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Directed by | |||
| Wes Craven | |||
Writing credits(WGA) | ||
| Kevin Williamson | (written by) | |
Produced by | |||
| Stuart M. Besser | .... | co-executive producer | |
| Dixie J. Capp | .... | co-producer | |
| Cathy Konrad | .... | producer | |
| Marianne Maddalena | .... | executive producer | |
| Nicholas Mastandrea | .... | associate producer (as Nicholas C. Mastandrea) | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Cary Woods | .... | producer | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Mark Irwin | (director of photography) | ||
Film Editing by | |||
| Patrick Lussier | |||
Casting by | |||
| Lisa Beach | |||
Production Design by | |||
| Bruce Alan Miller | |||
Art Direction by | |||
| David Lubin | |||
Set Decoration by | |||
| Michele Poulik | |||
Costume Design by | |||
| Cynthia Bergstrom | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects supervisor | |
| Kamar Bitar | .... | special makeup effects coordinator | |
| Karen Bradley | .... | makeup artist | |
| Lynn Marie Curreri | .... | hair stylist | |
| Theodore Haines | .... | special makeup effects crew (as Theodore J. Haines) | |
| Bill Hunt | .... | special makeup effects crew | |
| Garrett Immel | .... | special makeup effects crew | |
| Robert Kurtzman | .... | special makeup effects supervisor | |
| Melanie Levitt | .... | makeup artist | |
| Robert Maverick | .... | special makeup effects crew | |
| Gregory Nicotero | .... | special makeup effects supervisor (as Greg Nicotero) | |
| Barbara Olvera | .... | key hair stylist | |
| Kris Ravetto | .... | makeup artist | |
| Christina Raye | .... | hair stylist | |
| Carol Schwartz | .... | key makeup artist | |
| Christine Stahl | .... | special makeup effects crew | |
| Ramon Velazco | .... | special makeup effects crew | |
| Louis Kiss | .... | special makeup effects artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Daniel K. Arredondo | .... | second second assistant director | |
| Heather French | .... | dga trainee | |
| Nicholas Mastandrea | .... | first assistant director (as Nicholas C. Mastandrea) | |
| Lucille Ouyang | .... | second assistant director | |
Art Department | |||
| Charlene Barr | .... | art department production assistant | |
| Braxton Bragg | .... | carpenter | |
| Robert Burg | .... | painter | |
| James Burke | .... | stand-by greensman (as James Burke) | |
| Victoria Carlson | .... | stand-by painter | |
| Robert J. Carlyle | .... | construction coordinator (as Robert Carlyle) | |
| Debra Echard | .... | additional set decorator | |
| Josh Ian Elliott | .... | on-set dresser | |
| David Erickson | .... | painter | |
| William A. Fobert | .... | construction general foreperson | |
| Wendy Gayner | .... | painter | |
| Lori Harrison | .... | property buyer | |
| Lori Harrison | .... | set dresser | |
| Bernie Honigman | .... | painter | |
| John Paul 'J.P.' Jones | .... | property master (as John 'J.P.' Jones) | |
| Richard Lambert | .... | lead person | |
| Gerald Lehtola | .... | art department coordinator | |
| Kenny Montante | .... | local lead person (as Ken Montante) | |
| Carrie Nardello | .... | painter | |
| Scott Newell | .... | carpenter | |
| Teresa Nielsen | .... | paint foreperson | |
| Nanci Noblett | .... | set designer | |
| Katsuhiko Okada | .... | carpenter | |
| Leslie Turnbull | .... | painter | |
| John 'Skip' Weaver | .... | assistant property master | |
| Art Williams | .... | carpenter | |
| Dwight Williams | .... | local construction coordinator | |
| Skip Crank | .... | props (uncredited) | |
| Phillip Thoman | .... | lead greensman (uncredited) | |
| Gary Thomas | .... | storyboard artist (uncredited) | |
Special Effects by | |||
| Mark R. Byers | .... | special effects foreman (as Mark Byers) | |
| Frank Ceglia | .... | special effects supervisor | |
Stunts | |||
| Noby Arden | .... | stunt performer | |
| Christine Anne Baur | .... | stunt performer (as Christine Baur) | |
| Clay Boss | .... | stunt performer | |
| Anthony Cecere | .... | stunt coordinator | |
| Christopher Doyle | .... | stunt performer | |
| Dane Farwell | .... | stunt performer | |
| Frank Lloyd | .... | stunt performer | |
| Kathy Marshall | .... | stunt performer | |
| Allen Robinson | .... | stunt performer | |
| Lynn Salvatori | .... | stunt performer | |
| Lee Waddell | .... | stunt performer | |
| Deborah Alexander | .... | stunt double (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Nancy Hayes | .... | extras casting | |
| Nancy Hayes | .... | local casting | |
| Sarah Katzman | .... | casting assistant | |
| Merv Ladd | .... | extras casting | |
| Merv Ladd | .... | local casting | |
Costume and Wardrobe Department | |||
| Ricki Fournier | .... | costumer | |
| Mathew Hooey | .... | costume supervisor | |
| Patricia Kazmierowski | .... | costumer | |
| Gary J. Saldutti | .... | costume supervisor | |
Editorial Department | |||
| Lynn Dupre | .... | apprentice editor | |
| Peter Devaney Flanagan | .... | first assistant editor | |
| Paul Kieran | .... | assistant editor | |
| Ryan Krayser | .... | post-production assistant | |
| Mike Mertens | .... | color timer (as Michael Mertens) | |
| Yvonne Valdez | .... | second assistant editor | |
| Tina Anderson | .... | post-production assistant (uncredited) | |
Music Department | |||
| Pete Anthony | .... | orchestrator (as Peter Anthony) | |
| Marco Beltrami | .... | conductor | |
