A heart attack moves a Pulitzer winning journalist to leave NY for the peace of a small New England town, but he soon finds himself pulled into a case of a man accused of killing his gay ...
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Two exorcists literally remove the skeletons from the cupboards from people's homes. Some fairly embarrassing secrets are revealed along the way. A case where the skeletons have hidden themselves turns the lives of all those involved.
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A heart attack moves a Pulitzer winning journalist to leave NY for the peace of a small New England town, but he soon finds himself pulled into a case of a man accused of killing his gay lover with the blade of a shovel. Wanting to keep the case quiet, the town turns against the journalist and his family when he begins digging into its secrets, until finally the accused man is found hanging in his cell and the truth comes out about more than just the killing. Written by
BOB STEBBINS <firstname.lastname@example.org>
This was one of the first seven films to be foreclosed by the Screen Actors Guild for non-payment of wages and residuals to SAG members. On 13 July 2004, rights to the film were sold at auction. See more »
"Skeletons" is listed as a 1997 TV-movie, but it must have been shown somewhere else given its not-ready-for-prime time language.
It stars Ron Silver, Dee Wallace Stone, Christopher Plummer, James Coburn, and Carole Baker.
This is actually a horror film, though it starts off as a mystery. When journalist and Pulitzer Prize winner Peter Crane (Silver) suffers a heart attack, he and his wife (Stone) and young son move to a small, idyllic New England town, Saugatuck. They haven't been there long when a woman (Baker) comes to see Crane, knowing his reputation. Her son has been accused of killing his gay lover; she knows he didn't do it and wants Crane to investigate.
It's clear from the get-go that the town is anti-gay, and the Crane family is immediately harassed by the locals because of Crane's interest in the case. Crane smells a set-up, and when another tragedy occurs, he's sure of it.
This film disintegrated into horror-land toward the end. It became obvious that some of these actors -- Mr. Plummer, I'm talking to you -- did it for the money. One of our finest actors in this dreck - I find it reprehensible. Ditto James Coburn.
I'd like to say this film is dated but we know in some parts of the country, this kind of harassment against gays still goes on. This movie over-emphasized the point but still, since it is a horror film, it could be made today, seventeen years later. That makes me sad. Like a few other things in "Skeletons."
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