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Sidney, attempting to cope with her mother's mysterious murder, and her horror movie-obsessed friends are stalked by an unknown killer who seems to have a hard time letting the past go.


432 ( 139)
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Cast overview, first billed only:
Phone Voice (voice)
Kevin Patrick Walls ...
Carla Hatley ...
Lawrence Hecht ...
Lois Saunders ...
Joseph Whipp ...


1 year after her mother's death, Sydney Prescott (Neve Campbell), and her friends started experiencing some strange phone calls. They later learned the calls were coming from a crazed serial killer, in a white faced mask and a large black robe, looking for revenge. His phone calls usually consist of many questions, the main one being: Whats your favorite scary movie? Along with many scary movie trivia, ending with bloody pieces of innocent lives scattered around the small town of Woodsboro. Written by Joss Oran

Plot Summary | Plot Synopsis


Someone Is Playing A Deadly Game, Someone Who Has Seen Way Too Many Scary Movies. See more »


Horror | Mystery

Motion Picture Rating (MPAA)

Rated R for strong graphic horror violence and gore, and for language | See all certifications »

Parents Guide:



Official Sites:




Release Date:

20 December 1996 (USA)  »

Also Known As:

Scary Movie  »

Box Office


$14,000,000 (estimated)

Opening Weekend:

$6,354,586 (USA) (20 December 1996)


$103,001,286 (USA) (18 July 1997)

Company Credits

Show detailed on  »

Technical Specs


| (cut) (PAL DVD)

Sound Mix:


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


The Weinsteins wanted to film in Vancouver as it was estimated that they could save $1 million in costs compared to shooting in the United States. Wes Craven was adamant about filming in the US, as he wanted the setting to look like an all-American, suburban small town. Locations in North Carolina were initially considered, but rejected due to the fact that the sites that looked promising would've required costly modification and repairs to be usable for a film production. The argument over where to film almost led to Craven being removed from the project, but the Weinsteins eventually agreed to keep the production in America. See more »


Obvious stunt double when Sidney is attacked for the first time and knocked to the floor. See more »


[first lines]
Casey: Hello?
Phone Voice: Hello.
Casey: Yes?
Phone Voice: Who is this?
Casey: Who are you trying to reach?
Phone Voice: What number is this?
Casey: Well, what number are you trying to reach?
Phone Voice: I don't know.
Casey: I think you have the wrong number.
See more »

Crazy Credits

Right before the credits roll, there is a quick flash of the killer's face (Ghostface), so quick, it causes the viewer to doubt they actually saw it. See more »


Referenced in Body Jumper (2001) See more »


Bitter Pill
Performed by The Connells
Written by Peele Wimberley
Courtesy of TVT Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Hate To Admit It, But It's Great
9 May 2001 | by (Oldwick, NJ) – See all my reviews

There's more than a few reasons to hate `Scream'; the main reason would be that the film single-handedly resurrected the teen-slasher genre, a movie category that had long been beaten to death. Because of the success of `Scream', witless horror crap like `I Know What You Did Last Summer' and `Urban Legend' got greenlighted, half the teenage casts of various WB television shows got summer acting jobs, and some awful scripts that should've been left dead and buried `Teaching Mrs. Tingle' got to see the light of day. `Scream' is responsible for a lot of garbage. But the truth of the matter is, `Scream' is also a phenomenal movie.

The plot of `Scream' is very simple: a masked knife-wielding maniac is busy stalking the students of High, killing them off one by one. The killer's inordinately obsessed with one girl, Sidney Prescott (Neve Campbell), who of course gets involved in the quest to unmask the killer. The catch (in case you don't already know it), though, is brilliant. Everyone in the film is familiar with all the slasher film conventions. They know that you shouldn't walk in the woods alone at night. They know that having wild sex is an unwritten invitation to be hacked to pieces. They know not to say things to each other like `I'm going outside for a cigarette; I'll be right back.' -- such statements are virtual death warrants. One of the best examples (and best characters) of this is Randy (Jamie Kennedy), the film-obsessed nut of the film, who actually goes so far as to muse what `real' actors and actresses should play the other characters in the film, going so far as to joke about who gets to be Tori Spelling. All the dumb conventions of slasher films are pulled out of the shadows, exposed for what they really are . . . and then, some of them get used anyway, because the characters willingly choose to ignore those conventions. Some cliches are thrown away, while others are embraced. `Scream' really turned the horror/slasher film genre on its ear, becoming the first truly suspenseful and exciting slasher film in many, many years simply because it suddenly had a million new avenues to explore. The film's self-awareness allowed to move in brand-new directions . . . and suddenly, scenes that used to be predictable in other slasher films suddenly become incredibly intense in `Scream'.

Director Wes Craven was perfect for this film -- as director of slasher classics like `Nightmare On Elm Street', he easily sets the visual feels and style of film to perfect evoke all the slasher films of yore . . . and then, much like `Scream's' script, chooses to either faithfully follow the tried and true, or to go off in competely unexpected directions. Either way, Craven manages to create a lot of absolutely nail-biting, thrilling scenes. He also doesn't hold back with the gore, which is always a plus in great slasher films. The acting ranges from barely mediocre to good -- Neve Campbell's okay as Sidney; Courtney Cox is pretty good as tart-tongued reporter Gail Weathers; Jamie Kennedy rules as Randy the film geek; and David Arquette is utterly bland and forgettable as Deputy Dewey Riley, the sad-sack policeman. But casts in slasher films don't particularly matter anyway; the good ones are all about suspense, terror, and gore. And in `Scream', Wes Craven provides massive amounts of all three of those criteria.

The irony is, `Scream' spawned dozens of imitators, and by spawning imitators, all the new avenues opened up by `Scream' quickly got old and boring once more. Still, purely on its own merit, it's an excellent film. The best slasher film of all time is still John Carpenter's `Halloween', without question, but `Scream' actually runs a close second. It's well worth watching. Grade: A-

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