A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
Jake Vig (Burns) is a consummate grifter about to pull his biggest con yet, one set to avenge his friend's murder. But his last scam backfired, leaving him indebted to a mob boss (Hoffman) and his enforcer.
Tom Mullen is a millionaire, he built his fortune by working hard. Along the way he learned how to play the game. He has a great family. One day his son is kidnapped. He is willing to pay the ransom but decides to call in the FBI, who manages to go into his home secretly. When he goes to make the drop something goes wrong. The kidnapper calls him again and reschedules it. On the way Mullen decides not to go and appears on TV saying that the ransom he was going to give to the kidnapper is now a bounty on the kidnapper. Written by
When Sean spits the cough syrup on Maris' shirt you can clearly see two large red spill spots on the left and right side. In the next scene she comes into the kitchen wiping her left side while the right side is completely clean. See more »
After the terrific APOLLO 13, I thought Ron Howard was ready to move on to even bigger things, Mel Gibson is good when he's given the chance to act, Richard Price is one of my favorite writers, Lili Taylor is one of my favorite actresses, and the trailer really rocked, so I was primed to see this. But it's somewhat disappointing. The filmmakers try to make a flawed hero, and Gibson certainly is that, not afraid to make his character unlikable, and we even get the psychology of a man used to having his way not having his way, and how he reacts to that. And most of the rest of the cast is good(with one exception I'll get to in a moment). As a fan of Taylor, I was especially pleased at how she was used. While she doesn't have a lot of dialogue, she gets to develop her character in a way her fellow villains don't because Howard has her on camera a lot, and she expresses a lot with her face.
But the other villains aren't well-developed. The one wrong performance(not bad, wrong) is by Gary Sinise; he tries, but he's just not convincing here, mostly sounding forced. And the last 15 minutes are melodramatic and unconvincing. The elements were all there, but it doesn't deliver.
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