Vicenarian Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss. Excited and intrigued, he sets out to find it.
The classic story of Romeo and Juliet, set in a modern-day city of Verona Beach. The Montagues and Capulets are two feuding families, whose children meet and fall in love. They have to hide their love from the world because they know that their parents will not allow them to be together. There are obstacles on the way, like Juliet's cousin, Tybalt, and Romeo's friend Mercutio, and many fights. But although it is set in modern times, it is still the same timeless story of the "star crossed lovers".
Romeo and Juliet first kiss which takes place in a cramped elevator with the camera dizzyingly swirling around them was achieved by making the elevator into sections and putting the camera on a circular dolly. As it spun round, stage hands would lift and very hurriedly replace the elevator panels to accommodate the bulky camera equipment. See more »
Pieces of Romeo's hair change from being in front/not in front of his face during the fish-tank scene. See more »
Two households, both alike in dignity, in fair Verona, where we lay our scene. From ancient grudge break to new mutiny, where civil blood makes civil hands unclean. From forth the fatal loins of these two foes, a pair of star-crossed lovers take their life, whose misadventured piteous overthrows doth, with their death, bury their parents' strife. The fearful passage of their death-marked love and the continuance of their parents' rage, which, but their children's end, naught could ...
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An eye-catching, starkly bold and breathtaking update of Shakespeare's greatest work.
This film is incredible. Yes, the play is modernized, and for those who panned the film, I suppose originality was too much to take. Luhrmann stays with the original dialogue, which I believe adds much to the film and gives it authenticity. Therefore it cannot be dismissed as a masterpiece dumbed down to appeal to us easy to please teenagers. The camera work at the most dark parts of the film is quick and choppy, adding to the already potent and ever present depressing, tragic atmosphere. All of the leads were strong, with Danes and DiCaprio having amazing chemistry. In this film DiCaprio wasn't popular yet, so again critics can't say Leo was the draw for this film. Danes was emotionally pure and driven, and this is her best work to date aside from the critical darling, "My So-Called Life." No, the leads were cast with good reason - there couldn't have been any better. Supporting roles were wonderful, with the roles of Mercutio and Tybalt being exceptional, and the friar, who may be the most important character in the story, is brought to life by Postalwaithe The dreamy underwater shots are fantastic. Luhrmann's version of this classic tragedy plays to both a younger and older audience, adding touches such as the names of the guns being the names of swords; and he yet updates the setting, bringing the fantastic Verona, Italy to Verona Beach, Florida. A timeless story such as this makes any criticism of this film unnecessary and foolish; view it with an open mind and you will see the story as Shakespeare wrote it and as Luhrmann envisioned it.
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