The life and death of the legendary Ludwig van Beethoven. Beside all the work he is known for, the composer once wrote a famous love letter to a nameless beloved and the movie tries to find... See full summary »
It's late 17th century. The viola da gamba player Monsieur de Sainte Colombe comes home to find that his wife died while he was away. In his grief he builds a small house in his garden into... See full summary »
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
Based on the true story of Australian pianist David Helfgott, this delightful movie charts the traumatic early years through adulthood. Telling the story in flashback we see David as a child prodigy and as he grows up while his patriarchal father abuses him and his siblings with the memory of his childhood in Europe and the loss of his family in the concentration camps. David finally breaks away from his father and goes away to study overseas, he later suffers a breakdown and returns to Australia and a life in an institution. Many years later he is released and through several twists of fate (in reality even more unlikely than film portrays) he starts playing a piano in a bar before finally returning to the concert hall. Written by
The mezzuzah, a Jewish religious scroll attached to a home's door posts, on Ben Rosen's home is angled the wrong way; it should be angled toward the entrance of the home. See more »
[Gillian has come to visit Sylvia. When they arrive home, the house is in a mess and loud music is playing]
Is that the water running?
[Sylvia runs to the bathroom to find the shower running and the basin overflowing]
David? Where in God's heaven is he?
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I don't now why but when I first viewed this a few years back I did not care for it, but after watching it again I was very impressed. Maybe because I have grown more of an appreciation for classical music in that timeframe. I really don't understand how I could have missed the outstanding portrayal of the nuturing/stultifying father-son relationship, or the moving way that David can only express himself via the piano (notice how he speaks in virtually only apothems). This is a very great film.
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