A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
A 1939 test pilot asks his best friend to use him as a guinea pig for a cryogenics experiment. Daniel McCormick wants to be frozen for a year so that he doesn't have to watch his love lying... See full summary »
Tom Mullen is a millionaire, he built his fortune by working hard. Along the way he learned how to play the game. He has a great family. One day his son is kidnapped. He is willing to pay the ransom but decides to call in the FBI, who manages to go into his home secretly. When he goes to make the drop something goes wrong. The kidnapper calls him again and reschedules it. On the way Mullen decides not to go and appears on TV saying that the ransom he was going to give to the kidnapper is now a bounty on the kidnapper. Written by
When Tom returns in his penthouse after the failed transfer of the ransom money, he hugs his wife. In 2 shots (alternated with Hawkins talking) Tom has his left AND right arm on his wife's back. The next shot (when you hear the other FBI-agent say "this is no high-tech mastermind") Tom has his left arm UNDER his wife's scarf. Next shot Tom's left arm is on the outside again. See more »
...he's so shy. Next month he's doing the underwear billboard in Times Square.
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The opening Touchstone Pictures logo is in black and white. See more »
After the terrific APOLLO 13, I thought Ron Howard was ready to move on to even bigger things, Mel Gibson is good when he's given the chance to act, Richard Price is one of my favorite writers, Lili Taylor is one of my favorite actresses, and the trailer really rocked, so I was primed to see this. But it's somewhat disappointing. The filmmakers try to make a flawed hero, and Gibson certainly is that, not afraid to make his character unlikable, and we even get the psychology of a man used to having his way not having his way, and how he reacts to that. And most of the rest of the cast is good(with one exception I'll get to in a moment). As a fan of Taylor, I was especially pleased at how she was used. While she doesn't have a lot of dialogue, she gets to develop her character in a way her fellow villains don't because Howard has her on camera a lot, and she expresses a lot with her face.
But the other villains aren't well-developed. The one wrong performance(not bad, wrong) is by Gary Sinise; he tries, but he's just not convincing here, mostly sounding forced. And the last 15 minutes are melodramatic and unconvincing. The elements were all there, but it doesn't deliver.
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