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The Stendhal Syndrome (1996)
"La sindrome di Stendhal" (original title)

Unrated  |   |  Horror, Mystery, Thriller  |  26 January 1996 (Italy)
6.1
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Ratings: 6.1/10 from 5,219 users   Metascore: 42/100
Reviews: 78 user | 81 critic | 4 from Metacritic.com

A young policewoman slowly goes insane while tracking down an elusive serial rapist/killer through Italy when she herself becomes a victim of the brutal man's obsession.

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Cast

Cast overview, first billed only:
...
...
...
Marco Longhi
Luigi Diberti ...
Insp. Manetti
Paolo Bonacelli ...
Dr. Cavanna
Julien Lambroschini ...
Marie
John Quentin ...
Anna's father
Franco Diogene ...
Victim's husband
Lucia Stara ...
Shop assistant
Sonia Topazio ...
Victim in Florence
Lorenzo Crespi ...
Giulio
Vera Gemma ...
Policewoman
John Pedeferri ...
Hydraulic engineer
Veronica Lazar ...
Marie's mother
Mario Diano ...
Coroner
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Storyline

Anna Manni is a policewoman trying to capture a vicious serial rapist and killer. The problem is that she suffers from "Stendhal's syndrome", a psychosomatic disease that gives her dizziness and hallucinations when she is exposed to the sight of paintings and artistic masterpieces. When the maniac lures her into a trap inside Florence's famous Uffizi museum, her troubles are just beginning... Written by Giancarlo Cairella <vertigo@imdb.com>

Plot Summary | Add Synopsis


Certificate:

Unrated | See all certifications »

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Details

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Release Date:

26 January 1996 (Italy)  »

Also Known As:

Stendhal's Syndrome  »

Box Office

Budget:

$3,800,000 (estimated)
 »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

At one point the film was set to be made in American with Daryl Hannah cast as Anna Manni. The plans fell through and the production was moved to Italy. See more »

Goofs

Though featuring prominently during the film's opening sequence set at the Uffizi in Florecne, Peter Bruegel's 'Landscape with the Fall of Icarus' is actually housed at the Royal Museum of Fine Arts of Belgium in Brussels. See more »

Connections

Referenced in Video Nasties: Moral Panic, Censorship & Videotape (2010) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Through the looking-glass darkly
5 June 1999 | by (los angeles) – See all my reviews

What makes up the singular pleasure that is Dario Argento? Maybe it's the crossroads where High Romanticism and hardcore porn meet. (I'm referring to the feeling of his work--not the images.) Argento seems doomed, like Peckinpah and like Lynch, to have summed up his world-view in a single masterpiece, the 1977 SUSPIRIA; the thrillers that came before and the low-budget shockers that came after may offer delights, but nothing close to that unity of vision.

Seeing THE STENDHAL SYNDROME projected in Los Angeles, I was struck with newfound sympathy for the Star Wars fans protesting way too much in favor of THE PHANTOM MENACE. If you love THE STENDHAL SYNDROME, you love Argento, and that is that--you may see the flaws, but they don't ruin your pleasure. The picture has too many Achilles heels to enumerate here, but what's important is that nobody in world cinema today is wrestling with his soul in the psychosexual mire the way Argento does. He puts his misogynistic demons and his almost sentimental compassion right out there; and only Cronenberg has such a direct pipeline to his own unconscious. Not to mention the fabulous, cascading images--Argento's stock-in-trade is Victorian Liebestod, Edward Gorey gone porno, and THE STENDHAL SYNDROME has sequences that rank with his best.

The sketchy thing about STENDHAL SYNDROME, like the maestro's TRAUMA, is his use of his daughter, Asia Argento, in scenes one cannot imagine a father watching, much less filming. Whatever memoirs come down the pike twenty years later, it must be said: Argento for certain lets it all hang out, and the land-mined terrain he maps is, to my taste, thrilling.


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