6 out of 6 people found the following comment useful :- Jeanne Moreau makes this a worthy film, 10 August 2001
Author:
larryholliday
The mature and beautiful Jeanne Moreau makes this film worth
more
than a footnote or a curiosity in her filmography. The interplay between
Moreau and Nell Carter is funny and moving. While there
are
transitions that are not as smooth or well written as they could be, this
movie resonates with those of us who have reached "a certain
age."
Though not all of us have the opportunity to revisit our pasts, we each
manufacture the imagery that we carry with us for our lifetimes. Those of
us
who are lucky enough to get a chance to revisit our youth are often rudely
awakened to the reality that the imagery we have carried with us is not
necessarily reality.
This touching story involves a successful novelist, Moreau, who late in
life
decides to return to her Parisian roots. It is about her departure from New
York, where she has been living since the war (WWII) and her return to
Paris
after 50 years. It is in the remembrance of her mother and the realizations
of what actually happened to her as a child during the war that are the
heart of this movie.
While there are unnecessary sub-plots, even these diversions give the
director, Ismael Merchant, an opportunity to cinematically present Paris at
its most lovely.
I consider this a very good movie with yet another brilliant and controlled
performance by the incomparable Moreau. There are some
very interesting character roles including Jean Pierre Aumont. The
cinematography is lovely!
4 out of 4 people found the following comment useful :- Disappointing but not a Disaster, 2 May 2006
Author:
Dannybob from United States
I saw this at the Chicago International Film Festival the autumn of its
release. Before the film started, the producers and Madame Moreau made
an appearance at the theatre and came to talk a few moments. There were
about 25 people in the audience. What an embarrassment that this great
lady's appearance would have so few people in attendance! I did what I
could to make it celebritous, stood and applauded, and Madame very
shyly bowed to us.
The film itself is best described as imperfect jewels - romantic,
beautiful scenes and decors, and a capable cast. For some reason it
doesn't completely come together as it should. I would still like a DVD
version, for no other reason than posterity.
1 out of 1 people found the following comment useful :- A bold vision for a film, 22 June 2000
Author:
zero_kelly from Madison, Ga.
I had seen previews for this film for several years before I could find it
in the local Blockbuster and waiting was worth it. The story is tender,
without being overdone. All of the characters are connected in meaningful
ways, although I have to say casting Sam Waterson as an art auctioner may
appear to be an odd role for him, he handled it well.Jeanne Moreau was
delightful in the lead. The triumph of the film is her ability to move in
and out of the visions with her mother and her lover. While some viewers
may
have found this far-fetched, just remember that grief creates many levels
of
reality. The friendship that developed with Josh Hamilton's character
(William O'Hara) is great. Despite the fact Moreau finds him a total bore
when they first meet, and they then become friends becomes the universal
message of this story. Throw in the reconcilation of a marriage gone bad,
and the young couple overcoming their cultural differences, and the story
comes full circle. The scenes of racial problems in Frances brought the
issue to light. Few Americans see this side of France. I give the movie an
eight.
3 out of 5 people found the following comment useful :- An Americanized French film, 15 October 2001
Author:
f64 from Indy
If you see this film as a tv movie chances are the broadcaster's watermark
will wipe out the subtitles, another reason to buy the video. When I saw
this film for the first time I thought it was another American made girl
flick so I occupied myself with other things(heh heh). The closing
credits
intrigued me however(Sean Young, Nell Carter, Aumont, Moreau) so I rented
the video. I suppose I rated this a ten because I find most European
films
worthy of artistic praise, which is what this is, although it is obviously
trying to serve an American audience. The French, in particular, have a
way
with invention that sidesteps stereotyping. Older people don't appear as
saints or fools. Americans don't appear as total idiots. Youth isn't
always blunt and naive. And life isn't telegraphed. So an otherwise
boring
girl flick turns into something worth watching.
Could have used a better supporting cast, 13 October 2006
Author:
rowan056 from United States
First, I have to say I actually enjoyed this movie, and I would have
given it 9/10. What problem I have with it is Sean Young. I love Jeanne
Moreau, and have many of her movies. I just feel that this movie would
have had better appeal if they had picked someone else for Sean Young's
character. The premise of the film was good, and the other supporting
cast members weren't too bad, but it seemed that Ms. Moreau had to try
and carry most of the film on her own. Not an easy task, even from
someone as talented as Ms. Moreau. The sad part is that Ms. Moreau's
films take so long to come to DVD in the US. I have been a fan of
french, and foreign, films for quite some time, and it is too bad that
we don't have better support for foreign films in this country, so that
they get released here. We are missing out on some great movies and
actors. This film is worth seeing. Just don't judge the rest of the
movie based on Ms. Young's performance. I hope it comes to DVD in the
US some time soon.
1 out of 2 people found the following comment useful :- What a disappointment, 1 February 2004
Author:
TheGrip from Bronx, New York
I saw this film in the Carnegie Hall movie theater. I heard it was from
Merchant-Ivory and I love Jeanne Moreau, so this pick was a no-brainer, or
so I thought. I knew I was in trouble when James Ivory was the producer
and
not the director. Ismael Merchant didn't know what he was doing. About a
third of the shots had the boom mike hanging into the frame.
Ridiculous.
2 out of 5 people found the following comment useful :- Abysmal, 14 August 1998
Author:
Varlaam from Toronto, Canada
Virtually unwatchable. Normally Merchant produces and Ivory directs. When
they switch rôles, bad things happen.
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6 out of 6 people found the following comment useful :-

