A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
A college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired a girlfriend to commit the deed.
A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
Anna Manni is a policewoman trying to capture a vicious serial rapist and killer. The problem is that she suffers from "Stendhal's syndrome", a psychosomatic disease that gives her dizziness and hallucinations when she is exposed to the sight of paintings and artistic masterpieces. When the maniac lures her into a trap inside Florence's famous Uffizi museum, her troubles are just beginning... Written by
Giancarlo Cairella <email@example.com>
There was an intended sequel to 'The Stendhal Syndrome' titled 'In The Dark' where the character of Anna Manni returns. But the idea was abandoned and turned into 'The Card Player' later on. See more »
Though featuring prominently during the film's opening sequence set at the Uffizi in Florecne, Peter Bruegel's 'Landscape with the Fall of Icarus' is actually housed at the Royal Museum of Fine Arts of Belgium in Brussels. See more »
Policewoman Asia Argento, victim of rape, contends with its deep aftermath and the search for the rapist
"The Stendhal Syndrome", while a mystery, is not what it seems, that is, it is not at heart to be taken as a mystery. It is really about the severe psychological effects upon a woman who is a victim of rape. This woman is portrayed by Asia Argento, who has the lead role and appears in almost every scene. She had a large task and she held up her end of it very well indeed. Her father, Dario, directed her. He paced the film on a very steady basis. He didn't cut away from the rape scenes or violent scenes, nor did he sensationalize them. That too contributed to the real theme. The script also works in several other rape victims, so that we see the effects on those women too.
As for the mystery, we are given ample indications of what is happening, but it is deeper than we suppose or might deduce because we have two factors to contend with, which are the rape and the Stendhal Syndrome itself. This is a real phenomenon sometimes experienced by people immersed in art, known to occur at the Uffizi in Florence where the film begins. The surfeit of art or natural beauty can have the effect of making a person dizzy, rapid heartbeat, fainting and even hallucination. This film actually was filmed in the museum and brought back memories to me. It shows the famous Botticelli, for example. It is the only film granted that permission.
At times the Morricone score reminded me of Bernard Herrman and "Vertigo", although the story is very different. This fits some of what occurs in the movie, at the very least in that Argento cuts her hair and dons a blonde wig, while going through character changes.
I'd still classify this as a giallo, despite its being made in 1996. It is also a psychological noir story with quite measured pacing.
5 of 5 people found this review helpful.
Was this review helpful to you?