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| Richard Gere | ... | Martin Vail | |
| Laura Linney | ... | Janet Venable | |
| John Mahoney | ... | Shaughnessy | |
| Alfre Woodard | ... | Shoat | |
| Frances McDormand | ... | Molly | |
| Edward Norton | ... | Aaron | |
| Terry O'Quinn | ... | Yancy | |
| Andre Braugher | ... | Goodman | |
| Steven Bauer | ... | Pinero | |
| Joe Spano | ... | Stenner | |
| Tony Plana | ... | Martinez | |
| Stanley Anderson | ... | Rushman | |
| Maura Tierney | ... | Naomi | |
| Jon Seda | ... | Alex | |
| Reg Rogers | ... | Connerman | |
| Kenneth Tigar | ... | Weil | |
| Brian Reddy | ... | Woodside | |
| Christopher Carroll | ... | M.C. | |
| Wendy Cutler | ... | Lou | |
| Ron O.J. Parson | ... | Turner | |
| Sigrid K. Zahner | ... | Vail's Secretary | |
| Diann Burns | ... | WLS Anchor | |
| Linda Yu | ... | WLS Anchor | |
| Andy Shaw | ... | WLS Location Reporter | |
| Mary Ann Childers | ... | WBBM Anchor | |
| Lester Holt | ... | WBBM Anchor (as Lester D. Holt) | |
| Sylvia Gomez | ... | WBBM Location Reporter | |
| Jon Duncanson | ... | WBBM Location Reporter | |
| David Eckert | ... | WGN Anchor | |
| Robert Jordan | ... | WGN Anchor | |
| Joanie Lum | ... | WGN Location Reporter | |
| Randy Salerno | ... | WGN Location Reporter | |
| Kyle Colerider-Krugh | ... | Postman | |
| Joseph Luis Caballero | ... | Joe | |
| Randall Slavin | ... | Young Boy | |
| Mike Bacarella | ... | Sergeant | |
| Turk Muller | ... | Precinct Jailer | |
| Joseph F. Kosala | ... | Cop (as Joe Kosala) | |
| Lenny Wilson | ... | Bartender | |
| Peter Schreiner | ... | Bailiff | |
| Joseph R. Ryan | ... | Old Man | |
| Azalea Davila | ... | Linda | |
| Wayne Wright | ... | Court Clerk | |
| Tony Fitzpatrick | ... | Duty Officer | |
| Clarence Williams Jr. | ... | Arresting Cop | |
| Rosalie V. Lewis | ... | Stenographer | |
| Dwight Brad Dyer | ... | Prison Guard | |
| Larry Cook | ... | Pilot | |
| Bob Kenney | ... | Pilot | |
| rest of cast listed alphabetically: | |||
| Mike Boss | ... | Cop (uncredited) | |
Directed by | |||
| Gregory Hoblit | |||
Writing credits(WGA) | ||
| William Diehl | (novel) | |
| Steve Shagan | (screenplay) and | |
| Ann Biderman | (screenplay) | |
Produced by | |||
| Patricia Graf | .... | associate producer | |
| Hawk Koch | .... | executive producer (as Howard W. Koch Jr.) | |
| Gary Lucchesi | .... | producer | |
| Robert McMinn | .... | co-producer | |
| Arnold Rudnick | .... | associate producer | |
Original Music by | |||
| James Newton Howard | |||
Cinematography by | |||
| Michael Chapman | (director of photography) | ||
Film Editing by | |||
| David Rosenbloom | |||
Casting by | |||
| Deborah Aquila | |||
| Jane Shannon-Smith | (as Jane Shannon) | ||
Production Design by | |||
| Jeannine Claudia Oppewall | (as Jeannine Oppewall) | ||
Art Direction by | |||
| William Arnold | |||
Set Decoration by | |||
| Cindy Carr | |||
Costume Design by | |||
| Betsy Cox | |||
Makeup Department | |||
| Hallie D'Amore | .... | key makeup artist | |
| Sterfon Demings | .... | hair stylist | |
| Elle Elliott | .... | hair stylist | |
| Margaret E. Elliott | .... | makeup artist (as Margaret Elliott) | |
| Kathrine Gordon | .... | hair stylist | |
| Tom Lucas | .... | makeup artist: Mr. Gere | |
| Carol Meikle | .... | hair stylist: Mr. Gere | |
| Jeffrey Sacino | .... | key hair stylist (as Jeffrey M. Sacino) | |
| Art Anthony | .... | special makeup effects: Chicago (uncredited) | |
Production Management | |||
| Robert Grand | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Xochi Blymyer | .... | second second assistant director | |
| J. Stephen Buck | .... | first assistant director | |
| Gary B. Goldman | .... | second second assistant director: Chicago (as Gary Goldman) | |
| Randall Newsome | .... | second second assistant director: Chicago | |
| Lucille Ouyang | .... | second assistant director (as Lucille OuYang) | |
| Sharon Swab | .... | dga trainee | |
Art Department | |||
| Paul Allen | .... | set dresser: Chicago | |
| Randolph W. Andell | .... | assistant property master | |
| P. Scott Bailey | .... | set dresser (as Scott Bailey) | |
| Julie Brooke Beattie | .... | set dresser (as Julie Beattie) | |
| Louisa Bonnie | .... | set designer | |
| Mary A. Brady | .... | set dresser: Chicago (as Mary Brady) | |
