A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
Based on the true story of Australian pianist David Helfgott, this delightful movie charts the traumatic early years through adulthood. Telling the story in flashback we see David as a child prodigy and as he grows up while his patriarchal father abuses him and his siblings with the memory of his childhood in Europe and the loss of his family in the concentration camps. David finally breaks away from his father and goes away to study overseas, he later suffers a breakdown and returns to Australia and a life in an institution. Many years later he is released and through several twists of fate (in reality even more unlikely than film portrays) he starts playing a piano in a bar before finally returning to the concert hall. Written by
Geoffrey Rush had once learned the piano up until aged fourteen. He took up piano lessons again thirty years later for the film and also acted as his own hand double body double. See more »
The character shows all signs of schizophrenia; not bipolar disorder (formerly known as "manic-depressive disorder"), as is claimed in the film. The real David Helfgott likewise displays many symptoms of schizophrenia and none of bipolar disorder. See more »
Rachmaninov? Are you sure?
Kind of. I'm not really sure about anything.
The Rach 3. It's monumental.
It's a mountain. The hardest piece you could everest play.
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A little slight on the writing, but the acting and presentation is brilliant
When I originally saw this film in the mid-90's, I was absolutely devastated throughout the first forty-five minutes. So much so, I was pretty much uncontrollably weeping, much to the chagrin of the friend I went with. Time has softened the film a lot for me, but it still remains a powerful, tender and somewhat inspirational film about a piano prodigy who has led a pretty tragic life. Geoffrey Rush is unbelievable as the piano prodigy David Helfgott, and although the film is kind of sewn up a little quickly with the Vanessa Redgrave subplot (what about Helfgott made her so in love with him in a short period of time as to want to marry him?) it is a very well done film that I highly recommend to just about anyone, but especially musicians and music lovers.
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