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La promesse (1996)
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Overview
User Rating:
Directors:
Writers:
Release Date:
16 May 1997 (USA)
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Plot:
Igor and his father, Roger, are making a decent living renting apartments to illegal immigrants and...
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Awards:
15 wins
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5 nominations
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NewsDesk:
(3 articles)
Jean-pierre And Luc Dardenne, Lorna's Silence
(From Filmmaker Magazine_Director Interviews. 13 August 2009, 7:46 AM, PDT)
Cannes 08: The Dardennes on "The Silence of Lorna"
(From IFC. 22 May 2008, 2:12 AM, PDT)
(From Filmmaker Magazine_Director Interviews. 13 August 2009, 7:46 AM, PDT)
Cannes 08: The Dardennes on "The Silence of Lorna"
(From IFC. 22 May 2008, 2:12 AM, PDT)
User Comments:
gritty alternative to Hollywood pap
more (21 total)
Cast
(Credited cast)| Jérémie Renier | ... | Igor | |
| Olivier Gourmet | ... | Roger | |
| Assita Ouedraogo | ... | Assita | |
| rest of cast listed alphabetically: | |||
| Jean-Michel Balthazar | |||
| Frédéric Bodson | ... | The garage boss | |
| Katarzyna Chrzanowska | |||
| Florian Delain | ... | Riri | |
| Hachemi Haddad | ... | Nabil | |
| Alain Holtgen | ... | Le postier | |
| Sophie Leboutte | |||
| Rasmane Ouedraogo | ... | Amidou | |
Additional Details
Also Known As:
The Promise (Australia) (DVD title)
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Parents Guide:
Runtime:
Argentina:92 min | Belgium:90 min | Sweden:94 min
Country:
Color:
Aspect Ratio:
1.66 : 1 more
Certification:
Australia:M |
Argentina:13 |
Belgium:KT |
Chile:14 |
Hong Kong:IIA |
Portugal:M/12 |
Spain:13 |
Sweden:15
Filming Locations:
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Message Boards
Discuss this movie with other users on IMDb message board for La promesse (1996)| Recent Posts (updated daily) | User |
|---|---|
| so she doesn't go to italy? | jblueshoes |
| Relationship between father and son | n0068568 |
| The first song in the karaoke... | supermike_01 |
Recommendations
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| L'enfant | Le fils | Le silence de Lorna | Daens | Lundi matin |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Belgium section |
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At the turn of the 20th century, film pioneers in the United States were shooting movies about the fantastic, pushing the envelope of special effects and melodrama, while European film makers were trying to capture the the essence of "real life." It's amazing how little has changed in a hundred years.
"La Promesse," a Belgian film by the Dardenne brothers, offers so little of the American drama-enhancers that at first it seems boringly mundane. But an interesting morality-play soon puts the viewer's mind to work. What is the main character, Igor, a street-wise kid supposed to do when his father, who has taught him every trick in the book, hides the accidental death of an illegal immigrant worker? Igor promises the worker's wife that he will look after her and her baby while her husband has gone "missing" but is unable to tell her the horrible truth.
Igor contemplates what to do, oftentimes while driving around a ghastly post-industrial landscape on his rickety moped. No music, just moped whining. In typical Dardenne style, there is a brief touching and funny scene in all of this misery. Igor is filmed actually having fun with his pals in a pitifully dilapidated, home-made go-cart -like all kids should- rather than contemplating such weighty issues. The effect is unforgettable.
Igor finally decides to make a break with his father and in a common but effective convention -- he uses the survival tactics that his father taught him (such as driving their van) against him, leaving the fat-ish father to go after his kid while squeezing onto his kid's moped. Truly a pathetic sight.
Igor, his hand played with his father, is now forced to confront the issue with the worker's widow and her baby which makes for a powerful conclusion. Sans music, of course.
Without entirely giving up the movie, the title, "La Promesse" actually has two meanings it seems. The first is the promise to the woman and her baby but the directors evidently are also rooting for "the promise" of a younger (post-baby boomer) generation to act altruistically. I'm reminded of the line in a John Cougar Mellencamp (baby-boomer) song, "Check it Out," when he sings wistfully, "Future generations...maybe they'll have a better understanding, Hopefully have a better understanding..."
In a sad coda, I saw "La Promesse" in Washington DC's last independent theater just days before it closed down, thus losing it's battle with the evil theater-chain empires. Movies like "La Promesse" are the kinds of films that allow one to restore the promise that there can still be thoughtful and unforgettable cinema out there in the land of formulaic Hollywood pap. These films need to be made and offered in our theaters and video stores...and taught in our film schools. They do more than entertain. They offer a window on life. If they can't survive in the "movie market," then (oh-no, the s-word) subsidize them and use them as teaching instruments to our students. Maybe future generations will revive the art -- and learn something in the process.