| Bob Hoskins | ... | Verloc | |
| Patricia Arquette | ... | Winnie | |
| Gérard Depardieu | ... | Ossipon | |
| Jim Broadbent | ... | Chief Inspector Heat | |
| Christian Bale | ... | Stevie | |
| Roger Hammond | ... | Mr. Michaelis | |
| Eddie Izzard | ... | Vladimir | |
| Ralph Nossek | ... | Yundt | |
| Neville Phillips | ... | Ticket clerk | |
| Elizabeth Spriggs | ... | Winnie's mother | |
| Peter Vaughan | ... | The Driver | |
| Julian Wadham | ... | The Assistant Commissioner | |
| rest of cast listed alphabetically: | |||
| Robin Williams | ... | Assassin (uncredited) | |
Directed by | |||
| Christopher Hampton | |||
Writing credits | ||
| Joseph Conrad | (novel) | |
| Christopher Hampton | (written by) | |
Produced by | |||
| Joyce Herlihy | .... | co-producer | |
| Norma Heyman | .... | producer | |
| Bob Hoskins | .... | executive producer | |
Original Music by | |||
| Philip Glass | |||
Cinematography by | |||
| Denis Lenoir | |||
Film Editing by | |||
| George Akers | |||
Casting by | |||
| Janey Fothergill | |||
Production Design by | |||
| Caroline Amies | |||
Art Direction by | |||
| Frank Walsh | |||
Costume Design by | |||
| Anushia Nieradzik | |||
Makeup Department | |||
| Jenny Shircore | .... | chief hair stylist | |
| Jenny Shircore | .... | chief makeup artist | |
| Norma Webb | .... | hair stylist | |
| Norma Webb | .... | makeup artist | |
| Christine Whitney | .... | hair stylist | |
| Christine Whitney | .... | makeup artist | |
Production Management | |||
| Stephen Barker | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| William Booker | .... | third assistant director | |
| Peter Heslop | .... | second assistant director | |
| Guy Travers | .... | assistant director | |
Sound Department | |||
| Jason Adams | .... | foley editor | |
| Graham Daniel | .... | sound re-recording mixer | |
| Sarah Ellis | .... | assistant adr editor | |
| Julius Gladwell | .... | assistant foley editor | |
| Jennifer Govey | .... | first assistant dubbing editor | |
| Peter Lindsay | .... | sound | |
| Dennis McTaggart | .... | dubbing editor | |
| Ray Merrin | .... | sound re-recording mixer | |
| Mervyn Moore | .... | boom operator | |
| Jupiter Sen | .... | adr editor | |
Special Effects by | |||
| David Harris | .... | special effects supervisor | |
| Jude Harris | .... | special effects technician | |
| Mark Howard II | .... | special effects technician (as Mark Howard) | |
| Darren May | .... | special effects technician | |
| Neil Toddy Todd | .... | special effects | |
Stunts | |||
| Simon Crane | .... | stunt double | |
| Gary Powell | .... | stunt double | |
Camera and Electrical Department | |||
| Bill Beenham | .... | electrical rigger | |
| Ian Coffey | .... | clapper loader | |
| Mark Evans | .... | electrician | |
| Mike Frift | .... | camera operator | |
| Jill Furmanovsky | .... | still photographer | |
| Alan Grayley | .... | electrician | |
| John Higgins | .... | gaffer | |
| Pascal Lagriffoul | .... | camera focus | |
| Kenny Monger | .... | best boy | |
| Ron Nicholls | .... | grip | |
| Jan Pester | .... | Steadicam operator | |
| William Richards | .... | electrical rigger | |
| Peter Robertson | .... | Steadicam operator | |
| Martin Shepherd | .... | focus puller: "b" camera | |
| Malcolm Smith | .... | grip | |
| Paul Stewart | .... | electrician | |
Costume and Wardrobe Department | |||
| Riley Clark | .... | wardrobe assistant | |
| Jenny Hawkins | .... | wardrobe assistant | |
| Ralph Wheeler-Holes | .... | wardrobe supervisor (as Ralph Holes) | |
Editorial Department | |||
| Edward Akers | .... | editor trainee | |
| David Barrett | .... | first assistant editor | |
| Ashling Fox | .... | post-production coordinator | |
| Jon Harris | .... | second assistant editor | |
Music Department | |||
| Rory Johnston | .... | music coordinator: Euphorbia Productions | |
| Jim Keller | .... | music supervisor | |
| Kurt Munkacsi | .... | music producer | |
| Harry Rabinowitz | .... | conductor | |
| Michael Riesman | .... | musical director | |
| Mike Ross-Trevor | .... | music recording engineer (as Mike Ross) | |
| Pete Smith | .... | music coordinator: Isis Music | |
Transportation Department | |||
| David Rosenbaum | .... | unit driver (uncredited) | |
Other crew | |||
| David Boardman | .... | location manager | |
| Yvonne Cattisan | .... | stills assistant | |
| Warren Cowan | .... | unit publicist | |
| Penny Eyles | .... | script supervisor | |
| Lorraine Fennell | .... | production coordinator | |
| Brian Gibbs | .... | financial controller | |
| Michael Hendrickson | .... | production executive: Fox | |
| Sirish Malde | .... | auditor: Malde & Co. | |
| Sue Matthews | .... | assistant: Norma Heyman | |
| Anya Noakes | .... | unit publicist | |
| Sammy Pasha | .... | assistant: Bob Hoskins | |
| Colin Plenty | .... | location manager | |
| Daniel Shepherd | .... | production runner | |
| Rebecca Erwin Spencer | .... | assistant: Mr. Williams | |
| Ene Watts | .... | script supervisor | |
| Julia Wilson Dickson | .... | voice coach (as Julia Wilson-Dickson) | |
Thanks | |||
| Tim Pigott-Smith | .... | special thanks | |
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| The Quiet American | The Prestige | The Tailor of Panama | The Human Factor | The Interpreter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Whoever cares about international terrorism? It's just a boring subject, let's face it. Any objections? Well, I can understand if there are some. This film, however, might unexpectedly make you accept the truth of the above provocative statements. At least until the next time you zap to a TV news channel that is.
It's hard not to see awesome potential in doing an adaptation of Joseph Conrad's 'The Secret Agent'. And it's hard to believe such a boring and inconsequential mess could be created following up on that very idea. Incredible, just think of the following issues explored in the movie: a web of anarchist militants finding political refuge in 1880s London, an agent provocateur run by the Russian embassy, a would-be suicide bomber, human drama complicating plots and counter-plots and so on. If I managed to excite you a little by mentioning these themes, so sorry, the film will still be boring.
To say something positive, at least it's not altogether unwatchable and, totally unexpectedly for me, the scenes between two actors from whom I would have normally anticipated the least were actually some of the best moments of the film, the scenes between Robin Williams and Gérard Depardieu, both playing anarchists with a rather mysterious (anarchic?) mindset. Oh, and it's quite likely I'll read the book after all, for what I have seen at least was enough to convince me that it might be a good idea.