuzzo | .... | post-production intern | |
| Lawrence Mischel | .... | negative cutter (as Larry Mischel) | |
| Dan Muscarella | .... | color timer | |
| Patti Nunez | .... | assistant post-production supervisor | |
| Johnny Wilson | .... | assistant editor | |
| Stefan Bruck | .... | post-production consultant (uncredited) | |
| Sue Mischel | .... | negative cutter (uncredited) | |
Music Department | |||
| Peter Afterman | .... | music consultant | |
| Brian Blade | .... | additional musician: drums | |
| Malcolm Burn | .... | additional musician: keyboards | |
| Barry Cole | .... | music supervisor | |
| Tim Gibbons | .... | musician: bass, drums and vocals | |
| Emmylou Harris | .... | special guest vocalist | |
| Mark Howard | .... | music programmer: drums | |
| Ali Jennings | .... | additional musician: slide guitar | |
| Darrell D. Johnson | .... | musician: bass, conga drum, organ and hand drum (as Darryl Johnson) | |
| Pascal Nabit Meyer | .... | musician: organ | |
| Bambi Lee Savage | .... | musician: vocals and guitar | |
| Elizabeth Wendel | .... | music consultant | |
| Russ Wilson | .... | musician: falsetto harmony, percussion piano, bass and bass pedal | |
Thanks | |||
| Leslie Abell | .... | special thanks | |
| Erskine Caldwell | .... | special thanks | |
| Tom Epperson | .... | special thanks | |
| John Faulkner | .... | special thanks | |
| William Faulkner | .... | special thanks | |
| Suzy Lilly | .... | thanks | |
| Bob Myman | .... | special thanks | |
| Jerry Myman | .... | special thanks | |
| George Newcomb | .... | special thanks | |
| John Fergus Ryan | .... | special thanks | |
| Emily Gerson Saines | .... | special thanks | |
| Emily Schweber | .... | thanks | |
| Harry James Thornton | .... | special thanks | |
| Jimmy Don Thornton | .... | dedicatee | |
| Pietra Thornton | .... | special thanks | |
| Virginia Faulkner Thornton | .... | special thanks | |
| Brad Wilson | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
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Surprisingly, this movie is not based on a true story, but it sure was Thornton's breakthrough in the movie business. I feel he sold out to the mainstream when he made the awful Armageddon. Thornton's Karl Childers is released from a mental insitution after 20 years from killing his mother as a child and returns to his backwoods Arkansas town with no family or friends to speak of, but befriends a fatherless boy and his mother. The entire cast is superb; Dwight Yoakum as a bigoted redneck, John Ritter as a gay store manager, Robert Duvall in a cameo as Thornton's almost catatonic father, Rick Dial (a boyhood friend of Thornton's) as Karl's genial boss, etc. The movie has just the right touch for life in the small-town south without the traditional Hollywood glamorization.