Both Wil Wheaton and Leonardo DiCaprio turned down the part of Aaron Stampler. Wheaton turned down the role because he did not want to put off his acting school, and when his manager urged him to take the role anyway, he told him, "It is like Luke Skywalker when Yoda told him not to go and save his friends, but to stay on Dagobah and learn to be a Jedi instead. Luke didn't listen to him and that's why he never became true Jedi master." Later, Wheaton regretted turning this role down, saying that this was a crucial factor why his career never got to be a successful one. See more »
The video recording of both psychiatrist's interviews with
Aaron do not match the meetings we originally saw. See more »
[in a private room inside the district attorney's office]
Mr. Pinero has never been convicted of anything. Cops jumped him, he was left bleeding in the snow. It's a miracle he survived. Having said that, I am not opposed to a settlement.
A million-five and Pinero leaves the state.
You can't limit a citizen's right to live wherever he wants to. Legally, that's unenforceable.
Whether or not it's enforceable or just a gentleman's agreement, Mr. Pinero will know what we want.
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Edward Norton delivers the chills...(POSSIBLE SPOILERS AHEAD)
PRIMAL FEAR is a good old-fashioned thriller with a modern twist. The plot concerns an altar boy accused of killing a clergyman who molested him and a sleazy lawyer who sees a chance to make tabloid news by taking the case. What he doesn't know is that his client can be just as cunning as he is.
RICHARD GERE seemed to specialize in playing these kind of low-down heels (typecasting does have its perils), and LAURA LINNEY as the prosecuting lawyer has her hands full trying to play a game of one-upmanship against him during an intense courtroom trial.
The story ends on a chilling note, thanks largely to the clever, intense and totally convincing performance ED NORTON gives in his film debut. As the guy who seems to have a devious split personality driving him to do bad things, he's the kind of actor who makes the audience sit up and take notice of his abrupt mood changes. It's no wonder he pulls the wool over so many eyes.
Having said that, it's the climax of the film that is most stunning and brings the story to a totally unexpected conclusion. It's the kind of chilling twist that only the most clever scriptwriters can devise and make seem probable--but it succeeds here.
Summing up: The kind of film you'll want to revisit once you know the whole score. Gere, Linney and Norton deserve high praise.
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