Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.
The classic story of Romeo and Juliet, set in a modern-day city of Verona Beach. The Montagues and Capulets are two feuding families, whose children meet and fall in love. They have to hide their love from the world because they know that their parents will not allow them to be together. There are obstacles on the way, like Juliet's cousin, Tybalt, and Romeo's friend Mercutio, and many fights. But although it is set in modern times, it is still the same timeless story of the "star crossed lovers".
In Baz Luhrmann's native Australia, the soundtrack was the second highest selling album of the year, going platinum five times. See more »
In the outlands of Mantua Romeo calls out Juliet's name from his knees while facing the sun. He then stands and turns around. In the next shot, shadows indicate that he is walking towards the sun again. See more »
Two households, both alike in dignity, in fair Verona, where we lay our scene. From ancient grudge break to new mutiny, where civil blood makes civil hands unclean. From forth the fatal loins of these two foes, a pair of star-crossed lovers take their life, whose misadventured piteous overthrows doth, with their death, bury their parents' strife. The fearful passage of their death-marked love and the continuance of their parents' rage, which, but their children's end, naught could ...
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It's a bit late to be reviewing this movie, but I find it an exceptional reboot. Everything about it is on permanent overdrive, as exemplified by the oversaturated setting and terse cinematography. Some people have reviewed this and expressed distaste at Harold Perinneau's portrayal of Mercutio in favour of the 1968 John McEnery. While "de gustibus non est disputandum" certainly applies here, I think it's worth pointing out that McEnery's performance brought a certain boorishness and abrasion to the character that Perrineau did not. Romeo, played by DiCaprio, was excellently cast and acted, striking a healthy balance between stunningly handsome and endearingly clumsy and exuberant. And I don't care what all you phonies say, Claire Danes was gorgeous.
Others have derided the film for certain choices made in the staging, combat, and/or nonverbal action, remarking "Where did Shakespeare write that?" Well. First, we are already working in a modern setting, so the assumption that historical accuracy in staging and direction should be followed to a T is frankly absurd. Second, the plays are public domain, which is a mixed blessing, as it brought us the 2013 R&J Sparknotes movie adaptation. But with that freedom comes a brilliant opportunity of artistic expression from the director, and each choice of omission or interaction in this production was apparently made with great care to maintain the integrity of the story being told.
To touch on comparisons between the 68 and 96 movies: don't try to tell me Leonard Whiting acted like he had any idea what he was saying. Have you people seen the movie?
This film is definitely worth your time. I find it to be a well-wrought revamping of one of my favourite plays from the Shakespeare Corpus.
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