When trying out for the role of the altar boy, Edward Norton went into the audition in character. Meeting with casting director Deborah Aquila, he quietly stuttered as Aaron and then suddenly turned into Roy, roughly grabbing her to the point where she was worried about her own safety. See more »
The blood at the scene of the murder (where Mr.Vail comes in some days after the murder), and the blood on Aaron's sneakers, shown in the court, should
be brown, because some time has passed and blood coagulates. When blood coagulates it turns from red to brown. See more »
On my first day of law school, my professor says two things. First was; "From this day forward, when your mother tells you she loves you - get a second opinion."
"If you want justice, go to a whorehouse. If you wanna get fucked, go to court."
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In this strong, twisting court room crime drama thriller, a young Edward Norton shines with this performance that makes the movie a strong, unsettling movie. The dynamic tension between Richard Gere and Laura Linney lends to the underlying swirling dance of political and emotional turmoil that lies beneath the surface of District Attorney and high-profile attorney Gere. While by today's standards (2006) the storyline is now pretty typical, it retains a resonance because of the plot and storyline as well as the acting. Still, the edges of the movie are almost too polished. Some of the technical matters overlooked. Alfre Woodard has a credible role as the courtroom judge and Frances McDormand provides a decent hand as a psychologist (though this key role was a bit weak in comparison to the rest of the movie in terms of the crucial nature that it plays). Gere's tangled relationship with his own team is also fascinating to watch though again a bit torn and tattled with a few lose ends but the supporting cast does well. Overall, this is a solid courtroom crime drama with a nice ripping ending. Eight out of Ten Stars.
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