Jeanne Moreau makes this a worthy film, 10 August 2001
Author: larryholliday
The mature and beautiful Jeanne Moreau makes this film worth more than a footnote or a curiosity in her filmography. The interplay between Moreau and Nell Carter is funny and moving. While there are transitions that are not as smooth or well written as they could be, this movie resonates with those of us who have reached "a certain age."
Though not all of us have the opportunity to revisit our pasts, we each manufacture the imagery that we carry with us for our lifetimes. Those of us who are lucky enough to get a chance to revisit our youth are often rudely awakened to the reality that the imagery we have carried with us is not necessarily reality.
This touching story involves a successful novelist, Moreau, who late in life decides to return to her Parisian roots. It is about her departure from New York, where she has been living since the war (WWII) and her return to Paris after 50 years. It is in the remembrance of her mother and the realizations of what actually happened to her as a child during the war that are the heart of this movie.
While there are unnecessary sub-plots, even these diversions give the director, Ismael Merchant, an opportunity to cinematically present Paris at its most lovely.
I consider this a very good movie with yet another brilliant and controlled performance by the incomparable Moreau. There are some very interesting character roles including Jean Pierre Aumont. The cinematography is lovely!
4 out of 4 people found the following comment useful :-

Disappointing but not a Disaster, 2 May 2006
Author: Dannybob from United States
I saw this at the Chicago International Film Festival the autumn of its release. Before the film started, the producers and Madame Moreau made an appearance at the theatre and came to talk a few moments. There were about 25 people in the audience. What an embarrassment that this great lady's appearance would have so few people in attendance! I did what I could to make it celebritous, stood and applauded, and Madame very shyly bowed to us.
The film itself is best described as imperfect jewels - romantic, beautiful scenes and decors, and a capable cast. For some reason it doesn't completely come together as it should. I would still like a DVD version, for no other reason than posterity.
1 out of 1 people found the following comment useful :-
A bold vision for a film, 22 June 2000
Author: zero_kelly from Madison, Ga.
I had seen previews for this film for several years before I could find it in the local Blockbuster and waiting was worth it. The story is tender, without being overdone. All of the characters are connected in meaningful ways, although I have to say casting Sam Waterson as an art auctioner may appear to be an odd role for him, he handled it well.Jeanne Moreau was delightful in the lead. The triumph of the film is her ability to move in and out of the visions with her mother and her lover. While some viewers may have found this far-fetched, just remember that grief creates many levels of reality. The friendship that developed with Josh Hamilton's character (William O'Hara) is great. Despite the fact Moreau finds him a total bore when they first meet, and they then become friends becomes the universal message of this story. Throw in the reconcilation of a marriage gone bad, and the young couple overcoming their cultural differences, and the story comes full circle. The scenes of racial problems in Frances brought the issue to light. Few Americans see this side of France. I give the movie an eight.
3 out of 5 people found the following comment useful :-

An Americanized French film, 15 October 2001
Author: f64 from Indy
If you see this film as a tv movie chances are the broadcaster's watermark will wipe out the subtitles, another reason to buy the video. When I saw this film for the first time I thought it was another American made girl flick so I occupied myself with other things(heh heh). The closing credits intrigued me however(Sean Young, Nell Carter, Aumont, Moreau) so I rented the video. I suppose I rated this a ten because I find most European films worthy of artistic praise, which is what this is, although it is obviously trying to serve an American audience. The French, in particular, have a way with invention that sidesteps stereotyping. Older people don't appear as saints or fools. Americans don't appear as total idiots. Youth isn't always blunt and naive. And life isn't telegraphed. So an otherwise boring girl flick turns into something worth watching.
Could have used a better supporting cast, 13 October 2006

Author: rowan056 from United States
First, I have to say I actually enjoyed this movie, and I would have given it 9/10. What problem I have with it is Sean Young. I love Jeanne Moreau, and have many of her movies. I just feel that this movie would have had better appeal if they had picked someone else for Sean Young's character. The premise of the film was good, and the other supporting cast members weren't too bad, but it seemed that Ms. Moreau had to try and carry most of the film on her own. Not an easy task, even from someone as talented as Ms. Moreau. The sad part is that Ms. Moreau's films take so long to come to DVD in the US. I have been a fan of french, and foreign, films for quite some time, and it is too bad that we don't have better support for foreign films in this country, so that they get released here. We are missing out on some great movies and actors. This film is worth seeing. Just don't judge the rest of the movie based on Ms. Young's performance. I hope it comes to DVD in the US some time soon.
1 out of 2 people found the following comment useful :-
What a disappointment, 1 February 2004
Author: TheGrip from Bronx, New York
I saw this film in the Carnegie Hall movie theater. I heard it was from Merchant-Ivory and I love Jeanne Moreau, so this pick was a no-brainer, or so I thought. I knew I was in trouble when James Ivory was the producer and not the director. Ismael Merchant didn't know what he was doing. About a third of the shots had the boom mike hanging into the frame. Ridiculous.
2 out of 5 people found the following comment useful :-

Abysmal, 14 August 1998
Author: Varlaam from Toronto, Canada
Virtually unwatchable. Normally Merchant produces and Ivory directs. When they switch rôles, bad things happen.
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