London of the late 19th century is a haven for political exiles of all sorts - refugees, partisans, anarchists. Verloc has made his living spying for the Russian goverment, an agent ... See full summary »
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London of the late 19th century is a haven for political exiles of all sorts - refugees, partisans, anarchists. Verloc has made his living spying for the Russian goverment, an agent provacateur of sorts, while simultaneously providing information to the London police, specifically Chief Inspector Heat. When the new Russian ambassador demands he prove his worth or lose his salary, Verloc sets off a tragic chain of events that involves his pretty young wife Winnie, her retarded brother Stevie, and a figure called the Professor, whose fascination with explosives and destruction makes him the person to call on when Verloc needs a bomb. Written by
Gary Dickerson <slug@mail.utexas.edu>
The Professor:
Pull yourself together. Remorse is for the weak and weakness is the source of all evil on this Earth. There's a time coming - and it's gonna be sooner rather than later - when this will be understood by governments and individuals: that there can be no progress and no solutions until you make a rational decision to exterminate the weak.
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I'm constantly amazed how well Conrad is adapted by modern film makers. The political intrigue can be mostly ignored, as it is slight and not very interesting. What this movie does well is depict human emotions and reactions in difficult situations, and here is where the well picked cast delivers. Robin Williams is unbilled, but provides a fascinating character study of a true anarchist which contrasts nicely against Bob Hoskins' unwilling agent role. I was beginning to grow tired in the middle of the film, thinking the shallow political action was the ending, but the later intense focus on the human reactions and struggles following the incident do a wonderful job of drawing you back in.
15 of 22 people found this review helpful.
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I'm constantly amazed how well Conrad is adapted by modern film makers. The political intrigue can be mostly ignored, as it is slight and not very interesting. What this movie does well is depict human emotions and reactions in difficult situations, and here is where the well picked cast delivers. Robin Williams is unbilled, but provides a fascinating character study of a true anarchist which contrasts nicely against Bob Hoskins' unwilling agent role. I was beginning to grow tired in the middle of the film, thinking the shallow political action was the ending, but the later intense focus on the human reactions and struggles following the incident do a wonderful job of drawing you back in.