As children, Lorenzo Carcaterra - Shakes to his friends - Michael Sullivan, Tommy Marcano, and John Reilly were inseparable. They grew up in Hell's Kitchen, a far from perfect neighborhood, one filled as Shakes says with scams and shake downs, but one where the rules were known by its residents. The one adult who they admired was Father Bobby Carelli, who understood them as kids more than most adults and more than he himself would like to admit. In 1967, their lives would change forever when a typical teenage prank went wrong which led to the four of them being sentenced to various terms at Wilkinson Home for Boys, a reformatory. There, they were physically, emotionally and sexually abused primarily by Sean Nokes, the head guard of their cell block, and fellow guards Ralph Ferguson, Henry Addison, and Adam Styler, although there were other caring figures of authority at the home including other guards. Their time at the home affected the four, not all who were able to emerge from the ... Written by
The code name "Edmund" that is used in the paper to notify Michael that he needed to contact Shakes is the name of the main character, Edmund Dantes, from "The Count of Monte Cristo". See more »
When the hot dog wagon starts to fall down the subway, the umbrella stays on the stairs. Then we see it being crushed by the wagon. Then it's back on the stairs again. See more »
This is a true story about friendship that runs deeper than blood. This is my story and that of the only three friends in my life that truely mattered. Two of them were killers who never made it past the age of 30. The other's a non-practicing attorney living with the pain of his past - too afraid to let it go, never confronting its horror. I'm the only one who can speak for them, and the children we were.
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A well-adapted, epic story of the childhood innocence of four boys brutally snatched away, and the subsequent revenge that took place so many years later. Perfectly paced, it is a long film whose length is never an issue; exciting courtroom drama, realistic sense of time and place, gritty yet sleek cinematography, and convincing performances from a cast that is actually to die for: Jason Patrick, Billy Crudup ("Big Fish") Dustin Hoffman, Robert De Niro, Kevin Bacon, Minnie Driver and Brad Pitt in the same movie; it is a rare lineup. This is not to mention the young leads, who are completely convincing in heavyweight roles.
Leading the pack was Brad Renfro, whose passing in the same month as Heath Ledger was unfortunately nowhere near as noteworthy, and sadly is still a shock, for some, to learn of! If one is to go back and watch not only this film, but "The Client", "Apt Pupil" and the indie hit "Ghost World", one can see another talent that was perhaps not as widely recognised as that of Ledger, but just as unfairly snubbed short, and just as worthy of our recognition.
Barry Levinson puts together a film here that could easily be mistaken for a Scorsese work, and that may be the only criticism, if it is even that! Well drawn characters, electrifying, often emotional drama, the story never in a rush but never feeling laborious, this is an overlooked work of perfection.
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