| Cast overview, first billed only: | |||
| Timothy Spall | ... | ||
| Phyllis Logan | ... | ||
| Brenda Blethyn | ... | ||
| Claire Rushbrook | ... | ||
| Marianne Jean-Baptiste | ... | ||
| Elizabeth Berrington | ... |
Jane
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| Michele Austin | ... |
Dionne
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| Lee Ross | ... |
Paul
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| Lesley Manville | ... | ||
| Ron Cook | ... |
Stuart
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Emma Amos | ... |
Girl with Scar
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Brian Bovell | ... |
Hortense's Brothers
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Trevor Laird | ... |
Hortense's Brothers
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Clare Perkins | ... |
Hortense's Sister-in-Law
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Elias Perkins McCook | ... |
Hortense's Nephew
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Cynthia lives in London with her sullen street-sweeper daughter. Her brother has been successful with his photographer's business and now lives nearby in a more upmarket house. But Cynthia hasn't even been invited round there after a year. So, all round, she feels rather lonely and isolated. Meanwhile, in another part of town, Hortense, adopted at birth but now grown up, starts to try and trace her mother. Written by Jeremy Perkins {J-26}
I've only seen a few Mike Leigh films. FOUR DAYS IN JULY(I think that was the title) was a film I would have liked except back when I saw it, I wasn't able to handle thick accents, so I couldn't understand it. LIFE IS SWEET and CAREER GIRLS are slight but highly enjoyable. NAKED features a terrific performance by David Thewlis but has a surprisingly misogynist streak in it. But the best of all of them is SECRETS AND LIES. Like his other films, it's entirely improvised by the actors from an outline Leigh writes, but unlike some of those types of movies, you're never left saying, "Okay, cut already!" You're too engrossed by the story, the emotions it brings up, and the performances. Particularly those of Blethyn, Jean-Baptiste(especially her first scene in the adoption agency), and Spall. I could identify with all of them, and was caught up in what happened to them. And although there's no neat resolution, there is some hope at the end. A great movie.