A young man tries to help a teenage European girl who escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
A college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired a girlfriend to commit the deed.
A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
Anna Manni is a policewoman trying to capture a vicious serial rapist and killer. The problem is that she suffers from "Stendhal's syndrome", a psychosomatic disease that gives her dizziness and hallucinations when she is exposed to the sight of paintings and artistic masterpieces. When the maniac lures her into a trap inside Florence's famous Uffizi museum, her troubles are just beginning... Written by
Giancarlo Cairella <firstname.lastname@example.org>
At one point the film was set to be made in American with Daryl Hannah cast as Anna Manni. The plans fell through and the production was moved to Italy. See more »
Though featuring prominently during the film's opening sequence set at the Uffizi in Florecne, Peter Bruegel's 'Landscape with the Fall of Icarus' is actually housed at the Royal Museum of Fine Arts of Belgium in Brussels. See more »
Regarded as one of Argento's lesser works, I find this one much more plausible than any of his early films. Let's face it, Argento doesn't care much about plot or even acting. His films are probably the frustrating I've ever seen: There are things I love, and things I hate about them. I grew up watching much of his films mutilated by Italian Television. I was a kid back then, and strangely enough his films never scared me when they were supposed to. They were really over the top. But I loved the colours, the pictures and once in a while I found myself humming Claudio Simonetti's electronic scores.
Now with this film Argento has Morricone, who is definitely a master and he does a great job here. Anna's character is really intriguing. Some people dismiss Asia's acting style, but I think it goes very well with her father's aesthetics. You wont find the crazy colours here. Everything is more restrained. The opening for example scene is great. But the film looses interest towards the end. Still I think is one of Argento's most solid pieces. The idea is truly interesting and Anna's relationship with the killer is fascinating. The hallucinations scenes of Anna going into the paintings are masterfully done.
After the huge disappointment of Il Cartaio, I hope he truly returns to form, and start doing what he's good at: Going crazy with film. La Sindrome Di Stendhal is a pretty good step.
18 of 23 people found this review helpful.
Was this review helpful to you?