To foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan backfires when the same criminal impersonates the cop with the same method.
Stanley Goodspeed, who lives in Washington D.C., is a biochemist who works for the FBI. Soon after his fiancée Carla Pestalozzi announces that she is pregnant, Stanley gets a call from FBI director James Womack. Womack tells Stanley that San Francisco's Alcatraz Island has been taken hostage, along with 81 tourists, by marine General Francis Xavier Hummel who, for years, has been protesting the government's refusal to pay benefits to families of war veterans who died during covert military operations. The death of his wife Barbara Hummel on March 9, 1995 drove General Hummel over the edge, and now he's holding hostages in order to get his point across. Stanley is needed because General Hummel has stolen some VX gas warheads and has announced that he will launch them onto San Francisco unless his demands are met. Stanley knows how to disarm the bombs, but Stanley needs someone who knows Alcatraz well enough to get him inside. That man is former British intelligence agent John Patrick ... Written by
While the film was shooting, Alcatraz the island was still open to the public, and many visitors watched the movie being shot. However, on December 15, 1995, the federal government, which owns Alcatraz Island, partially shut it down due to stalled budget talks, and filming continued with no visitors present. See more »
When the SEAL team arrives with their miniature submarines at Alcatraz a view at the cockpit display a speed of 67 knots just before they arrive at the entrance. Under no circumstances can any submarine go that fast, and even if that were possible it would not be feasible to drive that fast just before the arrival, since it would be impossible to brake in time. See more »
Congressman Weaver and esteemed members of the Special Armed Services Committee, I come before you to protest a grave injustice... It has to stop.
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An action packed, high octane thriller with great performances. ***1/2 out of ****.
THE ROCK / (1996) ***1/2
Starring: Sean Connery, Nicolas Cage, Ed Harris, Jon Spencer, David Morse, William Forsythe, Bokeem Woodbine, and Vanessa Marcil. Directed by Michael Bay. Running time: 135 minutes. Rated R (for strong intense violence, language and brief sexuality)
Notes taken while screening The Rock:
· The film contains superior character development of both the antagonist and protagonist. Each is clear and well defined. We also learn the characters motives, reasoning, dramatic situation, and premise--all brilliantly introduced within the setup.
· Sean Connery provides us with strong character development through John Patrick Mason--although the character is somewhat a rip off of the Anthony Hokins' Hannibal from "The Silence of the Lambs."
· It is uncanny how well the movie's visual style works. It propels the film's suspense the extra mile, increasing the tension and enticement. Also contributing to the style is the fitting soundtrack.
· Some of the events are excessively coincidental. For example, during an exciting chase scene, Mason dashes out of a building, escaping the clutches of concealing police, discovering a Hum-V seemingly awaiting his arrival. Experienced chemist, Stanley Goodspeed (Nicolas Cage), chases after him, in a high speed Ferrari sitting outside his position in a building. Another coincidence occurs in the high security prison, where Mason escapes a grenade blast by dashing at random into a room, where, of course, there just so happens to be a secure bathtub to climb in.
· There is a stolid, aggressively effective cast present. Each actor contributes a taut, penetrating performance, especially Ed Harris as the film's villain, General Francis X. Hummel who demands a moral purpose holding the lives of an urban area at stake.
* The character's motives and perfectly defined, especially General Francis X. Hummel. Even as the film's bad guy, he serves an understandable position, thus we empathize with him, unlike most villains witnessed in modern day thrillers.
· The standard three act structure is flawless: each scene propels the plot forward. The sequences either create a new problem or complicate a previous conflict, favoring with the later concept. This raises the line of tension even further.
· Most of the production takes place in a high security prison, Alcatraz, crafted with a complex, awe-inspiring atmosphere towering over that of most action movies.
· Sean Connery handles the complicated role of John Mason with mere simplicity, yet easily torments the audience with a sense of omniscient knowledge of the plot.
· The picture is unpredictable and contains several inducing and unexpected twists proving this movie is imaginative and free to surprise us. The conclusion is not fomulatic. "The Rock" is filled with artful design and crafty performances. It is one of the year's best action films.
Brought to you by Hollywood Pictures.
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