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The Stendhal Syndrome (1996)
"La sindrome di Stendhal" (original title)

Unrated  |   |  Horror, Mystery, Thriller  |  26 January 1996 (Italy)
6.1
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Ratings: 6.1/10 from 5,222 users   Metascore: 42/100
Reviews: 78 user | 81 critic | 4 from Metacritic.com

A young policewoman slowly goes insane while tracking down an elusive serial rapist/killer through Italy when she herself becomes a victim of the brutal man's obsession.

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Title: The Stendhal Syndrome (1996)

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Cast

Cast overview, first billed only:
...
...
...
Marco Longhi
Luigi Diberti ...
Insp. Manetti
Paolo Bonacelli ...
Dr. Cavanna
Julien Lambroschini ...
Marie
John Quentin ...
Anna's father
Franco Diogene ...
Victim's husband
Lucia Stara ...
Shop assistant
Sonia Topazio ...
Victim in Florence
Lorenzo Crespi ...
Giulio
Vera Gemma ...
Policewoman
John Pedeferri ...
Hydraulic engineer
Veronica Lazar ...
Marie's mother
Mario Diano ...
Coroner
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Storyline

Anna Manni is a policewoman trying to capture a vicious serial rapist and killer. The problem is that she suffers from "Stendhal's syndrome", a psychosomatic disease that gives her dizziness and hallucinations when she is exposed to the sight of paintings and artistic masterpieces. When the maniac lures her into a trap inside Florence's famous Uffizi museum, her troubles are just beginning... Written by Giancarlo Cairella <vertigo@imdb.com>

Plot Summary | Add Synopsis


Certificate:

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Details

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Release Date:

26 January 1996 (Italy)  »

Also Known As:

Stendhal's Syndrome  »

Box Office

Budget:

$3,800,000 (estimated)
 »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

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Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Ennio Morricone's eerie music score for the film follows the same tune played either forward or backward! See more »

Goofs

Though featuring prominently during the film's opening sequence set at the Uffizi in Florecne, Peter Bruegel's 'Landscape with the Fall of Icarus' is actually housed at the Royal Museum of Fine Arts of Belgium in Brussels. See more »

Connections

Referenced in Video Nasties: Moral Panic, Censorship & Videotape (2010) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Argento's vicious return to form, one of his most atmospheric and unsettling from start to finish,

Argento has been cursed with a number of duds in recent years. 'Two Evil Eyes', 'The Phantom of the Opera', 'Sleepless', 'The Card Player' and one of the worst MASTERS OF HORROR episodes yet 'Jenifer'. However, the beautiful, poignant 'The Stendhal Syndrome' is an extremely well crafted rose between a number of poisonous thorns. It sees a return to the atmospheric dream-like charm of his earlier films like 'Phenomena' and 'Suspiria', but adopting his more recent sadism (it's always there, just a different style in his newer films) that gave slight high points in his otherwise dull modern films. After two poorly reviewed films ('Trauma' and 'Two Evil Eyes') Argento has finally done it right.

The film stars his daughter, Asia (whose interesting relationship with Dario adds to the intriguing and off-beat persona he puts out), as Anna, a beautiful police detective in Rome. When she is targeted by the serial killer she is hunting, she is raped and beaten and so leads Argento's best character study and one of the most intense of his films to date. Rather than following the madman as he offs prostitutes and impressionable young women through Italy (the film lightly touches on it, but the more left to the imagination the better), the film follows Anna as she loses grip on reality and develops a strange disease in which she can ever paintings in her mind and they help solve the case, called the Stendhal Syndrome. As the film goes on the attacks on Anna become more and more vicious, and the final climatic ending is one of Argento's best.

Asia delivers a interesting performance, to say it is good is to stretch the truth, but it is suited to the role and you can tell she has a lot of acting talent. All the other performances are rather flat, but as with all of Agento's films the performances aren't what really matter. The cinematography is bland, but as with Asia's performance suits the film better than if it were Technicolor. The tension and music is amazing, the film devotes itself to really unsettling you, rather than just entertaining you like other recent Argento's. 'The Stendhal Syndrome' is probably the most violent and disturbing I've seen the man go, the rape and murder scenes are gratuitously sadistic and the scenes where Anna is raped are bordering on exploitation.

Overall 'The Stendhal Syndrome' is a fantastic return to form fr Argento, and I hope 'The Third Mother' is anywhere near as well-crafted as this.

7/10


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