A partially handicapped man named Karl is released from a mental hospital, about 20 years after murdering his mother and another person. Karl is often questioned if he will ever kill again, and he shrugs in response saying there is no reason to. Now out of the mental institution, Karl settles in his old, small hometown, occupying himself by fixing motors. After meeting a young boy named Frank, who befriends him, Karl is invited to stay at Frank's house with his mother Linda, who views Karl as a strange but kind and generous man. However, Linda's abusive boyfriend, Doyle, sees things differently in the way rules ought to be run- normally insulting Linda's homosexual friend Vaughan as well as Karl's disabilities, and having wild parties with his friends. As Karl's relationship with Frank grows, he is watchful of Doyle's cruel actions. Written by
When Randy, one of the guitarists, reacts to Doyle's demands to leave, Randy is seen from behind putting on his coat. However, when he walks out the door, the coat is draped over his arm. See more »
Just 'cause I ain't gonna be around no more, maybe, don't mean that I don't care for you.
I care 'bout you too, but you'll be around. Don't say that.
Doesn't matter where I was to be. We'll always be friends. You and me made friends right off the bat. Don't nobody ever change that. I kindly want to put my arm around you, then I'm gonna get up out of here and leave.
[Puts his arm around Frank]
I love you, boy.
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Thornton plays victim to a cruel society where he is released from a long stint in prison and becomes a guardian angel for a young boy who is abused by his mother's lover. A slow sombre piece that gives you time to enter the mental state of Thornton's character. Once you are in there, you realise the humanity that justifies the end actions. Theatrical in style with powerful performances and a haunting music score.
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