The legendary YES line-up of Jon Anderson, Chris Squire, Trevor Rabin, Alan White, and Tony Kaye performs in this landmark concert that's become a home video favorite! Directed by ... See full summary »
Fletcher Munson is a lethargic, passive worker for a Scientology-like self-help corporation called Eventualism. After the death of a colleague, he is promoted to the job of writing speeches for T. Azimuth Schwitters, the founder and head of the group. He uses this as an excuse to be emotionally and romantically distant from his wife, who, he discovers, is having an affair with his doppelganger, a dentist named Dr. Jeffrey Korchek. As Munson fumbles with the speech and Korchek becomes obsessed with a new patient, a psychotic exterminator named Elmo Oxygen goes around the town seducing lonely wives and taking photographs of his genitals. Written by
Gary Dickerson <firstname.lastname@example.org>
Steven Soderbergh's 'Schizopolis' is a masterpiece. It's a satire on the formulas and cycles of ordinary people's every day lives. It very brilliantly satirizes relationships, marriage, sex, stress, work, the media, and communication, and many more elements of life. Soderbergh's wife in the movie (played by his real-life ex) is an example of a middle-age woman trying to find a good solid relationship, as she flees from her husband to his 'alter-ego' and can't decide which one she is more attracted to. The way the two talk is in Soderbergh's own made-up language, indicating the relationship they have. Which is a very common one, where everyday they have the same pointless, shallow discussions about their semi-awareness of plans for the evening, and at one point their relationship in bed. The marriage is fuelled by lies (a nod to his earlier 'sex, lies, and videotape'). At one point in the film, everyone speaks out what their subconscious tells them, in a very disturbing level of honesty, indicating what they're really feeling and really thinking, and how they express it, whether truthfully or dishonestly. Among things, the film is hilarious, frustrating, shocking, spontaneous, and even touching. It's like nothing ever put up on the screen before, it's a fresh antidote to anything formulaic, and for once, something new.
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