| William Boston | .... | orchestrator (as William A. Boston) | |
| Tim Boyle | .... | score mixer | |
| Julian Bratolyubov | .... | music preparation | |
| Ed Gerrard | .... | music consultant | |
| Jeffrey Rabhan | .... | music supervisor | |
| Rose Thomson | .... | background vocals | |
| Ken Watson | .... | orchestra contractor | |
| E. Gedney Webb | .... | music editor | |
Transportation Department | |||
| Pete Brocco | .... | driver | |
| Bruce Callahan | .... | driver | |
| Kevin Carstenson | .... | driver | |
| Jeff Coffman | .... | driver | |
| Ben Davis | .... | driver | |
| Steve Earle | .... | driver | |
| Don Feeney | .... | driver | |
| Mike Ford | .... | driver | |
| Scotty Goudreau | .... | driver | |
| David Joseph | .... | driver | |
| Rose Malley | .... | driver | |
| John Martin | .... | driver | |
| John Mattson | .... | driver | |
| Glenn Midcap | .... | driver | |
| Brian Joseph Moore | .... | driver (as Brian Moore) | |
| John Peters | .... | driver | |
| Dan Porteous | .... | driver | |
| Carsten Rabehl | .... | driver | |
| Derek Raser | .... | transportation coordinator | |
| Susan Rice | .... | driver | |
| Mike Sawyer | .... | driver | |
| Ken Skinner | .... | driver | |
| Rick Suggett | .... | driver | |
| Geoff Teagardin | .... | driver | |
| J.T. Thayer | .... | transportation captain | |
| Earl Thielen | .... | driver | |
| Tracy Thielen | .... | driver | |
| Henry Travers | .... | driver | |
| Chuck Visconte | .... | driver | |
| Jill Wattles | .... | driver | |
| Gene Hubert | .... | driver (uncredited) | |
Thanks | |||
| Sheree Green | .... | special thanks | |
| Frank Okun | .... | special thanks | |
| Les Perry | .... | special thanks | |
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There's more than a few reasons to hate `Scream'; the main reason would be that the film single-handedly resurrected the teen-slasher genre, a movie category that had long been beaten to death. Because of the success of `Scream', witless horror crap like `I Know What You Did Last Summer' and `Urban Legend' got greenlighted, half the teenage casts of various WB television shows got summer acting jobs, and some awful scripts that should've been left dead and buried `Teaching Mrs. Tingle' got to see the light of day. `Scream' is responsible for a lot of garbage. But the truth of the matter is, `Scream' is also a phenomenal movie.
The plot of `Scream' is very simple: a masked knife-wielding maniac is busy stalking the students of High, killing them off one by one. The killer's inordinately obsessed with one girl, Sidney Prescott (Neve Campbell), who of course gets involved in the quest to unmask the killer. The catch (in case you don't already know it), though, is brilliant. Everyone in the film is familiar with all the slasher film conventions. They know that you shouldn't walk in the woods alone at night. They know that having wild sex is an unwritten invitation to be hacked to pieces. They know not to say things to each other like `I'm going outside for a cigarette; I'll be right back.' -- such statements are virtual death warrants. One of the best examples (and best characters) of this is Randy (Jamie Kennedy), the film-obsessed nut of the film, who actually goes so far as to muse what `real' actors and actresses should play the other characters in the film, going so far as to joke about who gets to be Tori Spelling. All the dumb conventions of slasher films are pulled out of the shadows, exposed for what they really are . . . and then, some of them get used anyway, because the characters willingly choose to ignore those conventions. Some cliches are thrown away, while others are embraced. `Scream' really turned the horror/slasher film genre on its ear, becoming the first truly suspenseful and exciting slasher film in many, many years simply because it suddenly had a million new avenues to explore. The film's self-awareness allowed to move in brand-new directions . . . and suddenly, scenes that used to be predictable in other slasher films suddenly become incredibly intense in `Scream'.
Director Wes Craven was perfect for this film -- as director of slasher classics like `Nightmare On Elm Street', he easily sets the visual feels and style of film to perfect evoke all the slasher films of yore . . . and then, much like `Scream's' script, chooses to either faithfully follow the tried and true, or to go off in competely unexpected directions. Either way, Craven manages to create a lot of absolutely nail-biting, thrilling scenes. He also doesn't hold back with the gore, which is always a plus in great slasher films. The acting ranges from barely mediocre to good -- Neve Campbell's okay as Sidney; Courtney Cox is pretty good as tart-tongued reporter Gail Weathers; Jamie Kennedy rules as Randy the film geek; and David Arquette is utterly bland and forgettable as Deputy Dewey Riley, the sad-sack policeman. But casts in slasher films don't particularly matter anyway; the good ones are all about suspense, terror, and gore. And in `Scream', Wes Craven provides massive amounts of all three of those criteria.
The irony is, `Scream' spawned dozens of imitators, and by spawning imitators, all the new avenues opened up by `Scream' quickly got old and boring once more. Still, purely on its own merit, it's an excellent film. The best slasher film of all time is still John Carpenter's `Halloween', without question, but `Scream' actually runs a close second. It's well worth watching. Grade: A-