| Javier Carrillo | .... | propmaker foreperson | |
| Daniel B. Clancy | .... | leadperson: Chicago | |
| Francis N. 'Lucky' Costello | .... | painter (as Frank 'Lucky' Costello) | |
| Jon Danniells | .... | lead man | |
| Dave DeGaetano | .... | construction coordinator | |
| Edward England | .... | construction coordinator: Chicago | |
| Andy Flores | .... | paint foreperson | |
| Joanna Gilliam | .... | set dresser | |
| Robert M. Hagman | .... | propmaker foreperson (as Bob Hagman) | |
| Aaron C. Holden Jr. | .... | assistant property master: Chicago | |
| Jack Johnson | .... | production illustrator | |
| Robert Kelter | .... | paint foreperson: Chicago (as Robert J. Kelter) | |
| Erin Kemp | .... | set designer | |
| Keith A. Kropf | .... | location foreman (as Keith Kropf) | |
| Robin Laughlin | .... | paint foreperson (as Bob Laughlin) | |
| Kacy Magedman | .... | art department coordinator | |
| Quentin Matthys | .... | set dresser: Chicago | |
| Steven B. Melton | .... | property master | |
| Tom Osman | .... | art department coordinator: Chicago | |
| Tyler Osman | .... | propmaker foreperson: Chicago | |
| Tyler Patton | .... | set dresser | |
| Walter J. Piers | .... | set dresser: Chicago (as Walter Piers) | |
| Mark Poll | .... | set designer | |
| Joel Prihoda | .... | labor foreperson: Chicago | |
| Steven Rigamat | .... | propmaker foreperson (as Steven W. Rigamat) | |
| Paul Stanwyck | .... | head scenic painter | |
| William Tessaro | .... | location foreman (as Bill Tessaro) | |
| Suzan Wexler | .... | assistant art director | |
| Tim Wilp | .... | head painter: Chicago (as Timothy W. Wilp) | |
| Ken Abraham | .... | set dresser (uncredited) | |
| Anthony Joseph Fatigato | .... | painter (uncredited) | |
| Sean Hood | .... | swing gang (uncredited) | |
| Troy Osman | .... | construction foreman (uncredited) | |
Special Effects by | |||
| Don Riozz McNichols | .... | special effects: Chicago (as Donald Rio McNichols) | |
| Matthew W. Mungle | .... | special effects makeup (as Matthew Mungle) | |
| Tom Ryba | .... | special effects coordinator: Chicago (as Thomas P. Ryba) | |
Visual Effects by | |||
| Rob Burton | .... | visual effects supervisor: DQI | |
| Mark Galvin | .... | visual effects executive producer: DQI | |
| Mike Gunning | .... | visual effects producer: DQI | |
| Michael S. Harbour | .... | 3D church modeling: Dream Quest Images | |
| Michael S. Harbour | .... | 3D church rendering: Dream Quest Images (as Michael Harbour) | |
| Rory Hinnen | .... | data management | |
| Jen Howard | .... | digital artist: Dream Quest Images | |
| Rick Lopez | .... | output technician: DQI | |
| Rick Lopez | .... | scanning: DQI | |
| John Murrah | .... | technical supervisor: Dream Quest Images | |
Stunts | |||
| Lanier Edwards | .... | stunts | |
| Rick Le Fevour | .... | stunts | |
| Ray Lykins | .... | stunts | |
| Ernie F. Orsatti | .... | stunt coordinator (as Ernie Orsatti) | |
| Noon Orsatti | .... | stunts | |
| Denney Pierce | .... | stunts | |
| Scott Blackwood | .... | stunt double (uncredited) | |
| Tom Lowell | .... | stunts (uncredited) | |
| Carl Paoli | .... | stunt double: Richard Gere (uncredited) | |
| Linda Perlin | .... | stunts (uncredited) | |
Casting Department | |||
| Tony Hobbs | .... | extras casting: Central/Cennex Casting | |
| Tracy Kaplan | .... | casting: Chicago | |
| DeVera Marcus | .... | voice casting (as Dee Marcus) | |
| Karen Miller | .... | casting associate | |
| Karen Peake | .... | extras casting: Chicago | |
| Alex Wald | .... | casting assistant (as Alex Rosenberg) | |
| Mary Tricia Wood | .... | casting assistant (as Tricia Wood) | |
| Patti Carns Kalles | .... | casting: Seattle (uncredited) | |
| Jason James | .... | casting: Seattle (uncredited) | |
| Regina Prokop | .... | extras casting coordinator (uncredited) | |
Costume and Wardrobe Department | |||
| Elaine Davis | .... | costumer | |
| Lori DeLapp | .... | costumer (as Lori McClellen) | |
| Kimberly Guenther | .... | costume supervisor | |
| Gary J. Saldutti | .... | costumer | |
| Adrienne Wait | .... | costumer | |
| Heather Pollock | .... | set costumer (uncredited) | |
Editorial Department | |||
| Jana Lynn Gold | .... | assistant film editor | |
| Phil Hetos | .... | color timer | |
| Douglas Kunin | .... | assistant film editor | |
