A partially handicapped man named Karl is released from a mental hospital, about 20 years after murdering his mother and another person. Karl is often questioned if he will ever kill again, and he shrugs in response saying there is no reason to. Now out of the mental institution, Karl settles in his old, small hometown, occupying himself by fixing motors. After meeting a young boy named Frank, who befriends him, Karl is invited to stay at Frank's house with his mother Linda, who views Karl as a strange but kind and generous man. However, Linda's abusive boyfriend, Doyle, sees things differently in the way rules ought to be run- normally insulting Linda's homosexual friend Vaughan as well as Karl's disabilities, and having wild parties with his friends. As Karl's relationship with Frank grows, he is watchful of Doyle's cruel actions. Written by
When Karl is talking to the Frostee Cream Boy, there are no cars on the road behind him. But whenever the camera is aimed at the Frostee Cream, there is a lot of traffic on the road reflected in the window. Billy Bob Thornton points out in the DVD commentary that this is because the local police had another pressing issue the day they filmed Jim Jarmusch, and they couldn't be there to stop traffic. See more »
You gotta make something explode to really understand it. You gotta examine all those tiny particles while they're still on fire.
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Thornton plays victim to a cruel society where he is released from a long stint in prison and becomes a guardian angel for a young boy who is abused by his mother's lover. A slow sombre piece that gives you time to enter the mental state of Thornton's character. Once you are in there, you realise the humanity that justifies the end actions. Theatrical in style with powerful performances and a haunting music score.
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