Good natured Reverend Henry Biggs finds that his marriage to choir mistress Julia is flagging, due to his constant absence caring for the deprived neighborhood they live in. On top of all ... See full summary »
Vada Sultenfuss is obsessed with death. Her mother is dead, and her father runs a funeral parlor. She is also in love with her English teacher, and joins a poetry class over the summer just... See full summary »
Good natured Reverend Henry Biggs finds that his marriage to choir mistress Julia is flagging, due to his constant absence caring for the deprived neighborhood they live in. On top of all this, his church is coming under threat from property developer Joe Hamilton. In desperation, Rev. Biggs prays to God for help - and help arrives in the form of an angel named Dudley. However, Dudley's arrival seems to cause even more trouble... Written by
Jonathan Broxton <firstname.lastname@example.org>
Denzel Washington originally wanted Julia Roberts for the part of Julia Biggs. After he realized that Whitney Houston would be better for the role, he offered it to her but she turned it down. Washington continued to ask her for a year until she finally agreed. See more »
Just because you can't see the air doesn't keep you from breathing. And just because you can't see God doesn't keep you from believing.
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I saw this when it was in the theaters. I basically loved it mainly for its music and Jennifer Lewis' (Julia's mother) performance, but also I loved the opening and closing (climax) scenes. I'm basically a sucker for that kind of thing, and I understand how other people wouldn't find it interesting. I just saw the movie (The Bishop's Wife) which it was based on and finally feel qualified to comment. TPW was not just a remake of TBW, but more of a combination of TBW and "It's a Wonderful Life." Henry in TPW was the character of Jimmy Stewart in IWL, always caring for the underdog (altho very cynical to the angel's angelhood); Joe Hamilton in TPW was "Mr Potter" of the same, with his schemes to redevelop and control the town. I actually found it charming the way elements of TBW found themselves woven into TPW: the ice skating scene, the typewriter-turned-PC, the final sermon, to name a few. But I did realize that the message had been diluted into a feel-good comedy. There are no moments where one feels deeply moved merely by dialogue, such as TBW's Dudley's story of David and the Lion, which captivates the Bishop's entire household, down to the all-business secretary (not to mention the audience!). In TPW, we are made to be moved by the beautiful music; and as such, I guess we might as well just buy the soundtrack. TBW reminded me that special effects are only as good as the movie itself.
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