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The story of the life of Brandon Teena, a transgendered teen who preferred life in a male identity until it was discovered he was born biologically female.
Director:
Kimberly Peirce
Stars:
Hilary Swank,
Chloë Sevigny,
Peter Sarsgaard
When two poor greasers, Johnny, and Ponyboy are assaulted by a vicious gang, the socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Director:
Francis Ford Coppola
Stars:
C. Thomas Howell,
Matt Dillon,
Ralph Macchio
A college freshman returns to L.A. for the holidays at his ex-girlfriend's request, but discovers that his former best friend has an out-of-control drug habit.
Director:
Marek Kanievska
Stars:
Andrew McCarthy,
Jami Gertz,
Robert Downey Jr.
Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
Shakespeare's famous play is updated to the hip modern suburb of Verona still retaining its original dialogue. The gun-toting members of the families wage a vicious war on the streets as the star-crossed lovers meet their tragic destiny. Written by
Alexander Lum <aj_lum@postoffice.utas.edu.au>
Two households both alike in dignity, In fair Verona where we lay our scene. From forth the fatal loins of these two foes, A pair of star-cross'd lovers take their life. See more »
Like most of William Shakespeare's work, the verse of Romeo and Juliet is written in iambic pentameter. Pete Postlethwaite, who plays Father Laurence, is the only actor in the movie who speaks using this meter. See more »
Goofs
When Mercutio fires his gun at the beach as the Nurse is leading Romeo away to talk to him, there is a gunshot, but no flash or blowback. See more »
This film is incredible. Yes, the play is modernized, and for those who panned the film, I suppose originality was too much to take. Luhrmann stays with the original dialogue, which I believe adds much to the film and gives it authenticity. Therefore it cannot be dismissed as a masterpiece dumbed down to appeal to us easy to please teenagers. The camera work at the most dark parts of the film is quick and choppy, adding to the already potent and ever present depressing, tragic atmosphere. All of the leads were strong, with Danes and DiCaprio having amazing chemistry. In this film DiCaprio wasn't popular yet, so again critics can't say Leo was the draw for this film. Danes was emotionally pure and driven, and this is her best work to date aside from the critical darling, "My So-Called Life." No, the leads were cast with good reason - there couldn't have been any better. Supporting roles were wonderful, with the roles of Mercutio and Tybalt being exceptional, and the friar, who may be the most important character in the story, is brought to life by Postalwaithe The dreamy underwater shots are fantastic. Luhrmann's version of this classic tragedy plays to both a younger and older audience, adding touches such as the names of the guns being the names of swords; and he yet updates the setting, bringing the fantastic Verona, Italy to Verona Beach, Florida. A timeless story such as this makes any criticism of this film unnecessary and foolish; view it with an open mind and you will see the story as Shakespeare wrote it and as Luhrmann envisioned it.
94 of 146 people found this review helpful.
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This film is incredible. Yes, the play is modernized, and for those who panned the film, I suppose originality was too much to take. Luhrmann stays with the original dialogue, which I believe adds much to the film and gives it authenticity. Therefore it cannot be dismissed as a masterpiece dumbed down to appeal to us easy to please teenagers. The camera work at the most dark parts of the film is quick and choppy, adding to the already potent and ever present depressing, tragic atmosphere. All of the leads were strong, with Danes and DiCaprio having amazing chemistry. In this film DiCaprio wasn't popular yet, so again critics can't say Leo was the draw for this film. Danes was emotionally pure and driven, and this is her best work to date aside from the critical darling, "My So-Called Life." No, the leads were cast with good reason - there couldn't have been any better. Supporting roles were wonderful, with the roles of Mercutio and Tybalt being exceptional, and the friar, who may be the most important character in the story, is brought to life by Postalwaithe The dreamy underwater shots are fantastic. Luhrmann's version of this classic tragedy plays to both a younger and older audience, adding touches such as the names of the guns being the names of swords; and he yet updates the setting, bringing the fantastic Verona, Italy to Verona Beach, Florida. A timeless story such as this makes any criticism of this film unnecessary and foolish; view it with an open mind and you will see the story as Shakespeare wrote it and as Luhrmann envisioned it.