A grand old Japanese hotel is trying to get a prestigious contract as the site of a summit meeting of important foreign officials. Unfortunately, this hotel is quite popular with the Yakuza... See full summary »
Ryoko Itakura is a government tax agent who has just landed a big promotion. Her first assignment is to catch wheeler-dealer Hideki Gondo. She has a tough job, since in Japan tax evasion is... See full summary »
Yet another tradition in the tradition of "ragtag misfits" in Japanese comedy...Sumo Do, Sumo Don't tells the story of a university sumo club in Japan. In today's Japan, the younger ... See full summary »
Country bumpkin Haruko only ever wanted to become a geisha, like her now-deceased mother. Initially rebuffed for lack of references, Haruko's strong accent intrigues a linguistics professor, who undertakes to coach her.
Shohei Sugiyama has attained all that he has wanted in life. But he is still depressed and unhappy. One day, he gathers up the courage to sign up for dancing lessons. He hopes they will rid his depression and help him get his life back together. Written by
Robert Krzanowski <email@example.com>
The title is written in English as "Shall We Dansu" since in its original Japanese release, the first two words actual appear in English with only the last word appearing in katakana (one of three Japanese writing systems). The Japanese word for "dance" is pronounced "dansu". See more »
I don't like "grade inflation" but I just had to give this a 10. I can't think of anything I didn't like about it. I saw it last night and woke up today thinking about it. I'm sure that the Hollywood remake that someone told me about, with J Lo and Richard Gear, will be excellent, but this original Japanese version from 1996 was so emotional and thought-provoking for me that I am hard-pressed to think of any way that it could be improved, or its setting changed to a different culture.
A story I found worth watching, and with o fist-fight scenes or guns going off or anything of the sort! Imagine that!
All the characters seemed well-developed, ... even non-primary characters had good character-development and enjoyable acting, and the casting seemed very appropriate.
It's always hard to find a good movie-musical in our day and age, and perhaps this doesn't quite qualify (there is plenty of learning how to dance, but no singing) but I really think that Gene Kelly and others who championed a place for dance in our lives would have thought so very highly of this film and the role of dance in helping to tell a story about a middle aged man, successful with a family in Japan, looking for something... he knows not precisely what.
To the team of people in Japan who contributed to this film, thank you for creating and doing it.
28 of 29 people found this review helpful.
Was this review helpful to you?