| Farrel Levy | .... | additional editor (as Farrel Jane Levy) | |
| Skip MacDonald | .... | assistant film editor (as Skip Macdonald) | |
| Wendi Jill Raderman | .... | assistant film editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
Music Department | |||
| Terence Blanchard | .... | musician: horn solos | |
| Brad Dechter | .... | orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor (as Sandy De Crescent) | |
| James Newton Howard | .... | orchestrator | |
| Artie Kane | .... | conductor | |
| Jo Ann Kane | .... | music preparation | |
| Tom Kramer | .... | preview music editor | |
| Michael Mason | .... | music scoring coordinator | |
| Shawn Murphy | .... | score mixer | |
| Shawn Murphy | .... | score recordist | |
| David Olson | .... | assistant music editor | |
| J. Peter Robinson | .... | composer: incidental source music | |
| Jim Weidman | .... | music editor | |
| Michael Mason | .... | score co-producer (uncredited) | |
Transportation Department | |||
| Steve Brodsky | .... | transportation coordinator (as Steven Brodsky) | |
| Michael P. Deal | .... | transportation captain: Chicago | |
| Craig Fehrman | .... | transportation captain | |
| James F. Hogan | .... | transportation captain: Chicago (as James A. Hogan) | |
| Thaddeus E. Larkowski | .... | transportation coordinator: Chicago | |
| Gaston Veilleux | .... | transportation captain | |
| Robert Wallace | .... | driver (uncredited) | |
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| Presumed Innocent | Fracture | Basic Instinct | The Godfather | Just Cause |
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| Full cast and crew | Company credits | External reviews |
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Rating: ** 1/2 out of ****
Here's a film I remembered being a huge fan of back when I first saw it in theaters in '96. Seeing it again for the third time since, it doesn't quite live up to my fond memories. Aside from Edward Norton's scene-stealing performance as suspect Aaron Stampler, there's really not much about the film that separates it from most of the genre. The plot, concerning the murder of a beloved archbishop at the alleged hands of an innocent-looking altar boy and the eventual high-profile trial, is certainly rife with potential but is never executed beyond the level that's expected of a competent pulp thriller.
But credit should be given where it's due, especially the first hour of the film, which does a pretty solid job of setting up the film as an engrossing mix of murder mystery and courtroom drama. The performances are all solid, with Richard Gere providing yet another effective variation of the slick, cocky persona (this time as a "big-shot attorney") he's mastered and Laura Linney acting convincingly stressed out and aggravated by the understandably vexing situation her character's been placed in.
But with all the pieces in place in the first half, the film never quite results in the tight, suspenseful thriller we expect. The most noticeable problem is excess baggage, with the film too often straying from the case at hand and veering towards less interesting tangents. There's just too much chaff here, with subplots that include the romantic tension between Linney and Gere, the writer doing the article on Vail, and the housing development project that simply takes up too much of the movie's already overlong running time.
Equally problematic is a major plot twist halfway through which, while effective in its own right and allows the opportunity for Norton to stretch his considerable acting talent, ultimately lessens the speculative tension that these thrillers usually rely on. From that point on, most of the enjoyment is derived from Norton's performance, and though it's not quite the show-stopper I once considered it to be (probably doesn't help I just saw this flick after his absolutely incredible performance in American History X), it's still one of the better debut performances any actor has ever put forth.
It's with some relief that I can at least say the film saves its best scenes for last (the last three minutes are quite memorable), and definitely finishes things off on a high note. Primal Fear was directed by Gregory Hoblit, who's actually proved himself a pretty skillful filmmaker when it comes to crafting thrillers. This one's merely competent, no more and no less.